159edo/Interval names and harmonies: Difference between revisions
Finishing up the tasks with harmonic and melodic compatibility ratings |
Fixed another notation error in chart |
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:* It readily serves as a Diatonic whole tone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, since… | :* It readily serves as a Diatonic whole tone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, since… | ||
::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ||
:* Is the whole tone that is used as a reference interval in [[ | :* Is the whole tone that is used as a reference interval in [[diatonic, chromatic, enharmonic, subchromatic|diatonic-and-chromatic-style]] interval logic in this system as it pertains to both semitones and quartertones, and thus… | ||
::* It sees usage in Paradiatonic and Parachromatic harmonies in addition to the more obvious Diatonic-related uses | ::* It sees usage in Paradiatonic and Parachromatic harmonies in addition to the more obvious Diatonic-related uses | ||
* Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | * Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | ||
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:* Virtually all of its functionality in the realm of Western-Classical-based Diatonic scales and Diatonic functional harmony | :* Virtually all of its functionality in the realm of Western-Classical-based Diatonic scales and Diatonic functional harmony | ||
* New elements to its functionality include… | * New elements to its functionality include… | ||
:* New approaches enabled by this system supporting temperaments such as [[ | :* New approaches enabled by this system supporting temperaments such as [[sextilifourths]] | ||
:* A sizable chunk of its functionality in the realm of Western-Classical-based Paradiatonic functional harmony | :* A sizable chunk of its functionality in the realm of Western-Classical-based Paradiatonic functional harmony | ||
|- | |- | ||
| Line 1,414: | Line 1,414: | ||
| Rm5, rUA4 | | Rm5, rUA4 | ||
| Wide Paraminor Fifth, Retrodiptolemaic Augmented Fourth | | Wide Paraminor Fifth, Retrodiptolemaic Augmented Fourth | ||
| Ad | | Ad>/, G#↑, Ab↑↑ | ||
| -1 | | -1 | ||
| 6 | | 6 | ||
| Line 1,593: | Line 1,593: | ||
| 99 | | 99 | ||
| 747.1698113 | | 747.1698113 | ||
| Rm4, KKM3, rUM3 | | Rm4, KKM3, rUM3 | ||
| Narrow Paramajor Fifth, Wide Inframinor Sixth | | Narrow Paramajor Fifth, Wide Inframinor Sixth | ||
| Line 1,977: | Line 1,976: | ||
| SM6, kUM6 | | SM6, kUM6 | ||
| Greater Supermajor Second, Narrow Inframinor Seventh | | Greater Supermajor Second, Narrow Inframinor Seventh | ||
| | | Cd<, Bt<↓, B↑/ | ||
| 0 | | 0 | ||
| 7 | | 7 | ||
| Line 2,079: | Line 2,078: | ||
* Is the closest approximation of 22edo's Lesser Minor Seventh in this system, and thus… | * Is the closest approximation of 22edo's Lesser Minor Seventh in this system, and thus… | ||
:* Can be used in Superpyth-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | :* Can be used in Superpyth-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | ||
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| 131 | | 131 | ||
| 988.6792458 | | 988.6792458 | ||