3ed11/9: Difference between revisions

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{{ED intro}}
{{ED intro}}


11 steps of this temperament is an extremely close approximation of :13², having only 0.5% relative error. 6 steps is exactly :11² (since 3 steps is 9:11), so :11²:13² (81:121:169) is well approximated, which represents the approximate 2:3:4 created by overtones of chimes.<ref>[https://en.wikipedia.org/wiki/Strike_tone#Tuning_a_bell Wikipedia | ''Strike tone'']</ref>
11 steps of this temperament is an extremely close approximation of 9<sup>2</sup>:13<sup>2</sup>, having only 0.5% relative error. 6 steps is exactly 9<sup>2</sup>:11<sup>2</sup> (since 3 steps is 9:11), so 9<sup>2</sup>:11<sup>2</sup>:13<sup>2</sup> (81:121:169) is well approximated, which represents the approximate 2:3:4 created by overtones of chimes.<ref>[https://en.wikipedia.org/wiki/Strike_tone#Tuning_a_bell Wikipedia | ''Strike tone'']</ref>


:11²:13²:17²:23² is also very well approximated, as is 19²:21².
9<sup>2</sup>:11<sup>2</sup>:13<sup>2</sup>:17<sup>2</sup>:23<sup>2</sup> is also very well approximated, as is 15<sup>2</sup>:19<sup>2</sup>:21<sup>2</sup>.


===Approximation of odd square harmonics relative to ===
===Approximation of odd square harmonics relative to 9<sup>2</sup>===


{{todo|inline=1|formatting}}
{{todo|inline=1|formatting}}
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ratio | steps | relative error | absolute error
ratio | steps | relative error | absolute error


:| -66 | -30.4% | -35.2¢
1<sup>2</sup>:9<sup>2</sup> | -66 | -30.4% | -35.2¢


:| -33 | -15.2% | -17.6¢
3<sup>2</sup>:9<sup>2</sup> | -33 | -15.2% | -17.6¢


:| -18 | -42.5% | -49.3¢
5<sup>2</sup>:9<sup>2</sup> | -18 | -42.5% | -49.3¢


:| -8 | -48.6% | -56.3¢
7<sup>2</sup>:9<sup>2</sup> | -8 | -48.6% | -56.3¢


:| 0 | 0% | 0¢
9<sup>2</sup>:9<sup>2</sup> | 0 | 0% | 0¢


11²:| 6 | 0% | 0¢
11<sup>2</sup>:9<sup>2</sup> | 6 | 0% | 0¢


13²:| 11 | -0.51% | -0.59¢
13<sup>2</sup>:9<sup>2</sup> | 11 | -0.51% | -0.59¢


15²:| 15 | -27.4% | -32.1¢
15<sup>2</sup>:9<sup>2</sup> | 15 | -27.4% | -32.1¢


17²:| 19 | -1.6% | -1.8¢
17<sup>2</sup>:9<sup>2</sup> | 19 | -1.6% | -1.8¢


19²:| 22 | -34.2% | -39.5¢
19<sup>2</sup>:9<sup>2</sup> | 22 | -34.2% | -39.5¢


21²:| 25 | -33.4% | -38.7¢
21<sup>2</sup>:9<sup>2</sup> | 25 | -33.4% | -38.7¢


23²:| 28 | -5.4% | -6.3¢
23<sup>2</sup>:9<sup>2</sup> | 28 | -5.4% | -6.3¢


[[9ed11/9]] is a possible correction for 15, 19, and 21.
[[9ed11/9]] is a possible correction for 15, 19, and 21.

Latest revision as of 02:45, 6 March 2026

← 2ed11/9 3ed11/9 4ed11/9 →
Prime factorization 3 (prime)
Step size 115.803 ¢ 
Octave 10\3ed11/9 (1158.03 ¢)
(semiconvergent)
Twelfth 16\3ed11/9 (1852.84 ¢)
(semiconvergent)
Consistency limit 3
Distinct consistency limit 3

3 equal divisions of 11/9 (abbreviated 3ed11/9) is a nonoctave tuning system that divides the interval of 11/9 into 3 equal parts of about 116 ¢ each. Each step represents a frequency ratio of (11/9)1/3, or the cube root of 11/9.

11 steps of this temperament is an extremely close approximation of 92:132, having only 0.5% relative error. 6 steps is exactly 92:112 (since 3 steps is 9:11), so 92:112:132 (81:121:169) is well approximated, which represents the approximate 2:3:4 created by overtones of chimes.[1]

92:112:132:172:232 is also very well approximated, as is 152:192:212.

Approximation of odd square harmonics relative to 92

Todo: formatting

ratio | steps | relative error | absolute error

12:92 | -66 | -30.4% | -35.2¢

32:92 | -33 | -15.2% | -17.6¢

52:92 | -18 | -42.5% | -49.3¢

72:92 | -8 | -48.6% | -56.3¢

92:92 | 0 | 0% | 0¢

112:92 | 6 | 0% | 0¢

132:92 | 11 | -0.51% | -0.59¢

152:92 | 15 | -27.4% | -32.1¢

172:92 | 19 | -1.6% | -1.8¢

192:92 | 22 | -34.2% | -39.5¢

212:92 | 25 | -33.4% | -38.7¢

232:92 | 28 | -5.4% | -6.3¢

9ed11/9 is a possible correction for 15, 19, and 21.