Clarinet: Difference between revisions

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{{Wikipedia}}
The '''clarinet''' is a single-reed woodwind instrument with a predominantly cylindrical bore. The [[timbre]] of a clarinet emphasizes [[odd harmonic]]s.<ref>Wolfe, Joe. [https://www.phys.unsw.edu.au/jw/clarinetacoustics.html "Clarinet acoustics: an introduction"]. ''The University New South Wales''. https://www.phys.unsw.edu.au/jw/clarinetacoustics.html. Retrieved 3/15/2026. </ref> As such, [[EDT|tritave-based systems]], such as the [[Bohlen–Pierce scale]], are suitable for use with a clarinet timbre.
== Microtonal fingerings for normal clarinet ==
== Microtonal fingerings for normal clarinet ==
[[Quartertone]] cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.
[[Quartertone]] cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.


[[Richard Eldon Barber]] has made available this [http://www.geocities.com/bassooner42/jicl/ fingering chart for a 31-tone JI scale].
[[Richard Eldon Barber]] has made available this [https://web.archive.org/web/20091027012216/http://www.geocities.com/bassooner42/jicl/ fingering chart for a 31-tone JI scale].


[http://pitch.xentonic.org/ AFMM's Pitch] publication has fingerings up to 72 per octave.
[http://pitch.xentonic.org/ AFMM's Pitch] publication has fingerings up to 72 per octave.
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A quartertone clarinet was designed in 1937 by [[Fritz Schüller]]. It uses two parallel tubes, one slightly longer than the other, with a single key to switch between them.
A quartertone clarinet was designed in 1937 by [[Fritz Schüller]]. It uses two parallel tubes, one slightly longer than the other, with a single key to switch between them.


=== Bohlen-Pierce clarinets ===
=== Bohlen–Pierce clarinets ===
The [http://www.sfoxclarinets.com/bpclar.html Bohlen-Pierce clarinet project] by [[Stephen Fox]] (instigated by [[Georg Hajdu]]) has so far resulted in the building of a soprano clarinet in the [[Bohlen-Pierce scale]]; the scale seems ideal for clarinet in particular.
The [http://www.sfoxclarinets.com/bpclar.html Bohlen–Pierce clarinet project] by [[Stephen Fox]] (instigated by [[Georg Hajdu]]) has so far resulted in the building of a soprano clarinet in the [[Bohlen–Pierce scale]]; the scale seems ideal for clarinet in particular.
 
Several compositions have been written for Bohlen–Pierce clarinets: by Canadian composers [[Owen Bloomfield]] and [[Todd Harrop]]; as well as by German composers Georg Hajdu, [[Peter Michael Hamel]], [[Sascha Lino Lemke]], [[Fredrik Schwenk]], and [[Manfred Stahnke]]. Links to the former composers' audio streams can be found on http://www.transpectra.org/audio.html; and links to the latter composers' audio streams can be found on http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008.


Several compositions have been written for Bohlen-Pierce clarinets: by Canadian composers [[Owen Bloomfield]] and [[Todd Harrop]]; as well as by German composers Georg Hajdu, [[Peter Michael Hamel]], [[Sascha Lino Lemke]], [[Fredrik Schwenk]] and [[Manfred Stahnke]]. Links to the former composers' audio streams can be found on http://www.transpectra.org/audio.html; and links to the latter composers' audio streams can be found on http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008.
== References ==
<references/>


[[Category:Instruments]]
[[Category:Instruments]]