Flattone: Difference between revisions

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'''Flattone''' is an alternative [[extension]] to [[5-limit]] [[meantone]], the [[temperament]] that [[tempering out|tempers out]] the [[81/80|syntonic comma (81/80)]]. It is generated by a fifth that is typically flatter than that of [[septimal meantone]], and nine of those reach the [[pitch class]] of [[8/7]], so that [[7/4]] is a diminished seventh (C-B๐„ซ), [[7/6]] is a diminished third (C-E๐„ซ), and [[7/5]] is a doubly diminished fifth (C-G๐„ซ). Although 7/4 is simpler than in septimal meantone, the full [[9-odd-limit]] [[tonality diamond]] is more complex as the 5 and 7 are reached by going in opposite directions, while also being less accurate. ย 
'''Flattone''' is an alternative [[extension]] to [[5-limit]] [[meantone]], the [[temperament]] that [[tempering out|tempers out]] the [[81/80|syntonic comma (81/80)]]. It is generated by a fifth that is typically flatter than that of [[septimal meantone]], and nine of those reach the [[pitch class]] of [[8/7]], so that [[7/4]] is a diminished seventh (Cโ€“B๐„ซ), [[7/6]] is a diminished third (Cโ€“E๐„ซ), and [[7/5]] is a doubly diminished fifth (Cโ€“G๐„ซ). Although 7/4 is simpler than in septimal meantone, the full [[9-odd-limit]] [[tonality diamond]] is more complex as the 5 and 7 are reached by going in opposite directions, while also being less accurate. ย 


However, it makes up for that by having simpler 11- and 13-limit interpretations โ€“ the whole tone is now flat enough that it can function as [[9/8]], [[10/9]] and [[11/10]], tempering out [[100/99]] and making [[11/8]] an augmented fourth (C-F#). This means the major third functions as both 5/4 and 11/9. Tempering out [[65/64]] means it also represents their [[mediant]] [[16/13]], making [[13/8]] a minor sixth (C-A♭) and a full otonal chord of 8:9:10:11:12:13:14:15:16 accessible with a gamut of 16 notes, compared to 19 for tridecimal meantone or the 29 required by [[meanpop]].
However, it makes up for that by having simpler 11- and 13-limit interpretations โ€“ the whole tone is now flat enough that it can function as [[9/8]], [[10/9]] and [[11/10]], tempering out [[100/99]] and making [[11/8]] an augmented fourth (Cโ€“F#). This means the major third functions as both 5/4 and 11/9. Tempering out [[65/64]] means it also represents their [[mediant]] [[16/13]], making [[13/8]] a minor sixth (Cโ€“Aโ™ญ) and a full otonal chord of 8:9:10:11:12:13:14:15:16 accessible with a gamut of 16 notes, compared to 19 for tridecimal meantone or the 29 required by [[meanpop]].
[[File:45EDO_Otonal.mp3|none|thumb|Harmonic scale 8-16 in 45edo, using the flattone mappings for 13 & 15 rather than the best direct approximations.]]
[[File:45EDO_Otonal.mp3|none|thumb|Harmonic scale 8โ€“16 in 45edo, using the flattone mappings for 13 & 15 rather than the best direct approximations.]]


Reasonable tunings lie between [[19edo]] and [[26edo]]. 19edo is the point where 7/4 and [[12/7]] are conflated. Any tuning whose fifth is sharper than 19edo's has the sizes of 7/4 and 12/7 inverted, so they can be more properly analysed as septimal meantone. Similarly, 26edo is the point where 7/5 and [[10/7]] are conflated. Any tuning whose fifth is flatter than 26edo's has the sizes of 7/5 and 10/7 inverted, so they can be more properly analysed as a [[Meantone_family#Flattertone|flatter-than-flattone temperament]]. ย 
Reasonable tunings lie between [[19edo]] and [[26edo]]. 19edo is the point where 7/4 and [[12/7]] are conflated. Any tuning whose fifth is sharper than 19edo's has the sizes of 7/4 and 12/7 inverted, so they can be more properly analysed as septimal meantone. Similarly, 26edo is the point where 7/5 and [[10/7]] are conflated. Any tuning whose fifth is flatter than 26edo's has the sizes of 7/5 and 10/7 inverted, so they can be more properly analysed as a [[Meantone family #Flattertone|flatter-than-flattone temperament]]. ย 


See [[Meantone family #Flattone]] for technical data. ย 
See [[Meantone family #Flattone]] for technical data. ย 
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In the following table, odd harmonics 1โ€“13 are in '''bold'''. ย 
In the following table, odd harmonics 1โ€“13 are in '''bold'''. ย 
{| class="wikitable center-1 right-2"
{| class="wikitable center-1 right-2"
! #
! #
! Cents*
! Cents*
! Approximate Ratios
! Approximate ratios
|-
|-
| 0
| 0
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| 10/7
| 10/7
|}
|}
<nowiki />* In 13-limit CTE tuning
<nowiki>*</nowiki> In 13-limit CTE tuning, octave reduced
ย 
=== As a detemperament of 7et ===
Flattone is best analyzed as a 7-form system. It is melodically intuitive compared to standard meantone, in that 7-limit intervals are found as augmented and diminished versions of the category they "should" belong to (that is, the quartertone represents both 25/24 and 64/63).
ย 
{| class="wikitable right-2 right-4 right-6 right-8 right-10"
! rowspan="2" | Interval category
! colspan="2" | -2 quartertones
! colspan="2" | -1 quartertone
! colspan="2" | 0 quartertones
! colspan="2" | 1 quartertone
! colspan="2" | 2 quartertones
|-
! Cents*
! Approx. ratios
! Cents*
! Approx. ratios
! Cents*
! Approx. ratios
! Cents*
! Approx. ratios
! Cents*
! Approx. ratios
|-
| Unison
| 1098
| 28/15
| 1149
| 48/25, 52/27, 64/33, 35/18, 98/55, 63/32
| 0
| 1/1
| 51
| 25/24, 27/26, 33/32, 36/35, 55/54, 64/63
| 102
| 15/14
|-
| Second
| 84
| 28/27, 21/20
| 135
| 16/15, 12/11, 13/12, 14/13
| 186
| 9/8, 10/9, 11/10
| 237
| 8/7, 15/13
| 288
|
|-
| Third
| 219
|
| 270
| 7/6
| 321
| 6/5
| 372
| 5/4, 16/13, 26/21
| 423
| 9/7
|-
| Fourth
| 405
|
| 456
| 13/10, 21/16
| 507
| 4/3
| 558
| 11/8, 18/13
| 609
| 10/7
|-
| Fifth
| 591
| 7/5
| 642
| 16/11, 13/9
| 693
| 3/2
| 744
| 20/13, 32/21
| 795
|
|-
| Sixth
| 777
| 14/9
| 828
| 8/5, 13/8, 21/13
| 879
| 5/3
| 930
| 12/7
| 981
|
|-
| Seventh
| 912
|
| 963
| 7/4, 26/15
| 1014
| 9/5, 16/9
| 1065
| 15/8, 11/6, 13/7, 24/13
| 1116
| 40/21, 27/14
|}


== Scales ==
== Scales ==
* [[Flattone12]] &ndash; 12-tone chromatic scale in 13-limit POTE tuning
* [[Flattone12]] โ€“ 12-tone chromatic scale in 13-limit POTE tuning


== Tunings ==
== Tunings ==
=== Tuning spectrum ===
=== Tuning spectrum ===
{| class="wikitable center-all left-4"
{| class="wikitable center-all left-4"
! Edo<br />Generator
! Edo<br>generator
! [[Eigenmonzo|Eigenmonzo<br />(Unchanged-interval)]]*
! [[Eigenmonzo|Eigenmonzo<br>(unchanged-interval)]]*
! Generator<br />(ยข)
! Generator<br>(ยข)
! Comments
! Comments
|-
|-
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| [[Pythagorean tuning]]
| [[Pythagorean tuning]]
|}
|}
<nowiki />* Besides the octave
<nowiki/>* Besides the octave


[[Category:Flattone| ]] <!-- Main article -->
[[Category:Flattone| ]] <!-- Main article -->
[[Category:Temperaments]]
[[Category:Rank-2 temperaments]]
[[Category:Rank-2 temperaments]]
[[Category:Meantone family]]
[[Category:Meantone family]]
[[Category:Avicennmic temperaments]]
[[Category:Avicennmic temperaments]]
[[Category:Keemic temperaments]]
[[Category:Keemic temperaments]]