63edo: Difference between revisions
m →Higher-accuracy interpretations: finish removing intervals of 75 cuz somehow i forgot to check for 75*2=150 |
→Rank-2 temperaments: 81/80 can't be the associated ratio for 1\63 in Sevond, because 63edo maps 81/80 inconsistently to 2\63; I think 64/63 fits the bill, but better check on that |
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== Theory == | == Theory == | ||
63edo [[tempering out|tempers out]] [[3125/3072]] in the 5-limit and [[225/224]], [[245/243]], and [[875/864]] in the 7-limit, so that it [[support]]s [[magic]] temperament. In the 11-limit it tempers out [[100/99]], supporting 11-limit magic, plus [[385/384]] and [[540/539]], [[896/891]]. In the 13-limit it tempers out [[169/168]], [[275/273]], [[640/637]], [[352/351]], [[364/363]] and [[676/675]]. It provides the [[optimal patent val]] for [[immune]], the {{nowrap| 29 & 34d }} temperament in the 7-, 11- and 13-limit. | 63edo is almost [[consistent]] to the [[15-odd-limit]]; the only inconsistency is that [[10/9]] is mapped to 9\63 (1\7, the same as what [[11/10]] is mapped to consistently) so that it is almost 11{{cent}} out of tune. This corresponds to 63edo exaggerating the syntonic comma, [[81/80]], to two steps, so that it finds a somewhat flat mean-tone between ~10/9 and ~9/8. | ||
As an equal temperament, it [[tempering out|tempers out]] [[3125/3072]] in the 5-limit and [[225/224]], [[245/243]], and [[875/864]] in the 7-limit, so that it [[support]]s [[magic]] temperament. In the 11-limit it tempers out [[100/99]], supporting 11-limit magic, plus [[385/384]] and [[540/539]], [[896/891]]. In the 13-limit it tempers out [[169/168]], [[275/273]], [[640/637]], [[352/351]], [[364/363]] and [[676/675]]. It provides the [[optimal patent val]] for [[immune]], the {{nowrap| 29 & 34d }} temperament in the 7-, 11- and 13-limit. | |||
63 is also a fascinating division to look at in the [[47-limit]]. Although it does not deal as well with primes 5, 17, 19, 37 and 41, it excels in the 2.3.7.11.13.23.29.31.43.47 [[subgroup]], and is a great candidate for a [[gentle]] tuning. Its regular augmented fourth (+6 fifths) is less than 0.3 cents sharp of [[23/16]], therefore tempering out [[736/729]]. Its diesis (+12 fifths) can represent [[33/32]], [[32/31]], [[30/29]], [[29/28]], [[28/27]], as well as [[91/88]], and more, so it is very versatile, making chains of fifths of 12 tones or longer very useful in covering harmonic and melodic ground while providing a lot of different colour in different keys. We can take advantage of the representation of 27:28:29:30:31:32:33, which splits [[11/9]] into six "small dieses" as a result; here it can be seen more clearly why these are not regular quarter-tones so are best distinguished from such with the qualifier "large", as otherwise we would expect to see some flavour of minor third after six of them. | 63 is also a fascinating division to look at in the [[47-limit]]. Although it does not deal as well with primes 5, 17, 19, 37 and 41, it excels in the 2.3.7.11.13.23.29.31.43.47 [[subgroup]], and is a great candidate for a [[gentle]] tuning. Its regular augmented fourth (+6 fifths) is less than 0.3 cents sharp of [[23/16]], therefore tempering out [[736/729]]. Its diesis (+12 fifths) can represent [[33/32]], [[32/31]], [[30/29]], [[29/28]], [[28/27]], as well as [[91/88]], and more, so it is very versatile, making chains of fifths of 12 tones or longer very useful in covering harmonic and melodic ground while providing a lot of different colour in different keys. We can take advantage of the representation of 27:28:29:30:31:32:33, which splits [[11/9]] into six "small dieses" as a result; here it can be seen more clearly why these are not regular quarter-tones so are best distinguished from such with the qualifier "large", as otherwise we would expect to see some flavour of minor third after six of them. | ||
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| 10 | | 10 | ||
| 190.5 | | 190.5 | ||
| [[29/26]], [[39/35]], [[49/44]] | | [[19/17]], [[29/26]], [[39/35]], [[49/44]] | ||
|- | |- | ||
| 11 | | 11 | ||
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| 53 | | 53 | ||
| 1009.5 | | 1009.5 | ||
| [[52/29]], [[70/39]], [[88/49]] | | [[34/19]], [[52/29]], [[70/39]], [[88/49]] | ||
|- | |- | ||
| 54 | | 54 | ||
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=== Higher-accuracy interpretations === | === Higher-accuracy interpretations === | ||
The following table was created using [[User:Godtone#My python 3 code|Godtone's code]] with the command <code><nowiki>interpret_edo(63,ol=53,no=[5,17,19,25,27,37,41,51],add=[73,75,87,89,91,93,105],dec="''",wiki=23)</nowiki></code> (run in a Python 3 interactive console) plus manual correction of the order of some inconsistent intervals | The following table was created using [[User:Godtone#My python 3 code|Godtone's code]] with the command <code><nowiki>interpret_edo(63,ol=53,no=[5,17,19,25,27,37,41,51],add=[73,75,87,89,91,93,105],dec="''",wiki=23)</nowiki></code> (run in a Python 3 interactive console) plus manual correction of the order of some inconsistent intervals, removal of unsimplified intervals of 75, and adding of (the inconsistent but simple) 10/9, 21/20 and their octave-complements. | ||
As the command and description indicates, it is a(n accurate) "no-5's"* no-17's no-19's no-25's no-27's no-37's no-41's 49-odd-limit add-53 add-63 add-73 add-87 add-89 add-91 add-93 add-105 interpretation, tuned to the strengths of 63edo. * Note that because of the cancellation of factors, some odd harmonics of 5 (the simpler/more relevant ones) are present, EG {{nowrap|75/3 {{=}} 25}}, {{nowrap|45/3 {{=}} 15}}, {{nowrap|105/75 {{=}} 7/5}}, {{nowrap| 75/35/2 {{=}} 15/14}}, and {{nowrap|45/9 {{=}} 5}}, so it isn't really "no-5's", just has a de-emphasized focus. | As the command and description indicates, it is a(n accurate) "no-5's"* no-17's no-19's no-25's no-27's no-37's no-41's 49-odd-limit add-53 add-63 add-73 add-87 add-89 add-91 add-93 add-105 interpretation, tuned to the strengths of 63edo. * Note that because of the cancellation of factors, some odd harmonics of 5 (the simpler/more relevant ones) are present, EG {{nowrap|75/3 {{=}} 25}}, {{nowrap|45/3 {{=}} 15}}, {{nowrap|105/75 {{=}} 7/5}}, {{nowrap| 75/35/2 {{=}} 15/14}}, and {{nowrap|45/9 {{=}} 5}}, so it isn't really "no-5's", just has a de-emphasized focus. | ||
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| 5 | | 5 | ||
| 95.24 | | 95.24 | ||
| 98/93, [[96/91]], 94/89, 56/53, 93/88, 92/87, 91/86, 89/84, [[35/33]], [[52/49]] | | ''[[21/20]]'', 98/93, [[96/91]], 94/89, 56/53, 93/88, 92/87, 91/86, 89/84, [[35/33]], [[52/49]] | ||
|- | |- | ||
| 6 | | 6 | ||
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| 9 | | 9 | ||
| 171.43 | | 171.43 | ||
| [[11/10]], 98/89, 43/39, 32/29, 53/48, 116/105, 73/66, 52/47, 31/28 | | [[11/10]], 98/89, 43/39, 32/29, 53/48, 116/105, 73/66, 52/47, 31/28, ''[[10/9]]'' | ||
|- | |- | ||
| 10 | | 10 | ||
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| 54 | | 54 | ||
| 1028.57 | | 1028.57 | ||
| 56/31, 47/26, 132/73, 105/58, 96/53, 29/16, 78/43, 89/49, [[20/11]] | | ''[[9/5]]', 56/31, 47/26, 132/73, 105/58, 96/53, 29/16, 78/43, 89/49, [[20/11]] | ||
|- | |- | ||
| 55 | | 55 | ||
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| 58 | | 58 | ||
| 1104.76 | | 1104.76 | ||
| [[49/26]], [[66/35]], 168/89, 172/91, 87/46, 176/93, 53/28, 89/47, [[91/48]], 93/49 | | [[49/26]], [[66/35]], 168/89, 172/91, 87/46, 176/93, 53/28, 89/47, [[91/48]], 93/49, ''[[40/21]]'' | ||
|- | |- | ||
| 59 | | 59 | ||
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== Notation == | == Notation == | ||
=== Ups and downs notation === | |||
63edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc. | |||
{{Sharpness-sharp7a}} | |||
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used: | |||
{{Sharpness-sharp7}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as [[56edo #Sagittal notation|56edo]]. | This notation uses the same sagittal sequence as [[56edo #Sagittal notation|56edo]]. | ||
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</imagemap> | </imagemap> | ||
=== | == Approximation to JI == | ||
=== Interval mappings === | |||
{{ | {{Q-odd-limit intervals}} | ||
=== Zeta peak index === | === Zeta peak index === | ||
{| class="wikitable center-all" | {{ZPI | ||
| zpi = 321 | |||
| steps = 63.0192885705350 | |||
| step size = 19.0417890652143 | |||
| tempered height = 6.768662 | |||
| pure height = 6.534208 | |||
| integral = 1.049023 | |||
| gap = 15.412920 | |||
| octave = 1199.63271110850 | |||
| consistent = 8 | |||
| distinct = 8 | |||
}} | |||
== Regular temperament properties == | |||
{| class="wikitable center-4 center-5 center-6" | |||
|- | |||
! rowspan="2" | [[Subgroup]] | |||
! rowspan="2" | [[Comma list]] | |||
! rowspan="2" | [[Mapping]] | |||
! rowspan="2" | Optimal<br>8ve stretch (¢) | |||
! colspan="2" | Tuning error | |||
|- | |||
! [[TE error|Absolute]] (¢) | |||
! [[TE simple badness|Relative]] (%) | |||
|- | |||
| 2.3 | |||
| {{Monzo| 100 -63 }} | |||
| {{Mapping| 63 100 }} | |||
| -0.885 | |||
| 0.885 | |||
| 4.65 | |||
|- | |||
| 2.3.5 | |||
| 3125/3072, 1638400/1594323 | |||
| {{Mapping| 63 100 146 }} | |||
| +0.177 | |||
| 1.67 | |||
| 8.77 | |||
|- | |||
| 2.3.5.7 | |||
| 225/224, 245/243, 51200/50421 | |||
| {{Mapping| 63 100 146 177 }} | |||
| -0.099 | |||
| 1.52 | |||
| 8.00 | |||
|- | |||
| 2.3.5.7.11 | |||
| 100/99, 225/224, 245/243, 1331/1323 | |||
| {{mapping| 63 100 146 177 218 }} | |||
| -0.141 | |||
| 1.37 | |||
| 7.17 | |||
|- | |||
| 2.3.5.7.11.13 | |||
| 100/99, 169/168, 225/224, 245/243, 275/273 | |||
| {{mapping| 63 100 146 177 218 233 }} | |||
| -0.008 | |||
| 1.28 | |||
| 6.73 | |||
|} | |||
=== Rank-2 temperaments === | |||
{| class="wikitable center-all left-5" | |||
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | |||
|- | |||
! Periods<br>per 8ve | |||
! Generator* | |||
! Cents* | |||
! Associated<br>ratio* | |||
! Temperament | |||
|- | |||
| 1 | |||
| 2\63 | |||
| 38.10 | |||
| 49/48 | |||
| [[Slender]] | |||
|- | |- | ||
| 1 | |||
| 13\63 | |||
| 247.62 | |||
| 15/13 | |||
| [[Immune]] | |||
|- | |- | ||
| 1 | |||
| 19\63 | |||
| 361.90 | |||
| 16/13 | |||
| [[Submajor]] | |||
|- | |- | ||
| [[ | | 1 | ||
| 63. | | 20\63 | ||
| | | 380.95 | ||
| | | 5/4 | ||
| 1. | | [[Magic]] | ||
| | |- | ||
| | | 1 | ||
| | | 25\63 | ||
| | | 476.19 | ||
| | | 21/16 | ||
| [[Subfourth]] | |||
|- | |||
| 3 | |||
| 26\63<br>(5\63) | |||
| 495.24<br>(95.24) | |||
| 4/3<br>(21/20) | |||
| [[Fog]] | |||
|- | |||
| 7 | |||
| 26\63<br>(1\63) | |||
| 495.24<br>(19.05) | |||
| 4/3<br>(64/63) | |||
| [[Sevond]] | |||
|- | |||
| 9 | |||
| 13\63<br>(1\63) | |||
| 247.62<br>(19.05) | |||
| 15/13<br>(99/98) | |||
| [[Enneaportent]] | |||
|} | |} | ||
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[normal lists|minimal form]] in parentheses if distinct | |||
== Scales == | == Scales == | ||
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* Timeywimey (original/default tuning): 16 10 7 4 11 5 10 | * Timeywimey (original/default tuning): 16 10 7 4 11 5 10 | ||
* Sandcastle (original/default tuning): 8 10 8 11 8 8 10 | * Sandcastle (original/default tuning): 8 10 8 11 8 8 10 | ||
== Instruments == | |||
* [[Lumatone mapping for 63edo]] | |||
* [[Skip fretting system 63 3 17]] | |||
== Music == | == Music == | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/IYLzF4ogl_w ''microtonal improvisation in 63edo''] (2025) | |||
; [[Cam Taylor]] | ; [[Cam Taylor]] | ||
* [https://soundcloud.com/cam-taylor-2-1/12tone63edo1 ''Improvisation in 12-tone fifths chain''] (2015) | * [https://soundcloud.com/cam-taylor-2-1/12tone63edo1 ''Improvisation in 12-tone fifths chain''] (2015) |