User:Moremajorthanmajor/Pseudo-traditional harmonic functions of octatonic scale degrees: Difference between revisions

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**Imported revision 602913866 - Original comment: **
m FloraC moved page Pseudo-traditional harmonic functions of octatonic scale degrees to User:Moremajorthanmajor/Pseudo-traditional harmonic functions of octatonic scale degrees without leaving a redirect: Personal theory dump, not fit for the main namespace
 
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
{| class="wikitable"
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
|-
: This revision was by author [[User:diagonalia|diagonalia]] and made on <tt>2016-12-30 11:54:47 UTC</tt>.<br>
! Degree number
: The original revision id was <tt>602913866</tt>.<br>
! Function
: The revision comment was: <tt></tt><br>
! Regular triad
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
|-
<h4>Original Wikitext content:</h4>
| I
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">||~ Degree number ||~ Function ||~ Regular triad ||
| Tonic
|| I || Tonic || I-III-VI ||
| I-III-VI
|| II || Supertonic || II-IV-VII ||
|-
|| III || Mediant || III-V-VIII ||
| II
|| IV || Subdominant || IV-VI-I ||
| Supertonic
|| V || Antitonic || V-VII-II ||
| II-IV-VII
|| VI || Dominant || VI-VIII-III ||
|-
|| VII || Submediant || VII-I-IV ||
| III
|| VIII || Leading tone
| Mediant
Subtonic || VIII-II-V ||
| III-V-VIII
|-
| IV
| Subdominant
| IV-VI-I
|-
| V
| Antitonic
| V-VII-II
|-
| VI
| Dominant
| VI-VIII-III
|-
| VII
| Submediant
| VII-I-IV
|-
| VIII
| Leading tone<br>Subtonic
| VIII-II-V
|}


Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.</pre></div>
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Pseudo-traditional harmonic functions of octatonic scale degrees&lt;/title&gt;&lt;/head&gt;&lt;body&gt;
 
&lt;table class="wiki_table"&gt;
    &lt;tr&gt;
        &lt;th&gt;Degree number&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Function&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;Regular triad&lt;br /&gt;
&lt;/th&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;I&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Tonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;I-III-VI&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;II&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Supertonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;II-IV-VII&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;III&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Mediant&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;III-V-VIII&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;IV&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Subdominant&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;IV-VI-I&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;V&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Antitonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;V-VII-II&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;VI&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Dominant&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;VI-VIII-III&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;VII&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Submediant&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;VII-I-IV&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;VIII&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Leading tone&lt;br /&gt;
Subtonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;VIII-II-V&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;
 
&lt;br /&gt;
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.&lt;/body&gt;&lt;/html&gt;</pre></div>

Latest revision as of 10:53, 12 July 2026

Degree number Function Regular triad
I Tonic I-III-VI
II Supertonic II-IV-VII
III Mediant III-V-VIII
IV Subdominant IV-VI-I
V Antitonic V-VII-II
VI Dominant VI-VIII-III
VII Submediant VII-I-IV
VIII Leading tone
Subtonic 		VIII-II-V

Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.

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