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{{Novelty}} | |||
{{Infobox interval | {{Infobox interval | ||
| Name = toastedosma | | Name = toastedosma | ||
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}} | }} | ||
[[File:Toastedosma.jpg|alt=The horogram illuminating this comma.|thumb|The horogram illuminating this comma.]] | [[File:Toastedosma.jpg|alt=The horogram illuminating this comma.|thumb|The horogram illuminating this comma.]] | ||
The '''toastedosma''' is a [[small comma|small]] [[13-limit]] [[comma]]. It is [[tempering out|tempered out]] in [[41edo]] among others. | The '''toastedosma''' is a [[small comma|small]], no 2s, [[13-limit]] [[comma]]. It is the difference between the [[porcupine comma]] and the [[78/77|negustma]]. It is [[tempering out|tempered out]] in [[41edo]] among others. | ||
== Etymology == | == Etymology == | ||
This comma was named by committee at the 2026 Untwelve Microtonal Recording Retreat, and the connection is apparent when you closely study the horogram on the side of a box of {{w|Great Value}} Toasted O's.{{clarify}} | This comma was named by committee at the 2026 Untwelve Microtonal Recording Retreat, and the connection is apparent when you closely study the horogram on the side of a box of {{w|Great Value}} Toasted O's.{{clarify}} | ||
== Examples == | |||
This piece is arranged for a 6 string kite bass, a 7 string electric kite guitar, and a synthesizer part. There are two separate chord progressions that traverse the toastedosma. | |||
[[File:BAANOIR-Toastedosma1.pdf|thumb]] | |||
[[File:Toastedosma1.mp3|thumb|A quick audio mockup of two chord progressions that traverse the toastedosma.]] | |||
{{Todo|expand}} | |||
[[Category:Commas named for other reasons]] | [[Category:Commas named for other reasons]] | ||