24edo chord names: Difference between revisions

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Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and ~~Downs Notation~~|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.~~<br />~~

Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.

Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. ~~0-5-15~~ = Cvm(^5) becomes ~~15-24-29~~ = ^G^. "a" stands for augmented and "d" stands for diminished.

Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.

{| class="wikitable"

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| C4^M7

| C~4^M7

|}~~<br />~~

|}

A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.

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-Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.<br />
+Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
-Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-5-15 = Cvm(^5) becomes 15-24-29 = ^G^. "a" stands for augmented and "d" stands for diminished.
+Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.
 {| class="wikitable"
@@ Line 124: / Line 125: @@
 | C4^M7
 | C~4^M7
-|}<br />
+|}
 A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.