Historical temperaments: Difference between revisions
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** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ||
*** [[Young I]] (<small>1800</small>) | *** [[Young I]] (<small>1800</small>) | ||
*** Young II (<small>''same as [[Vallotti]] | *** Young II (<small>''same as [[Vallotti]] 1728''</small>) | ||
== See also == | == See also == | ||
* ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning | * ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning | ||
* [[Ancient Greek]] musical tradition | * [[Ancient Greek]] musical tradition | ||
** [[Tetrachord]]s | ** [[Tetrachord]]s | ||
* [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975). | * [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975). | ||