User:Arseniiv/Timbres: Difference between revisions

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News 2021-10: 3 retuned to 8/3
Arseniiv (talk | contribs)
News 2021-10: a timbre for 17edo
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More specifically, all partials 3<sup>''n''</sup> ''m'' are replaced with (8/3)<sup>''n''</sup> ''m''. This is to make fifths work in some way like fourths. Listen [https://www.dropbox.com/sh/yyasgbykj2ps01c/AAAWKadGOIYqylMnhZkCa7cza?dl=0 here]. For me it sounds surprisingly consonant, considering retuning 5 to 24/5 sounds just evil. Though I can’t say I see what harmonic reifications this timbre brings.
More specifically, all partials 3<sup>''n''</sup> ''m'' are replaced with (8/3)<sup>''n''</sup> ''m''. This is to make fifths work in some way like fourths. Listen [https://www.dropbox.com/sh/yyasgbykj2ps01c/AAAWKadGOIYqylMnhZkCa7cza?dl=0 here]. For me it sounds surprisingly consonant, considering retuning 5 to 24/5 sounds just evil. Though I can’t say I see what harmonic reifications this timbre brings.
=== An inharmonic timbre tuned to 17edo ===
[https://www.dropbox.com/sh/m3vcxljnbg82gtq/AAB4L82RLbUvGAvZDlwti5-pa?dl=0 Here].
Partials are, in [[17edo|\17]] steps,
<pre># 1  2  3  4  5  6  7  8
0, 17, 27, 34, 40, 44, 48, 51,
# 9  10  11  12  13  14  15  16
54, 57, 59, 61, 63, 65, 67, 68,
#17 18  19  20  21  22  23  24  25
69, 71, 72, 74, 75, 76, 77, 78, 79,</pre>
where 5, 10, 15, 20, but not 25, are 1\17 higher than “the best” (as 5 is represented so-so).
This tweak is an idea from XA Discord. When I originally tried the same idea but with 5, 10, 15, 20 tuned a step lower, the timbre sounded pretty disastrous by itself, disregarding any harmonic possibilities, but I didn’t think to try to salvage that.