55edo: Difference between revisions
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{{interwiki | {{interwiki | ||
| de = | | de = 55-EDO | ||
| en = 55edo | | en = 55edo | ||
| es = 55 EDO | | es = 55 EDO | ||
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}} | }} | ||
{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | |||
== Theory == | == Theory == | ||
55edo can be used for a [[meantone]] tuning, and is close to [[1/6-comma meantone]] (and is almost exactly 10/57-comma meantone). {{w|Georg Philipp Telemann|Telemann}} suggested it as a theoretical basis for analyzing the [[meantone intervals|intervals of meantone]]. {{w|Leopold Mozart|Leopold}} and {{w|Wolfgang Amadeus Mozart|Wolfgang Mozart}} recommended 55edo or something close to it, with a subset and further approximation used for keyboard instruments which (apart from an experimental instrument) did not have enough notes per octave to accommodate it in full.<ref>Chesnut, John (1977) ''Mozart's Teaching of Intonation'', '''Journal of the American Musicological Society''' Vol. 30, No. 2 (Summer, 1977), pp. 254-271 (Published By: University of California Press) [https://doi.org/10.2307/831219 doi.org/10.2307/831219], [http://www.jstor.org/stable/831219 https://www.jstor.org/stable/831219]</ref> It can also be used for [[Meantone_family#Mohajira|Mohajira]] and [[Meantone_family#Liese|Liese]] temperaments. It also supports an extremely sharp tuning of [[huygens|Huygens/undecimal meantone]] using the 55de [[val]], meaning that primes 7 and 11 are mapped very sharply to their second-best mapping. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|55}} | {{Harmonics in equal|55}} | ||
=== Subsets and supersets === | |||
Since 55 factors into {{factorization|55}}, 55edo contains [[5edo]] and [[11edo]] as its subsets. | |||
==Intervals== | == Intervals == | ||
{| class="wikitable center-1 right-2 left-3" | {| class="wikitable center-1 right-2 left-3" | ||
|- | |- | ||
! [[Degree|#]] | ! [[Degree|#]] | ||
! [[Cent]]s | ! [[Cent]]s | ||
! Approximate ratios | ! Approximate ratios | ||
! colspan="3" |[[Ups and downs notation | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| 1/1 | | 1/1 | ||
|P1 | | P1 | ||
|perfect 1sn | | perfect 1sn | ||
|D | | D | ||
|- | |- | ||
| 1 | | 1 | ||
| 21. | | 21.8 | ||
| | | 65/64, 78/77, 99/98, ''128/125'' | ||
| ^1 | |||
|^1 | | up 1sn | ||
|up 1sn | | ^D | ||
|^D | |||
|- | |- | ||
| 2 | | 2 | ||
| 43. | | 43.6 | ||
| 36/35 | | 36/35, ''64/63'' | ||
|^^1 | | ^^1 | ||
|dup 1sn | | dup 1sn | ||
|^^D | | ^^D | ||
|- | |- | ||
| 3 | | 3 | ||
| 65. | | 65.5 | ||
| 28/27 | | 28/27 | ||
|vvm2 | | vvm2 | ||
|dudminor 2nd | | dudminor 2nd | ||
|vvEb | | vvEb | ||
|- | |- | ||
| 4 | | 4 | ||
| 87. | | 87.3 | ||
| 25/24 | | 21/20, ''18/17'', ''25/24'' | ||
|vm2 | | vm2 | ||
|downminor 2nd | | downminor 2nd | ||
|vEb | | vEb | ||
|- | |- | ||
| 5 | | 5 | ||
| 109. | | 109.1 | ||
| 16/15 | | 16/15, 17/16 | ||
|m2 | | m2 | ||
|minor 2nd | | minor 2nd | ||
|Eb | | Eb | ||
|- | |- | ||
| 6 | | 6 | ||
| 130. | | 130.9 | ||
| 14/13 | | 13/12, 14/13 | ||
|^m2 | | ^m2 | ||
|upminor 2nd | | upminor 2nd | ||
|^Eb | | ^Eb | ||
|- | |- | ||
| 7 | | 7 | ||
| 152. | | 152.7 | ||
| | | 12/11, ''11/10'' | ||
|~2 | | ~2 | ||
|mid 2nd | | mid 2nd | ||
|vvE | | vvE | ||
|- | |- | ||
| 8 | | 8 | ||
| 174. | | 174.5 | ||
| | | | ||
|vM2 | | vM2 | ||
|downmajor 2nd | | downmajor 2nd | ||
|vE | | vE | ||
|- | |- | ||
| 9 | | 9 | ||
| 196. | | 196.4 | ||
| 9/8, 10/9 | | 9/8, ''10/9'' | ||
|M2 | | M2 | ||
|major 2nd | | major 2nd | ||
|E | | E | ||
|- | |- | ||
| 10 | | 10 | ||
| 218. | | 218.2 | ||
| 17/15 | | 17/15 | ||
|^M2 | | ^M2 | ||
|upmajor 2nd | | upmajor 2nd | ||
|^E | | ^E | ||
|- | |- | ||
| 11 | | 11 | ||
| 240 | | 240.0 | ||
| 8/7 | | 8/7 | ||
|^^M2 | | ^^M2 | ||
|dupmajor 2nd | | dupmajor 2nd | ||
|^^E | | ^^E | ||
|- | |- | ||
| 12 | | 12 | ||
| 261. | | 261.8 | ||
| 7/6 | | 7/6 | ||
|vvm3 | | vvm3 | ||
|dudminor 3rd | | dudminor 3rd | ||
|vvF | | vvF | ||
|- | |- | ||
| 13 | | 13 | ||
| 283. | | 283.6 | ||
| 13/11 | | 13/11 | ||
|vm3 | | vm3 | ||
|downminor 3rd | | downminor 3rd | ||
|vF | | vF | ||
|- | |- | ||
| 14 | | 14 | ||
| 305. | | 305.5 | ||
| 6/5 | | 6/5 | ||
|m3 | | m3 | ||
|minor 3rd | | minor 3rd | ||
|F | | F | ||
|- | |- | ||
| 15 | | 15 | ||
| 327. | | 327.3 | ||
| | | | ||
|^m3 | | ^m3 | ||
|upminor 3rd | | upminor 3rd | ||
|^F | | ^F | ||
|- | |- | ||
| 16 | | 16 | ||
| 349. | | 349.1 | ||
| 11/9, 27/22 | | 11/9, 27/22 | ||
|~3 | | ~3 | ||
|mid 3rd | | mid 3rd | ||
|^^F | | ^^F | ||
|- | |- | ||
| 17 | | 17 | ||
| 370. | | 370.9 | ||
| 16/13 | | 26/21, ''16/13'' | ||
|vM3 | | vM3 | ||
|downmajor 3rd | | downmajor 3rd | ||
|vF# | | vF# | ||
|- | |- | ||
| 18 | | 18 | ||
| 392. | | 392.7 | ||
| 5/4 | | 5/4 | ||
|M3 | | M3 | ||
|major 3rd | | major 3rd | ||
|F# | | F# | ||
|- | |- | ||
| 19 | | 19 | ||
| 414. | | 414.5 | ||
| 14/11 | | 14/11 | ||
|^M3 | | ^M3 | ||
|upmajor 3rd | | upmajor 3rd | ||
|^F# | | ^F# | ||
|- | |- | ||
| 20 | | 20 | ||
| 436. | | 436.4 | ||
| 9/7 | | 9/7 | ||
|^^M3 | | ^^M3 | ||
|dupmajor 3rd | | dupmajor 3rd | ||
|^^F# | | ^^F# | ||
|- | |- | ||
| 21 | | 21 | ||
| 458. | | 458.2 | ||
| | | ''21/16'' | ||
|vv4 | | vv4 | ||
|dud 4th | | dud 4th | ||
|vvG | | vvG | ||
|- | |- | ||
| 22 | | 22 | ||
| 480 | | 480.0 | ||
| | | | ||
|v4 | | v4 | ||
|down 4th | | down 4th | ||
|vG | | vG | ||
|- | |- | ||
| 23 | | 23 | ||
| 501. | | 501.8 | ||
| 4/3, 27/20 | | 4/3, ''27/20'' | ||
|P4 | | P4 | ||
|perfect 4th | | perfect 4th | ||
|G | | G | ||
|- | |- | ||
| 24 | | 24 | ||
| 523. | | 523.6 | ||
| | | | ||
|^4 | | ^4 | ||
|up 4th | | up 4th | ||
|^G | | ^G | ||
|- | |- | ||
| 25 | | 25 | ||
| 545. | | 545.5 | ||
| 11/8 | | 11/8, 15/11 | ||
|~4 | | ~4 | ||
|mid 4th | | mid 4th | ||
|^^G | | ^^G | ||
|- | |- | ||
| 26 | | 26 | ||
| 567. | | 567.3 | ||
| 18/13 | | [[7/5]], [[18/13]] | ||
|vA4 | | vA4 | ||
|downaug 4th | | downaug 4th | ||
|vG# | | vG# | ||
|- | |- | ||
| 27 | | 27 | ||
| 589. | | 589.1 | ||
| | | 24/17 | ||
|A4, vd5 | | A4, vd5 | ||
|aug 4th, downdim 5th | | aug 4th, downdim 5th | ||
|G#, vAb | | G#, vAb | ||
|- | |- | ||
| 28 | | 28 | ||
| 610. | | 610.9 | ||
| | | 17/12 | ||
|^A4, d5 | | ^A4, d5 | ||
|upaug 4th, dim 5th | | upaug 4th, dim 5th | ||
|^G#, Ab | | ^G#, Ab | ||
|- | |- | ||
| 29 | | 29 | ||
| 632. | | 632.7 | ||
| 13/9 | | [[10/7]], [[13/9]] | ||
|^d5 | | ^d5 | ||
|updim 5th | | updim 5th | ||
|^Ab | | ^Ab | ||
|- | |- | ||
| 30 | | 30 | ||
| 654. | | 654.5 | ||
| 16/11 | | 16/11, 22/15 | ||
|~5 | | ~5 | ||
|mid 5th | | mid 5th | ||
|vvA | | vvA | ||
|- | |- | ||
| 31 | | 31 | ||
| 676. | | 676.4 | ||
| | | | ||
|v5 | | v5 | ||
|down 5th | | down 5th | ||
|vA | | vA | ||
|- | |- | ||
| 32 | | 32 | ||
| 698. | | 698.2 | ||
| 3/2, 40/27 | | 3/2, ''40/27'' | ||
|P5 | | P5 | ||
|perfect 5th | | perfect 5th | ||
|A | | A | ||
|- | |- | ||
| 33 | | 33 | ||
| 720 | | 720.0 | ||
| | | | ||
|^5 | | ^5 | ||
|up 5th | | up 5th | ||
|^A | | ^A | ||
|- | |- | ||
| 34 | | 34 | ||
| 741. | | 741.8 | ||
| | | ''32/21'' | ||
|^^5 | | ^^5 | ||
|dup 5th | | dup 5th | ||
|^^A | | ^^A | ||
|- | |- | ||
| 35 | | 35 | ||
| 763. | | 763.6 | ||
| 14/9 | | 14/9 | ||
|vvm6 | | vvm6 | ||
|dudminor 6th | | dudminor 6th | ||
|vvBb | | vvBb | ||
|- | |- | ||
| 36 | | 36 | ||
| 785. | | 785.5 | ||
| 11/7 | | 11/7 | ||
|vm6 | | vm6 | ||
|downminor 6th | | downminor 6th | ||
|vBb | | vBb | ||
|- | |- | ||
| 37 | | 37 | ||
| 807. | | 807.3 | ||
| 8/5 | | 8/5 | ||
|m6 | | m6 | ||
|minor 6th | | minor 6th | ||
|Bb | | Bb | ||
|- | |- | ||
| 38 | | 38 | ||
| 829. | | 829.1 | ||
| 13/8 | | 21/13, ''13/8'' | ||
|^m6 | | ^m6 | ||
|upminor 6th | | upminor 6th | ||
|^Bb | | ^Bb | ||
|- | |- | ||
| 39 | | 39 | ||
| 850. | | 850.9 | ||
| 18/11, 44/27 | | 18/11, 44/27 | ||
|~6 | | ~6 | ||
|mid 6th | | mid 6th | ||
|vvB | | vvB | ||
|- | |- | ||
| 40 | | 40 | ||
| 872. | | 872.7 | ||
| | | | ||
|vM6 | | vM6 | ||
|downmajor 6th | | downmajor 6th | ||
|vB | | vB | ||
|- | |- | ||
| 41 | | 41 | ||
| 894. | | 894.5 | ||
| 5/3 | | 5/3 | ||
|M6 | | M6 | ||
|major 6th | | major 6th | ||
|B | | B | ||
|- | |- | ||
| 42 | | 42 | ||
| 916. | | 916.4 | ||
| 22/13 | | 22/13 | ||
|^M6 | | ^M6 | ||
|upmajor 6th | | upmajor 6th | ||
|^B | | ^B | ||
|- | |- | ||
| 43 | | 43 | ||
| 938. | | 938.2 | ||
| 12/7 | | 12/7 | ||
|^^M6 | | ^^M6 | ||
|dupmajor 6th | | dupmajor 6th | ||
|^^B | | ^^B | ||
|- | |- | ||
| 44 | | 44 | ||
| 960 | | 960.0 | ||
| 7/4 | | 7/4 | ||
|vvm7 | | vvm7 | ||
|dudminor 7th | | dudminor 7th | ||
|vvC | | vvC | ||
|- | |- | ||
| 45 | | 45 | ||
| 981. | | 981.8 | ||
| 30/17 | | 30/17 | ||
|vm7 | | vm7 | ||
|downminor 7th | | downminor 7th | ||
|vC | | vC | ||
|- | |- | ||
| 46 | | 46 | ||
| 1003. | | 1003.6 | ||
| 16/9, 9/5 | | 16/9, ''9/5'' | ||
|m7 | | m7 | ||
|minor 7th | | minor 7th | ||
|C | | C | ||
|- | |- | ||
| 47 | | 47 | ||
| 1025. | | 1025.5 | ||
| | | | ||
|^m7 | | ^m7 | ||
|upminor 7th | | upminor 7th | ||
|^C | | ^C | ||
|- | |- | ||
| 48 | | 48 | ||
| 1047. | | 1047.3 | ||
| 11/6, | | 11/6, ''20/11'' | ||
|~7 | | ~7 | ||
|mid 7th | | mid 7th | ||
|^^C | | ^^C | ||
|- | |- | ||
| 49 | | 49 | ||
| 1069. | | 1069.1 | ||
| | | 13/7, 24/13 | ||
|vM7 | | vM7 | ||
|downmajor 7th | | downmajor 7th | ||
|vC# | | vC# | ||
|- | |- | ||
| 50 | | 50 | ||
| 1090. | | 1090.9 | ||
| 15/8 | | 15/8, ''32/17'' | ||
|M7 | | M7 | ||
|major 7th | | major 7th | ||
|C# | | C# | ||
|- | |- | ||
| 51 | | 51 | ||
| 1112. | | 1112.7 | ||
| 40/21, 48/25 | | 40/21, ''17/9'', ''48/25'' | ||
|^M7 | | ^M7 | ||
|upmajor 7th | | upmajor 7th | ||
|^C# | | ^C# | ||
|- | |- | ||
| 52 | | 52 | ||
| 1134. | | 1134.5 | ||
| 56/27 | | 56/27 | ||
|^^M7 | | ^^M7 | ||
|dupmajor 7th | | dupmajor 7th | ||
|^^C# | | ^^C# | ||
|- | |- | ||
| 53 | | 53 | ||
| 1156. | | 1156.4 | ||
| 35/18 | | 35/18, ''63/32'' | ||
|vv8 | | vv8 | ||
|dud 8ve | | dud 8ve | ||
|vvD | | vvD | ||
|- | |- | ||
| 54 | | 54 | ||
| 1178. | | 1178.2 | ||
| | | 128/65, 77/39, 196/99, ''125/64'' | ||
| v8 | |||
|v8 | | down 8ve | ||
|down 8ve | | vD | ||
|vD | |||
|- | |- | ||
| 55 | | 55 | ||
| 1200 | | 1200.0 | ||
| 2/1 | | 2/1 | ||
|P8 | | P8 | ||
|perfect 8ve | | perfect 8ve | ||
|D | | D | ||
|} | |} | ||
<nowiki />* 55f val (tending flat), inconsistent intervals labeled in ''italic'' | |||
== Notation == | |||
=== Ups and downs notation === | |||
55edo can be notated with [[ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | |||
{{Sharpness-sharp4a}} | |||
[[Alternative symbols for ups and downs notation]] uses sharps and flats with arrows, borrowed from extended [[Helmholtz–Ellis notation]]: | |||
{{Sharpness-sharp4}} | |||
=== Sagittal notation === | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:55-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 615 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:55-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 599 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:55-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 607 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
=== 31-tone subset === | |||
The 31-out-of-55edo subset can be notated entirely with the standard notation of 7 each of naturals/sharps/flats, and 5 each of doublesharps/doubleflats, as a 31-tone chain-of-5ths from Gbb to Ax. | |||
[[File:Monzo55Notation.jpeg|400px|frameless|alt=Diagram of 31-tone subset of 55edo using plain Western notation, by Joe Monzo.|Diagram of 31-tone subset of 55edo using plain Western notation, by [[Joe Monzo]].]] | |||
== | == Approximation to JI == | ||
[[File:55ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 55edo]] | |||
==Instruments== | === Selected just intervals by error === | ||
[[Lumatone mapping for 55edo]] | {{Q-odd-limit intervals|55}} | ||
{{Q-odd-limit intervals|55.05|apx=val|header=none|tag=none|title=15-odd-limit intervals by 55d val mapping}} | |||
== Regular temperament properties == | |||
{| class="wikitable center-4 center-5 center-6" | |||
|- | |||
! rowspan="2" | [[Subgroup]] | |||
! rowspan="2" | [[Comma list]] | |||
! rowspan="2" | [[Mapping]] | |||
! rowspan="2" | Optimal<br>8ve stretch (¢) | |||
! colspan="2" | Tuning error | |||
|- | |||
! [[TE error|Absolute]] (¢) | |||
! [[TE simple badness|Relative]] (%) | |||
|- | |||
| 2.3 | |||
| {{monzo| -87 55 }} | |||
| {{mapping| 55 87 }} | |||
| +1.31 | |||
| 1.19 | |||
| 7.21 | |||
|- | |||
| 2.3.5 | |||
| 81/80, {{monzo| 31 1 -14 }} | |||
| {{mapping| 55 87 128 }} | |||
| −0.13 | |||
| 2.10 | |||
| 9.63 | |||
|} | |||
=== Uniform maps === | |||
{{Uniform map|edo=55}} | |||
=== Commas === | |||
{{Todo|cleanup|inline=true}} | |||
'''5-limit commas''': [[81/80]], [[Quintosec_family|{{monzo| 47 -15 -10 }}]], {{monzo| 31 1 -14 }}, {{monzo| 27 5 -15 }} | |||
'''7-limit commas''': 31104/30625, [[6144/6125]], 81648/78125, 16128/15625, 28672/28125, 33075/32768, 83349/80000, 1029/1000, [[686/675]], [[10976/10935]], [[Cloudy comma|16807/16384]], 84035/82944 | |||
'''11-limit commas''': 59049/58564, 74088/73205, 46656/46585, 21609/21296, 12005/11979, 19683/19360, [[243/242]], 3087/3025, 5488/5445, 19683/19250, 1944/1925, 45927/45056, 2835/2816, 35721/34375, 7056/6875, 12544/12375, 7203/7040, 2401/2376, 24057/24010, 72171/70000, 891/875, [[176/175]], 2079/2048, [[385/384]], 3234/3125, 17248/16875, 26411/25600, 26411/2592, 26411/262404, 88209/87808, 30976/30625, 3267/3200, [[121/120]], 81312/78125, 41503/40000, 41503/40500, 35937/35000, 2662/2625, 42592/42525, 83853/81920, 9317/9216, 65219/62500, 43923/43904, 14641/14400, [[14641/14580]] | |||
'''13-limit commas''': 59535/57122, 29400/28561, 29568/28561, 29645/28561, 24576/24167, 99225/96668, 24500/24167, 50421/48334, 45927/43940, 2268/2197, 2240/2197, 57624/54925, 61875/61516, 57024/54925, 11264/10985, 72765/70304, 13475/13182, 22869/21970, 6776/6591, 20736/20449, 20480/20449, 84035/81796, 91125/91091, 65536/65065, 15309/14872, 1890/1859, 5600/5577, 9604/9295, 59049/57967, 58320/57967, 4374/4225, 864/845, [[512/507]], 11025/10816, 6125/6084, 21952/21125, 16807/16224, 84035/82134, 66825/66248, 90112/88725, 56133/54080, 693/676, 1540/1521, 26411/25350, 58806/57967, 58080/57967, 88209/84500, 4356/4225, 7744/7605, 88935/86528, 33275/33124, 27951/27040, 9317/9126, 58564/57967, 43923/42250, 17496/17303, 87808/86515, 55296/55055, 25515/25168, [[1575/1573]], 64827/62920, 4802/4719, 98415/98098, 59049/57200, 729/715, [[144/143]], 18375/18304, 18522/17875, 10976/10725, 84035/82368, 59049/56875, 11664/11375, 2304/2275, [[4096/4095]], 1701/1664, [[105/104]], 42336/40625, 25088/24375, 21609/20800, 2401/2340, 9604/9477, 72171/71344, 2673/2600, [[66/65]], [[352/351]], 13475/13312, 33957/32500, 15092/14625, 81675/81536, 58806/56875, 11616/11375, 61952/61425, 68607/66560, 847/832, 4235/4212, 35937/35672, 1331/1300, 5324/5265, 58564/56875, 85293/85184, 13377/13310, 85293/84700, 15288/15125, 31213/30976, 67392/67375, 28431/28160, 34944/34375, 4459/4400, 4459/4455, 28431/28000, [[351/350]], 79872/78125, 66339/65536, 51597/50000, 637/625, 10192/10125, 31213/30720, [[31213/31104]], 30888/30625, 1287/1280, 81081/78125, 16016/15625, 49049/48000, 49049/48600, 14157/14000, 33033/32768, 77077/75000, 51909/51200, 17303/17280, 75712/75625, 8281/8250, 41067/40960, 31941/31250, 9464/9375, 57967/57600, 91091/90000, 61347/61250, 79092/78125 | |||
=== Rank-2 temperaments === | |||
{| class="wikitable center-all left-5" | |||
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | |||
|- | |||
! Periods<br>per 8ve | |||
! Generator* | |||
! Cents* | |||
! Associated<br>ratio* | |||
! Temperament | |||
|- | |||
| 1 | |||
| 6\55 | |||
| 130.9 | |||
| 14/13 | |||
| [[Twothirdtonic]] (55f) | |||
|- | |||
|1 | |||
|8\55 | |||
|174.5 | |||
|[[10/9]]~[[11/10]] | |||
|[[Tetracot]] (55c) | |||
|- | |||
| 1 | |||
| 16\55 | |||
| 349.1 | |||
| 11/9 | |||
| [[Mohaha]] | |||
|- | |||
| 1 | |||
| 23\55 | |||
| 501.8 | |||
| 4/3 | |||
| [[Meantone]] (55d) | |||
|- | |||
| 1 | |||
| 26\55 | |||
| 567.3 | |||
| 7/5 | |||
| [[Liese]] (55) | |||
|- | |||
| 1 | |||
| 27\55 | |||
| 589.1 | |||
| 45/32 | |||
| [[Untriton]] (55d) / [[aufo]] (55) | |||
|- | |||
| 5 | |||
| 17\55<br>(5\55) | |||
| 370.9<br>(109.1) | |||
| 99/80<br>(16/15) | |||
| [[Quintosec]] | |||
|- | |||
| 11 | |||
| 23\55<br>(3\55) | |||
| 501.8<br>(65.5) | |||
| 4/3<br>(36/35) | |||
| [[Hendecatonic]] (55) | |||
|} | |||
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[Normal lists|minimal form]] in parentheses if distinct | |||
== Scales == | |||
; Subsets of twothirdtonic[37] | |||
* Undecimal otonal-like pentatonic: 17 8 7 12 11 | |||
; Subsets of hendecatonic[33] | |||
* Septimal pentatonic-like: 10 13 9 13 10 | |||
* Septimal minor blues-like: 13 10 4 5 13 10 | |||
* Septimal heptatonic blues-like: 13 10 4 5 8 5 10 | |||
; Others | |||
* Sakura-like scale containing [[phi]]: 9 6 18 5 17 | |||
* Quasi-[[equiheptatonic]] scale: 8 8 7 9 7 9 7 | |||
== Instruments == | |||
* [[Lumatone mapping for 55edo]] | |||
== Music == | == Music == | ||
=== Modern renderings === | |||
; {{W|Johann Sebastian Bach}} | |||
* [https://www.youtube.com/watch?v=oymJKnYzzOw "Jesus bleibet meine Freude" from ''Herz und Mund und Tat und Leben'', BWV 147] (1723) – arranged for two organs, rendered by Claudi Meneghin (2021) | |||
* [https://www.youtube.com/watch?v=xoCNOIsjfeU "Ricercar a 3" from ''The Musical Offering'', BWV 1079] (1747) – rendered by [[Claudi Meneghin]] (2024) | |||
* [https://www.youtube.com/watch?v=OkRVNo19guo "Ricercar a 6" from ''The Musical Offering'', BWV 1079] (1747) – rendered by Claudi Meneghin (2025) | |||
* [https://www.youtube.com/watch?v=Y5sIjh_Te40 "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | |||
* [https://www.youtube.com/watch?v=QOPxqNgkVWM "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | |||
; {{W|Nicolaus Bruhns}} | |||
* [https://www.youtube.com/watch?v=OfOt3nOp-f8 ''Prelude in E Minor "The Great"''] – rendered by [[Claudi Meneghin]] (2023) | |||
* [https://www.youtube.com/watch?v=tuIPIhSxUPs ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | |||
; {{W|Georg Frideric Handel}} | |||
* [https://www.youtube.com/watch?v=rDvKPuzsno8 ''Fugue'' from "Suite in E minor", HWV 429] (1720) – arranged for Baroque ensemble and drums, rendered by Claudi Meneghin (2025) | |||
; {{W|Scott Joplin}} | |||
* [https://www.youtube.com/watch?v=GbhpuoIJgxk ''Maple Leaf Rag''] (1899) – arranged for harpsichord and rendered by [[Claudi Meneghin]] (2024) | |||
; {{W|Wolfgang Amadeus Mozart}} | |||
* [https://www.youtube.com/watch?v=C_AML6XW-2g ''Rondo alla Turca'' from the Piano Sonata No. 11, KV 331] (1778) – rendered by Francium (2023) | |||
* [https://www.youtube.com/watch?v=XgRksdk6zyQ ''Fugue in G minor'', KV 401] (1782) – rendered by Francium (2023) | |||
* [http://www.seraph.it/dep/int/AdagioKV540.mp3 ''Adagio in B minor'', KV 540] (1788) – rendered by Carlo Serafini (2011) ([http://www.seraph.it/blog_files/706c4662272db7703def4d57edfcb955-119.html blog entry]) | |||
* [https://www.youtube.com/watch?v=pFjJCj2MBTM ''Allegro'' from the Piano Sonata No. 16, KV 545] (1788) – rendered by Francium (2023) | |||
* [https://www.youtube.com/watch?v=p88MWgdio14&list=PLC6ZSKWKnVz0mOTLQkCUi9ydWGLpBP8gZ&index=2 ''Mozart's Gigue KV 574, Arranged for Fortepiano (55-edo)''] – rendered by [[Claudi Meneghin]] (2025) | |||
; {{W|Keiichi Okabe}} | |||
* [https://www.youtube.com/watch?v=L24G4Y7tZgI ''Yuutsu no Yuutsu''] (2006) – rendered by MortisTheneRd (2024) | |||
=== 21st century === | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/l62rb8ULCXs ''55edo improv''] (2025) | |||
* [https://www.youtube.com/watch?v=kVmToKkZU88 ''Waltz in 55edo''] (2025) | |||
; [[James Kukula]] | |||
* ''[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]'' (2025) | |||
; [[Budjarn Lambeth]] | |||
* ''[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]'' (2025) | |||
* ''[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]'' (2025) | |||
; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [https://www.youtube.com/watch?v=AgsJCTyxqiM ''Double Fugue on "We Wish You a Merry Christmas" for String Quartet''] (2020) | |||
* [https://www.youtube.com/watch?v=AgsJCTyxqiM Double Fugue on "We Wish You a Merry Christmas" for String Quartet] | * [https://www.youtube.com/watch?v=rAbbvyotIr4 ''Canon at the Diatonic Semitone on an Ancient Lombard Theme''] (2021) | ||
* [https://www.youtube.com/watch?v=rAbbvyotIr4 Canon at the Diatonic Semitone on an Ancient Lombard Theme] | * [https://www.youtube.com/watch?v=hCUIx1RzvEk ''Chacony "Lament & Deception"'' for Two Violins and Cello] (2021), [https://www.youtube.com/watch?v=abJP4euMlsg for Baroque Wind Ensemble] (2023) | ||
* [https://www.youtube.com/watch?v=hCUIx1RzvEk Chacony "Lament & Deception" | * [https://www.youtube.com/watch?v=9zfWeO0eJdA Fantasy "Almost a Fugue" on a Theme by Giuliani, for String Quartet] (2021) | ||
* [https://www.youtube.com/watch?v=9zfWeO0eJdA Fantasy "Almost a Fugue" on a Theme by Giuliani, for String Quartet] | * [https://www.youtube.com/watch?v=jOiub14Cskw ''Double Fugue on "Old McDonald" + "Shave & a Haircut"''] (2024) | ||
; [[ | ; [[Herman Miller]] | ||
* [ | * ''[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]'' (2021) | ||
* ''[https://soundcloud.com/morphosyntax-1/migration Migration]'' (2025) | |||
== External links == | == External links == | ||
* [http://tonalsoft.com/monzo/55edo/55edo.aspx | * ''[http://tonalsoft.com/monzo/55edo/55edo.aspx Mozart's tuning: 55-edo and its close relative, 1/6-comma meantone]'' (containing another listening example) on [[Tonalsoft Encyclopedia]] | ||
== References == | |||
<references /> | |||
[[Category:Meantone]] | [[Category:Meantone]] | ||
[[Category:Historical]] | [[Category:Historical]] | ||
[[Category:Listen]] |