Daniel Thompson: Difference between revisions

Wikispaces>FREEZE
No edit summary
Fredg999 (talk | contribs)
Added link to blog, misc. edits
Line 15: Line 15:
I enjoy just intonation, but have decided that I prefer to focus on equal temperaments, especially ones that contain interesting dissonances. I am working on several projects in [[26edo|26 tone equal temperament]] as well as some in [[13edo|13]], [[19edo|19]], [[28edo|28]] and [[29edo|29]] tone equal temperaments. I plan on also doing some experimenting in nonoctave tunings.
I enjoy just intonation, but have decided that I prefer to focus on equal temperaments, especially ones that contain interesting dissonances. I am working on several projects in [[26edo|26 tone equal temperament]] as well as some in [[13edo|13]], [[19edo|19]], [[28edo|28]] and [[29edo|29]] tone equal temperaments. I plan on also doing some experimenting in nonoctave tunings.


'''What instruments or means have you had/do you have now/do you want
'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''
 
for the making of microtonal music?'''


I frequently use a Triton Extreme keyboard. It has pretty decent microtuning abilities, but it has some limitations, especially for tunings that require a mapping of more than twelve keys to the octave. I also have a Yamaha TX81Z sound module and some older Emu sound modules that allow for microtunings. On my computer, I enjoy using a combination of Cubase SL3, Kontact 2, Scala and the Scala 2 Kontakt Microtuner. This gives me a lot of tuning flexibility.
I frequently use a Triton Extreme keyboard. It has pretty decent microtuning abilities, but it has some limitations, especially for tunings that require a mapping of more than twelve keys to the octave. I also have a Yamaha TX81Z sound module and some older Emu sound modules that allow for microtunings. On my computer, I enjoy using a combination of Cubase SL3, Kontact 2, Scala and the Scala 2 Kontakt Microtuner. This gives me a lot of tuning flexibility.
Line 26: Line 24:


I once played a little piece in thirteen tone equal temperament for a friend. A shocked expression came upon his face. He was deaf in one ear and could actually hear it pretty well in his deaf ear. We tried several songs and tunings, but it only worked for that particular piece and tuning.
I once played a little piece in thirteen tone equal temperament for a friend. A shocked expression came upon his face. He was deaf in one ear and could actually hear it pretty well in his deaf ear. We tried several songs and tunings, but it only worked for that particular piece and tuning.
[[Category:composer]]
 
== External links ==
* [http://danielthompson.blogspot.com/ Personal blog]
 
[[Category:Composer]]