User:Ganaram inukshuk/TAMNAMS/Appendix: Difference between revisions
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The goal of TAMNAMS mos names is to choose memorable names for the most common octave-equivalent mosses. Generally, names should befit the mos they're describing ''no matter what temperaments support it'', allowing them to be discussed agnostically of any RTT-related contexts. | The goal of TAMNAMS mos names is to choose memorable names for the most common octave-equivalent mosses. Generally, names should befit the mos they're describing ''no matter what temperaments support it'', allowing them to be discussed agnostically of any RTT-related contexts. | ||
Names are given to mosses that are the most likely to be used by musicians. As such, TAMNAMS primarily provides names for mosses within the range of 6 to 10 steps (or 2 to 10 steps, when including the | Names are given to mosses that are the most likely to be used by musicians. As such, TAMNAMS primarily provides names for mosses within the range of 6 to 10 steps (or 2 to 10 steps, when including the names for smaller mosses). This range is chosen to avoid naming large mosses ''for the sake of naming''. Additionally, some of these reasonings also serve as justifications for changing earlier names. As such, this section not only provides reasonings for their names but also a record of how those reasonings were developed. | ||
===General reasonings=== | ===General reasonings=== | ||
The following reasonings cover most TAMNAMS names and should be considered the minimum criteria for naming mosses. | The following reasonings cover most TAMNAMS names and should be considered the minimum criteria for naming mosses. | ||
Notable non-temperament names are incorporated into TAMNAMS if they do not cause confusion, or are given names that reference notable things. Such names include ''mosh'', '' | Notable non-temperament names are incorporated into TAMNAMS if they do not cause confusion, or are given names that reference notable things. Such names include ''mosh'', ''tcherepnin'', ''archaeotonic'', ''oneirotonic'', ''balzano'', ''armotonic'', ''checkertonic'', and ''diatonic.'' | ||
The name of an interval or a diatonic interval quality can be incorporated into the name of a mos. Such names include ''smitonic'', ''gramitonic'', ''semiquartal'', ''subneutralic'', and ''sinatonic'', from "sharp minor third", "grave minor third", "half-fourth", "between supraminor and neutral", and the interval [[sinaic]], respectively. | The name of an interval or a diatonic interval quality can be incorporated into the name of a mos. Such names include ''smitonic'', ''gramitonic'', ''semiquartal'', ''subneutralic'', and ''sinatonic'', from "sharp minor third", "grave minor third", "half-fourth", "between supraminor and neutral", and the interval [[sinaic]], respectively. | ||
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Temperament-based names ending in the suffix ''-oid'' refer to [[Exotemperament|exotemperaments]] (low-accuracy temperametns) whose tuning ranges, when including extreme tunings, cover the entirety of their corresponding mosses. Therefore, edos with simple step ratios (2:1, 3:1, 3:2, etc) for that mos will correspond to valid tunings for that temperament (if not by [[patent val]], then with a small number of [[warts]]). Such names include ''machinoid'', ''dicoid'', and ''sephiroid'', in reference to [[machine]], [[dichotic]]/[[dicot]], and [[sephiroth]] temperaments, respectively; for information regarding these temperaments' tunings, see their specific reasonings under Reasoning for specific names. | Temperament-based names ending in the suffix ''-oid'' refer to [[Exotemperament|exotemperaments]] (low-accuracy temperametns) whose tuning ranges, when including extreme tunings, cover the entirety of their corresponding mosses. Therefore, edos with simple step ratios (2:1, 3:1, 3:2, etc) for that mos will correspond to valid tunings for that temperament (if not by [[patent val]], then with a small number of [[warts]]). Such names include ''machinoid'', ''dicoid'', and ''sephiroid'', in reference to [[machine]], [[dichotic]]/[[dicot]], and [[sephiroth]] temperaments, respectively; for information regarding these temperaments' tunings, see their specific reasonings under Reasoning for specific names. | ||
Temperament-based names that don't refer to exotemperaments | Temperament-based names that don't refer to exotemperaments are used ''as a last resort'', and if used should be based on a notable temperament. Most of these names are abstractions of their original temperament names insofar that they refer to a temperament. Such names include ''pine'', ''hyrulic'', ''jaric'', ''ekic'' and ''lemon''; these reference the temperaments of [[porcupine]], [[triforce]], [[pajara]] (along with [[diaschismic]] and [[injera]]), [[echidna]], and [[lemba]], respectively, with ''jaric'' and ''lemon'' having additional reasonings of their own. | ||
====Reasonings for ''n''L ''n''s mosses==== | ====Reasonings for ''n''L ''n''s mosses==== | ||
Mosses of the form ''n''L ''n''s are given names based on a Greek numeral prefix added to the base name ''wood'', in reference to the temperaments [[blackwood]] and [[whitewood]]. These mosses are special in that all mosses with the same number of periods ''n'' can be traced back to an ''n''L ''n''s mos, representing a mos consisting of only its generators and periods. In other words, these mosses are a 1L 1s pattern repeated ''n'' times in one octave. Coincidentally, all mosses with ''n'' periods form a binary ''tree'' whose ''root'' is ''n''L ''n''s (and wood is generally known to come from trees), lending credence to the wood-based name. | Mosses of the form ''n''L ''n''s are given names based on a Greek numeral prefix added to the base name ''wood'', in reference to the temperaments [[blackwood]] and [[whitewood]]. These mosses are special in that all mosses with the same number of periods ''n'' can be traced back to an ''n''L ''n''s mos, representing a mos consisting of only its generators and periods. In other words, these mosses are a 1L 1s pattern repeated ''n'' times in one octave. Coincidentally, all mosses with ''n'' periods form a binary ''tree'' whose ''root'' is ''n''L ''n''s (and wood is generally known to come from trees), lending credence to the wood-based name. | ||
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*1L 8s is named ''agate'', as it rhymes with "eight", depending on one's pronunciation. | *1L 8s is named ''agate'', as it rhymes with "eight", depending on one's pronunciation. | ||
*1L 9s is named ''olivine'', as it rhymes with "nine", depending on one's pronunciation. | *1L 9s is named ''olivine'', as it rhymes with "nine", depending on one's pronunciation. | ||
====Malic (2L 4s), citric (4L 2s), lime (4L 6s), and lemon (6L 4s)==== | ====Malic (2L 4s), citric (4L 2s), lime (4L 6s), and lemon (6L 4s)==== | ||
The names for 2L 4s and 4L 2s come from Latin ''malus'' and ''citrus'', meaning 'apple' and 'citrus', respectively. Apples have concave ends, whereas lemons and limes – both types of citrus fruits – have convex ends. Both are ubiquitous foods, justifying their use for these fairly small mosses. | The names for 2L 4s and 4L 2s come from Latin ''malus'' and ''citrus'', meaning 'apple' and 'citrus', respectively. Apples have concave ends, whereas lemons and limes – both types of citrus fruits – have convex ends. Both are ubiquitous foods, justifying their use for these fairly small mosses. | ||
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This temperament is supported by {{Optimal ET sequence| 7, 10 and 17 }} equal divisions, with non-patent val tunings including (but not limited to) 7+7=14cd, 10+10=20e, 17+7=24cd, and 17+10=27ce. | This temperament is supported by {{Optimal ET sequence| 7, 10 and 17 }} equal divisions, with non-patent val tunings including (but not limited to) 7+7=14cd, 10+10=20e, 17+7=24cd, and 17+10=27ce. | ||
====Armotonic (7L 2s)==== | ====Armotonic (7L 2s)==== | ||
Originally, the name ''superdiatonic'' was used for 7L 2s, as it has seen some precedent of use on the wiki to refer to an octave-equivalent 7L 2s pattern, although it has had earlier use to refer to the expansion of a smaller mos to a larger one | Originally, the name ''superdiatonic'' was used for 7L 2s, as it has seen some precedent of use on the wiki to refer to an octave-equivalent 7L 2s pattern, although it has had earlier use to refer to the expansion of a smaller mos to a larger one. Due to these concerns, the name ''armotonic'' is normally advised over ''superdiatonic'' as the former is unambiguous as to what it refers to, and the name ''superdiatonic'' is only allowed in situations where it's truly unambiguous if the writer prefers it. | ||
Due to these concerns, the name ''armotonic'' is normally advised over ''superdiatonic'' as the former is unambiguous as to what it refers to, and the name ''superdiatonic'' is only allowed in situations where it's truly unambiguous if the writer prefers it. | |||
====On the term ''diatonic''==== | ====On the term ''diatonic''==== | ||
Although the term ''diatonic'' has accrued a variety of exact meanings over time, both within and outside the contexts of xenharmonic music theory, in the context of TAMNAMS and moment-of-symmetry scales, the term ''diatonic'' exclusively refers to 5L 2s. | |||
===Name changes and former names=== | ===Name changes and former names=== | ||
Several names have been changed significantly, as naming principles have evolved to what they are currently, or due to the meaning of certain names being called into question. Former names are provided here for reference. Short-lived names are not included here. | Several names have been changed significantly, as naming principles have evolved to what they are currently, or due to the meaning of certain names being called into question. Former names are provided here for reference. Short-lived names are not included here. | ||
{| class="wikitable center-all" | {| class="wikitable mw-collapsible center-all" | ||
|+Former TAMNAMS names | |||
|- | |- | ||
! colspan="5" |5-note mosses | ! colspan="5" |5-note mosses | ||
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|- | |- | ||
|[[2L 5s]] | |[[2L 5s]] | ||
| | | colspan="2" |''No change''. | ||
| | | | ||
| | | | ||
| | |||
|- | |- | ||
|[[3L 4s]] | |[[3L 4s]] | ||
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|- | |- | ||
|[[3L 6s]] | |[[3L 6s]] | ||
| | | colspan="2" |''No change''. | ||
| | | | ||
| | | | ||
| | |||
|- | |- | ||
|[[4L 5s]]||orwelloid | |[[4L 5s]]||orwelloid | ||
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|- | |- | ||
|[[4L 7s]]||kleistonic | |[[4L 7s]]||kleistonic | ||
|''Not part of | |''Not part of TAMNAMS'' | ||
|August 2022|| rowspan="2" |Originally named for parity with 3L 7s and 7L 3s, making 4L 7s and 7L 4s "cousin scales" with them. | |August 2022|| rowspan="2" |Originally named for parity with 3L 7s and 7L 3s, making 4L 7s and 7L 4s "cousin scales" with them. | ||
Dropped to establish 10-note limit. | Dropped to establish 10-note limit. | ||
|- | |- | ||
|[[7L 4s]]||suprasmitonic | |[[7L 4s]]||suprasmitonic | ||
|''Not part of | |''Not part of TAMNAMS'' | ||
|August 2022 | |August 2022 | ||
|- | |- | ||
|[[5L 7s]]||p-chromatic | |[[5L 7s]]||p-chromatic | ||
|''Not part of | |''Not part of TAMNAMS'' | ||
|August 2022 | |August 2022 | ||
| rowspan="2" |Dropped to establish 10-note limit. | | rowspan="2" |Dropped to establish 10-note limit. | ||
|- | |- | ||
|[[7L 5s]]||m-chromatic | |[[7L 5s]]||m-chromatic | ||
|''Not part of | |''Not part of TAMNAMS'' | ||
|August 2022 | |August 2022 | ||
|} | |} | ||
[[Category:TAMNAMS]] | [[Category:TAMNAMS]] | ||