Historical temperaments: Difference between revisions
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* [[Pythagorean tuning]] | * [[Pythagorean tuning]] | ||
* [[Meantone]] ( | * [[Meantone]] (sorted by: tuning of [[3/2]], flattest to sharpest) | ||
**[[19edo]] (<small>''Costeley 1558''</small>)<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref> | **[[19edo]] (<small>''Costeley 1558''</small>)<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref> | ||
**'''[[1/3-comma meantone|1/3 comma]]''' (<small>''Salinas 1577''</small>)<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref> | **'''[[1/3-comma meantone|1/3 comma]]''' (<small>''Salinas 1577''</small>)<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref> | ||
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**[[12edo]] (<small>''Chu Tsai-yü 1596''</small>)<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref> | **[[12edo]] (<small>''Chu Tsai-yü 1596''</small>)<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref> | ||
* [[Well temperament]] ( | * [[Well temperament]] (sorted by: date described, oldest to youngest) | ||
** [[Fogliano]] (<small>1529</small>)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref> | ** [[Fogliano]] (<small>1529</small>)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref> | ||
** Werckmeister (<small>1691</small>)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref> | ** Werckmeister (<small>1691</small>)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref> | ||
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** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref> | ||
*** [[Young I]] (<small>1800</small>) | *** [[Young I]] (<small>1800</small>) | ||
*** Young II (<small>''same as [[Vallotti]] | *** Young II (<small>''same as [[Vallotti]] 1728''</small>) | ||
== See also == | == See also == | ||
* ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning | * ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning | ||
* [[Ancient Greek]] musical tradition | * [[Ancient Greek]] musical tradition | ||
** [[Tetrachord]]s | ** [[Tetrachord]]s | ||
* [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975). | * [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975). | ||
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== Notes == | == Notes == | ||
<nowiki>*historical source needed</nowiki> | <nowiki>*historical source needed</nowiki>{{todo|research|expand}} | ||
<references /> | |||
[[Category:Lists of temperaments]] | [[Category:Lists of temperaments]] | ||
[[Category:Historical]] | [[Category:Historical]] | ||