22edo/Unque's compositional approach: Difference between revisions
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=== 3L 2M 2s === | |||
===3L 2M 2s=== | |||
The [[Nicetone|3L 2M 2s]] scale is the other type of Diatonic scale represented in 22edo; this one represents the 5-limit shade of Diatonic popularized by musicians and theorists such as Ptolemy and Zarlino. It is generated by alternating intervals 6\22 and 7\22, and as such yields two different forms ("left-hand" and "right-hand") based on which generator comes first and which comes second. | The [[Nicetone|3L 2M 2s]] scale is the other type of Diatonic scale represented in 22edo; this one represents the 5-limit shade of Diatonic popularized by musicians and theorists such as Ptolemy and Zarlino. It is generated by alternating intervals 6\22 and 7\22, and as such yields two different forms ("left-hand" and "right-hand") based on which generator comes first and which comes second. | ||
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Thus, our four-chord progression is Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj. This series of chords uses a combination of voice leading, tension-and-release paradigms, and circle of fifths movement to provide a dynamic and functional harmonic progression. | Thus, our four-chord progression is Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj. This series of chords uses a combination of voice leading, tension-and-release paradigms, and circle of fifths movement to provide a dynamic and functional harmonic progression. | ||
[[Category:Approaches to tuning systems]] | [[Category:Approaches to tuning systems]] | ||
== Graphs and Diagrams == | |||
[[File:22edo Diatonic Chords.png|frameless]] | |||