22edo: Difference between revisions
m →Stretched and compressed tunings: Temporary improvement until the roll out of the standard |
→Octave stretch or compression: 22et isn't a reasonable 13-limit temp to begin with |
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=== Subsets and supersets === | === Subsets and supersets === | ||
As 22 is divisible by 11, a 22edo instrument can play any music in 11edo, in the same way that [[12edo]] can play [[6edo]] (the whole tone scale). 11edo is interesting for sounding melodically very similar to 12edo (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. Similarly, 22edo is melodically similar to [[24edo]] as both contain quarter-tones and minor, neutral, and major seconds; but 22edo offers much better all-around harmonies than 24. In [[Sagittal notation]], 11 can be notated as every other note of 22. | As 22 is divisible by 11, a 22edo instrument can play any music in 11edo, in the same way that [[12edo]] can play [[6edo]] (the whole tone scale). 11edo is interesting for sounding melodically very similar to 12edo (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. Similarly, 22edo is melodically similar to [[24edo]] as both contain quarter-tones and minor, neutral, and major seconds; but 22edo offers much better all-around harmonies than 24. In [[Sagittal notation]], 11 can be notated as every other note of 22. | ||
== Defining features == | == Defining features == | ||
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| [[Undeka]]<br>[[Hendecatonic]] | | [[Undeka]]<br>[[Hendecatonic]] | ||
|} | |} | ||
== Octave stretch or compression == | |||
22edo can benefit from slightly compressing the octave, especially when using it as an 11-limit equal temperament. With the right amount of stretch we can find a slightly better 3rd harmonic and significantly better 7th harmonic at the expense of somewhat less accurate approximations of 5 and 11. | |||
; 22edo | |||
* Step size: 54.545{{c}}, octave size: 1200.000{{c}} | |||
Pure-octaves 22edo approximates all harmonics up to 16 but 13 within 14.3{{c}}. | |||
{{Harmonics in equal|22|2|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 22edo}} | |||
{{Harmonics in equal|22|2|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 22edo (continued)}} | |||
; [[WE|22et, 11-limit WE tuning]] | |||
* Step size: 54.494{{c}}, octave size: 1198.859{{c}} | |||
Compressing the octave of 22edo by around 1.1{{c}} results in slightly improved primes 3, 7, and 17, but slightly worse primes 5 and 11. This approximates all harmonics up to 16 but 13 within 10.6{{c}}. Both 11-limit TE and WE tunings do this. | |||
{{Harmonics in cet|54.493592|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 22et, 11-limit WE tuning}} | |||
{{Harmonics in cet|54.493592|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 22et, 11-limit WE tuning (continued)}} | |||
; [[ZPI|80zpi]] | |||
* Step size: 54.483{{c}}, octave size: 1198.630{{c}} | |||
Compressing the octave of 22edo by around 1.4{{c}} results in slightly improved primes 3, 7 and 17, but slightly worse primes 5 and 11. This approximates all harmonics up to 16 but 13 within 10.6{{c}}. The tuning 80zpi does this. | |||
{{Harmonics in cet|54.483|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 80zpi}} | |||
{{Harmonics in cet|54.483|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 80zpi (continued)}} | |||
; [[57ed6]] | |||
* Step size: 54.420{{c}}, octave size: 1197.246{{c}} | |||
Compressing the octave of 22edo by around 2.8{{c}} results in greatly improved primes 3 and 7, but far worse primes 5 and 11 and a [[JND|just noticeably worse]] 2. The mapping of 13 differs from 22edo but has about the same amount of error. This approximates all harmonics up to 16 but 13 within 15.4{{c}}. With its worse 5 and 11, it only really makes sense as a [[2.3.7 subgroup|2.3.7-subgroup]] tuning, e.g. for [[archy]] (2.3.7-subgroup superpyth) temperament. The tuning 57ed6 does this. | |||
{{Harmonics in equal|57|6|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 57ed6}} | |||
{{Harmonics in equal|57|6|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 57ed6 (continued)}} | |||
; [[35edt]] | |||
* Step size: 54.342{{c}}, octave size: 1195.515{{c}} | |||
Compressing the octave of 22edo by around 4.5{{c}} results in greatly improved primes 3, 7 and 13, but far worse primes 5 and 11 and a moderately worse 2. This approximates all harmonics up to 16 within 21.4{{c}}. The tunings 35edt and [[62ed7]] both do this. This extends 57ed6's 2.3.7-subgroup tuning into a [[2.3.7.13 subgroup|2.3.7.13-subgroup]] tuning. | |||
{{Harmonics in equal|35|3|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 35edt}} | |||
{{Harmonics in equal|35|3|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 35edt (continued)}} | |||
== Scales == | == Scales == |