Dicot: Difference between revisions

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add it in the infobox then
"It is also the first fully prototypical dicot temperament" only makes sense due to the hyperlink
 
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{{About|the regular temperament|the ploidacot signature|Ploidacot/Dicot}}
{{About|the regular temperament|the ploidacot signature|Ploidacot/Dicot}}


'''Dicot''' is an [[exotemperament]] that [[tempering out|tempers out]] [[25/24]]. It is also the first fully prototypical [[ploidacot/Dicot|dicot]] temperament. It tempers [[6/5]] and [[5/4]] into the same [[neutral third]] interval, which, when the fifth is tuned pure, is [[sqrt(3/2)]]. It is useful to represent the structure of [[5-limit]] harmonies without fully representing them in its greater accuracy, with [[mos scale]]s [[3L 4s]] and [[7L 3s]].  
'''Dicot''' is an [[exotemperament]] that [[tempering out|tempers out]] [[25/24]]. This means it tempers [[6/5]] and [[5/4]] into the same [[neutral third]] interval, which, when the fifth is tuned pure, is [[sqrt(3/2)]]. It is useful to represent the structure of [[5-limit]] harmonies without fully representing them in its greater accuracy, with [[mos scale]]s [[3L 4s]] and [[7L 3s]].  


It can be extended by tempering out [[15/14]] and [[36/35]] in the [[7-limit]], though this could turn the [[3L 4s]] [[mos]] into a [[4L 3s]] [[mos]]. This makes [[7/6]] and [[9/7]] equated to the neutral third, viewing [[6:7:9]] as a tertian chord.  
It can be extended by tempering out [[15/14]] and [[36/35]] in the [[7-limit]], called ''[[mujannabic]]'', though this could turn the [[3L 4s]] [[mos]] into a [[4L 3s]] [[mos]]. This makes [[7/6]] and [[9/7]] equated to the neutral third, viewing [[6:7:9]] as a tertian chord.  


Another notable extension of dicot is [[decimal]], which splits the octave in two for [[7/5]][[~]][[10/7]] by tempering out [[50/49]], and equates [[7/6]] and [[8/7]] to the tritone complement of 5/4~6/5, neutralizing the [[6:7:8]] chord as well. This represents the structure of 7-limit harmonies in a way that is not based on tertian harmony and a heptatonic system, but rather a decatonic one.
Another notable extension of dicot is [[decimal]], which splits the octave in two for [[7/5]][[~]][[10/7]] by tempering out [[50/49]], and equates [[7/6]] and [[8/7]] to the tritone complement of 5/4~6/5, neutralizing the [[6:7:8]] chord as well. This represents the structure of 7-limit harmonies in a way that is not based on tertian harmony and a heptatonic system, but rather a decatonic one.
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<nowiki/>* Besides the octave
<nowiki/>* Besides the octave


[[Category:Dicot| ]] <!-- main article -->
[[Category:Rank-2 temperaments]]
[[Category:Rank-2 temperaments]]
[[Category:Exotemperaments]]
[[Category:Exotemperaments]]
[[Category:Dicot family]]
[[Category:Dicot family]]
[[Category:Mint temperaments]]
[[Category:Keemic temperaments]]

Latest revision as of 10:27, 28 June 2026

Dicot
Subgroups 2.3.5, 2.3.5.11
Comma basis 25/24 (2.3.5);
25/24, 45/44 (2.3.5.11)
Reduced mapping ⟨1; 2 1 5]
ET join 7 & 10
Generators (CWE) ~6/5 = 351.1 ¢
MOS scales 3L 1s, 3L 4s, 7L 3s
Ploidacot dicot
Pergen (P8, P5/2)
Minimax error 5-odd-limit: 35.3 ¢;
2.3.5.11 15-odd-limit: 35.3 ¢
Target scale size 5-odd-limit: 3 notes;
2.3.5.11 15-odd-limit: 7 notes
This page is about the regular temperament. For the ploidacot signature, see Ploidacot/Dicot.

Dicot is an exotemperament that tempers out 25/24. This means it tempers 6/5 and 5/4 into the same neutral third interval, which, when the fifth is tuned pure, is sqrt(3/2). It is useful to represent the structure of 5-limit harmonies without fully representing them in its greater accuracy, with mos scales 3L 4s and 7L 3s.

It can be extended by tempering out 15/14 and 36/35 in the 7-limit, called mujannabic, though this could turn the 3L 4s mos into a 4L 3s mos. This makes 7/6 and 9/7 equated to the neutral third, viewing 6:7:9 as a tertian chord.

Another notable extension of dicot is decimal, which splits the octave in two for 7/5~10/7 by tempering out 50/49, and equates 7/6 and 8/7 to the tritone complement of 5/4~6/5, neutralizing the 6:7:8 chord as well. This represents the structure of 7-limit harmonies in a way that is not based on tertian harmony and a heptatonic system, but rather a decatonic one.

For technical data, see Dicot family #Dicot.

Interval chain

In the following table, odd harmonics 1–9 are labeled in bold.

# Cents* Approximate ratios
0 0.0 1/1
1 351.1 5/4, 6/5
2 702.2 3/2
3 1053.3 9/5, 15/8
4 204.3 9/8

* In 5-limit CWE tuning

Tunings

Norm-based tunings

5-limit norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Tenney CTE: ~5/4 = 354.664 ¢ CWE: ~5/4 = 351.086 ¢ POTE: ~5/4 = 348.594 ¢
2.3.5.11-subgroup norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Tenney CTE: ~5/4 = 352.287 ¢ CWE: ~5/4 = 348.954 ¢ POTE: ~5/4 = 346.734 ¢

Tuning spectrum

Edo
generator
Eigenmonzo
(Unchanged-interval)*
Generator (¢) Comments
1\4 300.000 Lower bound of 5-odd-limit diamond monotone
5/3 315.641 Full comma
3\11 327.273 11c val
9/5 339.199 2/3-comma
2\7 342.857 Lower bound of 5-limit 9-odd-limit diamond monotone
27/20 343.910 3/5-comma
7\24 350.000 24c val
3/2 350.978 1/2-comma
5\17 352.941
45/32 358.045 2/5-comma
3\10 360.000
15/8 362.756 1/3-comma
4\13 369.231
5/4 386.314 Untempered tuning
1\3 400.000 Upper bound of 5-odd-limit,
and 5-limit 9-odd-limit diamond monotone

* Besides the octave