Diminished seventh chord: Difference between revisions
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Since [[12edo]] is a good tuning of dimipent and supports both diminished temperament and septimal meantone, and the historically prevalent [[quarter-comma meantone]] is a good tuning of septimal meantone (although it was historically usually analyzed as a 5-limit temperament), any of the above interpretations may be relevant for diminished chords found in common-practice and contemporary music. | Since [[12edo]] is a good tuning of dimipent and supports both diminished temperament and septimal meantone, and the historically prevalent [[quarter-comma meantone]] is a good tuning of septimal meantone (although it was historically usually analyzed as a 5-limit temperament), any of the above interpretations may be relevant for diminished chords found in common-practice and contemporary music. | ||
== In equal temperaments == | |||
4edo (and multiples thereof): 0-300-600-900 cents | |||
13edo: 0-277-554-923 cents, 1/1-7/6-11/8-12/7 | |||
15edo: 0-320-640-880 cents, 1/1-6/5-16/11-5/3 | |||
17edo: 0-282-565-918 cents, 1/1-33/28-11/8-56/33 | |||
== In just intonation == | == In just intonation == | ||