11-odd-limit: Difference between revisions
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DesertFreeze (talk | contribs) Partch did not base his 43-tone scale off of the 11-odd-limit; revision |
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{{Odd-limit navigation|11}} | {{Odd-limit navigation|11}} | ||
{{Odd-limit intro|11}} | {{Odd-limit intro|11}} | ||
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* '''[[12/11]], [[11/6]]''' | * '''[[12/11]], [[11/6]]''' | ||
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The one which is distinctly consistent in the same is [[58edo]] (also the smallest EDO to be consistent in the [[17-odd-limit]]). | The one which is distinctly consistent in the same is [[58edo]] (also the smallest EDO to be consistent in the [[17-odd-limit]]). | ||
== Link to Harry Partch == | |||
The 11-odd-limit is significant to [[Harry Partch]]'s instruments and theorization. He built his [[:File:Diamond marimba layout.png|diamond marimba]], (along with many other instruments), off of the [[11-odd-limit]], more specifically, his 11-odd-limit [[tonality diamond]], a concept he pioneered and (primarily) created. | |||
== See also == | == See also == | ||