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Could anyone ever escape the yearning for the deep structures implied by division of the octave space into something other than the same old twelve tones
Could anyone ever escape the yearning for the deep structures implied by division of the octave space into something other than the same old twelve tones


Let’s say ''twelve'' equidistant intervals, or ''twelve'', or ''twelve'', but not ''313''!
Let’s say thirteen equidistant intervals, or thirteen, or 313, but not twelve!
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