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→Subsets and supersets: expand in general what 19edo can do, not just undevigintone and meanmag as these are covered in 19th-octave temps.
m Move Lumatone mapping for 19edo from See Also to Instruments
 
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=== Subsets and supersets ===
=== Subsets and supersets ===
19edo is the 8th [[prime edo]], following [[17edo]] and preceding [[23edo]].
19edo is the 8th [[prime edo]], following [[17edo]] and preceding [[23edo]]. As such, it does not contain any nontrivial subset edos, though it contains [[19ed4]].  


[[38edo]], which doubles 19edo, provides an approximation of harmonic 11 that works well with the flat tendency of its 5-limit mapping. [[57edo]] effectively corrects the harmonic 7 to just, although it is [[76edo]] that fits the best.  
[[38edo]], which doubles 19edo, provides an approximation of harmonic 11 that works well with the flat tendency of its 5-limit mapping. [[57edo]] effectively corrects the harmonic 7 to just, although it is [[76edo]] that fits the best.  
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[[File:Vaisvil-19edo-guitar-IMG00145-1024x768.jpg|512x384px|thumb|none|19 note per octave Ibanez conversion by Brad Smith (Indianapolis)]]
[[File:Vaisvil-19edo-guitar-IMG00145-1024x768.jpg|512x384px|thumb|none|19 note per octave Ibanez conversion by Brad Smith (Indianapolis)]]
[[File:Bass19.jpg|alt=19edo 5 string Bass 34"-37" scale length|512x384px|thumb|none|19edo bass conversion by Ron Sword]]
[[File:Bass19.jpg|alt=19edo 5 string Bass 34"-37" scale length|512x384px|thumb|none|19edo bass conversion by Ron Sword]]
Several [[Lumatone mapping for 19edo|Lumatone mappings for 19edo]] are available.


== Music ==
== Music ==
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* [[Mason Green's New Common Practice Notation]]
* [[Mason Green's New Common Practice Notation]]
* [[Extraclassical tonality]]
* [[Extraclassical tonality]]
* [[Lumatone mapping for 19edo]]
 


== Further reading ==
== Further reading ==
* [[Mandelbaum, Joel]]. ''[https://anaphoria.com/mandelbaum.html Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament]''. 1961.
* [[Darreg, Ivor]]. ''[http://www.tonalsoft.com/sonic-arts/darreg/case.htm A Case for Nineteen]''. 1982.
* [[Darreg, Ivor]]. ''[http://www.tonalsoft.com/sonic-arts/darreg/case.htm A Case for Nineteen]''. 1982.
* Darreg, Ivor. ''[http://www.microstick.net/nineteenarticle.htm Nineteen for the Nineties]''{{dead link}}. (Unknown date of publication).
* Darreg, Ivor. ''[https://microstick.net/nineteen-for-the-nineties-by-ivor-darreg/ Nineteen for the Nineties]''. (Unknown date of publication).
* Howe, Hubert S., Jr. [http://qcpages.qc.edu/%7Ehowe/articles/19-Tone%20Theory.html 19-Tone Theory and Applications]. c. 2004.
* Howe, Hubert S., Jr. [https://huberthowe.org/tone-theory/ 19-Tone Theory and Applications]. c. 2004.
* [[Sethares, William A]]. [http://sethares.engr.wisc.edu/tet19/guitarchords19.html Tunings for 19 Tone Equal Tempered Guitar]. 1991.
* [[Sethares, William A]]. [http://sethares.engr.wisc.edu/tet19/guitarchords19.html Tunings for 19 Tone Equal Tempered Guitar]. 1991.
* [[Sword, Ron]]. ''[http://www.metatonalmusic.com/books.html Enneadecaphonic Scales for Guitar: A Repository of Scales, Chord-Scales, Notations and Techniques for Nineteen Equal Divisions of the Octave]''. 2010.
* [[Sword, Ron]]. ''[http://www.metatonalmusic.com/books.html Enneadecaphonic Scales for Guitar: A Repository of Scales, Chord-Scales, Notations and Techniques for Nineteen Equal Divisions of the Octave]''. 2010.
* Yasser, Joseph. ''[https://www.worldcat.org/fr/title/726192994 Theory of Evolving Tonality]''. 1932.
* Yasser, Joseph. ''[https://archive.org/details/theoryofevolving0000jose Theory of Evolving Tonality]''. 1932.


== External links ==
== External links ==
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* [http://www.n-ism.org/Projects/microtonalism.php Microtonalism] by Ingrid Pearson, Graham Hair, Dougie McGilvray, Nick Bailey, Amanda Morrison and Richard Parncutt (from n-ISM, the Network for Interdisciplinary Studies in Science, Technology, and Music)
* [http://www.n-ism.org/Projects/microtonalism.php Microtonalism] by Ingrid Pearson, Graham Hair, Dougie McGilvray, Nick Bailey, Amanda Morrison and Richard Parncutt (from n-ISM, the Network for Interdisciplinary Studies in Science, Technology, and Music)
* [http://mtg.redkeylabs.com/index.php?topic=6.0 Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar].
* [http://mtg.redkeylabs.com/index.php?topic=6.0 Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar].
* [[Bostjan Zupancic]]'s [https://sites.google.com/site/bostjanzupancickhereb/home/bostjan/microtones/19edo 19-EDO pages]  
* [[Bostjan Zupancic]]'s [https://sites.google.com/site/bostjanzupancickhereb/khereb/bostjan/microtones/19edo 19-EDO pages]  
* [https://sites.google.com/view/19edoscales Catalog of all 19edo heptatonic scales]
* [https://sites.google.com/view/19edoscales Catalog of all 19edo heptatonic scales]


=== References ===
=== References ===
* Bucht, Saku and Huovinen, Erkki, ''Perceived consonance of harmonic intervals in 19-tone equal temperament'', CIM04_proceedings.
* Bucht, Saku and Huovinen, Erkki, [https://www.parncutt.org/CIM04/CIM04_paper_pdf/Bucht_Huovinen_CIM04_proceedings.pdf ''Perceived consonance of harmonic intervals in 19-tone equal temperament''], CIM04_proceedings.
* Levy, Kenneth J., ''Costeley's Chromatic Chanson'', Annales Musicologues: Moyen-Age et Renaissance, Tome III (1955), pp. 213-261.
* Levy, Kenneth J., ''Costeley's Chromatic Chanson'', Annales Musicologues: Moyen-Age et Renaissance, Tome III (1955), pp. 213-261.


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