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The term '''oneirotonic''' (/oʊnaɪrəˈtɒnɪk/ ''oh-ny-rə-TON-ik'' or /ənaɪrə-/ ''ə-ny-rə-'') is used for the 8-note MOS structure [[5L 3s]], whose brightest mode is LLsLLsLs. The name "oneirotonic" was coined by [[Cryptic Ruse]] after the Dreamlands in H.P. Lovecraft's Dream Cycle mythos. Oneirotonic is a distorted diatonic, because it has one extra small step compared to diatonic ([[5L 2s]]).
#redirect [[5L 3s]]
 
The generator size ranges from 450¢ (3\8) to 480¢ (2\5). Hence any edo with an interval between 450¢ and 480¢ has an oneirotonic scale. [[13edo]] is the smallest edo with a (non-degenerate) 5L3s oneirotonic scale and thus is the most commonly used oneirotonic tuning.
 
In terms of [[regular temperament]]s, there are at least two melodically viable ways to interpret oneirotonic. [[13edo]] represents both temperaments.
# When the generator is between 461.54¢ (5\13) and 466.67¢ (7\18): [[A-Team]] (13&18, a 4:5:9:21 or 2.9.5.21 temperament)
# When the generator is between 457.14¢ (8\21) and 461.54¢ (5\13): [[Petrtri]] (13&21, a 4:5:9:11:13:17 or 2.5.9.11.13.17 temperament)
 
== Notation==
The notation used in this article is J Celephaïsian (LsLLsLLs) = JKLMNOPQJ (with J ≈ 180 Hz), unless specified otherwise. So the [[13edo]] gamut is as follows:
 
'''J''' J#/Kb '''K''' '''L''' L#/Mb '''M''' M#/Nb '''N''' '''O''' O#/Pb '''P''' P#/Qb '''Q''' '''J'''
 
Note: N is close to standard C, since the reference pitche 180 Hz for J was chosen to be nearly a pure 11/8 above standard 12edo C.
 
== Intervals ==
{| class="wikitable center-all"
|-
! Generators
! Notation (1/1 = J)
! Octatonic interval category name
! Generators
! Notation of 2/1 inverse
! Octatonic interval category name
|-
| colspan="6" style="text-align:left" | The "diatonic" 8-note scale has the following intervals (from some root):
|-
| 0
| J
| perfect unison
| 0
| J
| octave
|-
| 1
| M
| perfect mosfourth
| -1
| O
| perfect mossixth
|-
| 2
| P
| major mosseventh
| -2
| L
| minor mosthird
|-
| 3
| K
| major mossecond
| -3
| Qb
| minor moseighth
|-
| 4
| N
| major mosfifth
| -4
| Nb
| minor mosfifth
|-
| 5
| Q
| major moseighth
| -5
| Kb
| minor mossecond
|-
| 6
| L#
| major mosthird
| -6
| Pb
| minor mosseventh
|-
| 7
| O#
| augmented sixth
| -7
| Mb
| diminished fourth
|-
| colspan="6" style="text-align:left" | The "chromatic" 13-note scale also has the following intervals (from some root):
|-
| 8
| J#
| augmented unison
| -8
| Jb
| diminished octave
|-
| 9
| M#
| augmented mosfourth
| -9
| Ob
| diminished mossixth
|-
| 10
| P#
| augmented mosseventh
| -10
| Lb
| diminished mosthird
|-
| 11
| K#
| augmented mossecond
| -11
| Qbb
| diminished moseighth
|-
| 12
| N#
| augmented mosfifth
| -12
| Nbb
| diminished mosfifth
|}
 
== Oneirotonic key signatures ==
Flat keys:
* Jb Celephaisian, Lb Dylathian = Qb, Nb, Kb, Pb, Mb, Jb, Ob, Lb
* Mb Celephaisian, Ob Dylathian = Qb, Nb, Kb, Pb, Mb, Jb, Ob
* Pb Celephaisian, Jb Dylathian = Qb, Nb, Kb, Pb, Mb, Jb
* Kb Celephaisian, Mb Dylathian = Qb, Nb, Kb, Pb, Mb
* Nb Celephaisian, Pb Dylathian = Qb, Nb, Kb, Pb
* Qb Celephaisian, Kb Dylathian = Qb, Nb, Kb
* L Celephaisian, Nb Dylathian = Qb, Nb
* O Celephaisian, Qb Dylathian = Qb
All-natural key signature:
* J Celephaisian, L Dylathian = no sharps or flats
Sharp keys:
* M Celephaisian, O Dylathian = L#
* P Celephaisian, J Dylathian = L#, O#
* K Celephaisian, M Dylathian = L#, O#, J#
* N Celephaisian, P Dylathian = L#, O#, J#, M#
* Q Celephaisian, K Dylathian = L#, O#, J#, M#, P#
** Enharmonic with Jb Celeph., Lb Dylath. in [[13edo]]
* L# Celephaisian, N Dylathian = L#, O#, J#, M#, P#, K#
** Enharmonic with Mb Celeph., Ob Dylath. in 13edo
* O# Celephaisian, Q Dylathian = L#, O#, J#, M#, P#, K#, N#
** Enharmonic with Pb Celeph., Jb Dylath. in 13edo
* J# Celephaisian, L# Dylathian = L#, O#, J#, M#, P#, K#, N#, Q#
** Enharmonic with Kb Celeph., Mb Dylath. in 13edo
 
== Modal harmony ==
Oneirotonic modes are named after cities in the Dreamlands.
 
# Dylathian: LLsLLsLs (major with hints of Mixolydian and "#5")
# Ilarnekian: LLsLsLLs (major with hints of "b6")
# Celephaïsian: LsLLsLLs (the oneirotonic melodic minor. Very classical-sounding; Easley Blackwood's 13-note etude uses this as its home mode.)
# Ultharian: LsLLsLsL (A Dorian analogue. Another Dorian analogue is the MODMOS LsLLLsLs)
# Mnarian: LsLsLLsL
# Kadathian: sLLsLLsL (another "Locrian")
# Hlanithian: sLLsLsLL (closest Locrian analogue)
# Sarnathian: sLsLLsLL (Darkest but ironically the most consonant. Here be dragons.)
 
The modes in 13edo edo steps and C-H notation:
 
[[File:Oneirotonic.png|alt=Oneirotonic.png|Oneirotonic.png]]
 
=== Modes with sharp tritone ===
At least in A-Team, the brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian).
 
=== Modes with flat tritone ===
The darker modes are radically different in character than the brighter modes. Because of the consonant 11/8 minor tritone and the 13/8 minor sixth, the flat tritone sounds more like a stable scale function.
 
== A-Team (13&18, 4:5:9:(11:13):21) interpretation ==
EDOs that support A-Team include [[13edo]], [[18edo]], [[31edo]] and [[44edo]].
 
It is possible to tune A-Team by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS.
The sizes of the generator, large step and small step of oneirotonic are as follows in various A-Team tunings.
{| class="wikitable right-2 right-3 right-4 right-5"
|-
! style="text-align:right" |
! [[13edo]]
! [[18edo]]
! [[31edo]]
! 64/49 generator
! JI intervals represented (2.9.5.21 subgroup)
|-
| generator
| 5\13, 461.54
| 7\18, 466.67
| 12\31, 464.52
| 462.35
| 21/16
|-
| L
| 2\13, 184.62
| 3\18, 200.00
| 5\31, 193.55
| 187.04
| 9/8, 10/9
|-
| s
| 1\13, 92.31
| 1\18, 66.66
| 2\31, 77.42
| 88.26
| 21/20
|}
 
=== Intervals ===
Sortable table of Dylathian, the brightest mode:
 
{| class="wikitable right-2 right-3 right-4 sortable"
|-
! Degree
! Size in 13edo
! Size in 18edo
! Size in 31edo
! Note name on L
! class="unsortable"| Approximate ratios<ref>The harmonics over 1/1 are in bold. The ratio interpretations that are not valid for 18edo are italicized.</ref>
! #Gens up
|-
| 1
| 0\13, 0.00
| 0\18, 0.00
| 0\31, 0.00
| L
| 1/1
| 0
|-
| 2
| 2\13, 184.62
| 3\18, 200.00
| 5\31, 193.55
| M
| 9/8, 10/9
| +3
|-
| 3
| 4\13, 369.23
| 6\18, 400.00
| 10\31, 387.10
| N
| 5/4
| +6
|-
| 4
| 5\13, 461.54
| 7\18, 466.67
| 12\31, 464.52
| O
| 21/16, ''13/10''
| +1
|-
| 5
| 7\13, 646.15
| 10\18, 666.66
| 17\31, 658.06
| P
| ''13/9'', ''16/11''
| +4
|-
| 6
| 9\13, 830.77
| 13\18, 866.66
| 22\31, 851.61
| Q
| ''13/8'', ''18/11''
| +7
|-
| 7
| 10\13, 923.08
| 14\18, 933.33
| 24\31, 929.03
| J
| 12/7
| +2
|-
| 8
| 12\13, 1107.69
| 17\18, 1133.33
| 29\31, 1122.58
| K
|
| +5
|}
<references/>
 
== Petrtri (13&21, 4:5:9:11:13:17) interpretation ==
The sizes of the generator, large step and small step of oneirotonic are as follows in various Petrtri tunings. (Golden oneirotonic uses 1200*(2-φ) = 458.3592135¢ as generator and has L/s = φ; it is the limit of taking generators in Fibonacci number edos 5\13, 8\21, 13\34, 21\55, 34\89,....)
{| class="wikitable right-2 right-3 right-4"
|-
!
! [[13edo]]
! [[21edo]]
! [[34edo]]
! Golden oneirotonic
! JI intervals represented (2.5.9.11.13.17 subgroup)
|-
| generator (g)
| 5\13, 461.54
| 8\21, 457.14
| 13\34, 458.82
| 458.36
| 13/10, 17/13, 22/17
|-
| L (3g - octave)
| 2\13, 184.62
| 3\21, 171.43
| 5\34, 176.47
| 175.08
| 10/9, 11/10
|-
| s (-5g + 2 octaves)
| 1\13, 92.31
| 2\21, 114.29
| 3\34, 105.88
| 108.20
| 18/17, 17/16
|}
 
=== Intervals ===
Sortable table of Dylathian, the brightest mode:
 
{| class="wikitable right-2 right-3 right-4 sortable"
|-
! Degree
! Size in 13edo
! Size in 21edo
! Size in 34edo
! Note name on L
! class="unsortable"| Approximate ratios
! #Gens up
|-
| 1
| 0\13, 0.00
| 0\21, 0.00
| 0\34, 0.00
| L
| 1/1
| 0
|-
| 2
| 2\13, 184.62
| 3\21, 171.43
| 5\34, 176.47
| M
| 10/9, 11/10
| +3
|-
| 3
| 4\13, 369.23
| 6\21, 342.86
| 10\34, 352.94
| N
| 11/9, 16/13
| +6
|-
| 4
| 5\13, 461.54
| 8\21, 457.14
| 13\34, 458.82
| O
| 13/10, 17/13, 22/17
| +1
|-
| 5
| 7\13, 646.15
| 11\21, 628.57
| 18\34, 635.294
| P
| 13/9, 16/11
| +4
|-
| 6
| 9\13, 830.77
| 14\21, 800.00
| 23\34, 811.77
| Q
| 8/5
| +7
|-
| 7
| 10\13, 923.08
| 16\21, 914.29
| 26\34, 917.65
| J
| 17/10
| +2
|-
| 8
| 12\13, 1107.69
| 19\21, 1085.71
| 31\34, 1094.12
| K
| 17/9, 32/17
| +5
|}
<references/>
 
=== Chords ===
The pentad P1-m8-M10-m12-M16 "5:9:11:13:17" occurs twice in the 8 note mos of 13edo and 21edo's father[8]. The pentad P1-M3-M4-m6-m9 "4:5:11:13:17" occurs once.
 
Triad occurrences:
*P1-M2-M3 "9:10:11" occurs 2x
*P1-M2-M5 "9:10:13" occurs 3x
*P1-M2-M8 "9:10:17" occurs 3x
*P1-M3-M5 "9:11:13" occurs 2x
*P1-M3-M8 "9:11:17" occurs 2x
*P1-M5-M8 "9:13:17" occurs 3x
 
All 8 modes provide chords in various prime families (list of modes is non-exhaustive):
*/2 chords occur on Sarnathian
*/5 chords occur on Ultharian and Mnarian
*/9 chords occur on Dylathian and Ilarnekian
*/11 chords occur on Hlanithian and Sarnathian
*/13 chords occur on Mnarian and Kadathian
*/17 chords occur on Hlanithian and Kadathian
 
== Samples ==
 
[[File:Oneirotonic 3 part sample.mp3]]
 
‎(A rather classical-sounding 3-part harmonization of the ascending J Ilarnekian scale; tuning is 13edo)
 
[[File:13edo_1MC.mp3]]
 
(13edo, first 30 seconds is in J Celephaïsian)
 
[[File:A Moment of Respite.mp3]]
 
(13edo, L Ilarnekian)
 
[[File:Lunar Approach.mp3]]
 
(by [[Igliashon Jones]], 13edo, J Celephaïsian)
 
[[Category:Scales]]
[[Category:Oneirotonic| ]] <!-- sort order in category: this page shows above A -->
[[Category:Mos]]
[[Category:MOS scales]]