50edo: Difference between revisions

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== Theory ==

As an equal temperament, 50et [[tempering out|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It also ~~maps all~~ [[19-odd-limit]] ~~intervals consistently~~, ~~except for~~ [[11/9]] and [[18/11]].

As an equal temperament, 50et [[tempering out|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mapping of [[11/9]] and [[18/11]].

50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.

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== Notation ==

=== ~~Ups~~ and downs notation ===

=== Stein–Zimmermann–Gould notation ===

50edo can be notated with [[Stein–Zimmermann–Gould notation]]:

Here, a sharp raises by three steps, and a flat lowers by three steps, so arrows can be used to fill in the gap. If the arrows are taken to have their own layer of enharmonic spellings, some notes may be best spelled with double arrows.

=== Kite's ups and downs notation ===

Spoken as up, downsharp, sharp, upsharp, etc. Note that downsharp can be respelled as dup (double-up), and upflat as dud.

~~Using [[Helmholtz–Ellis]] accidentals, 50edo can also be notated using [[Alternative symbols for ups and downs notation#Sharp-3|alternative ups and downs]]:~~

~~{{Sharpness-sharp3}}~~

Here, a sharp raises by three steps, and a flat lowers by three steps, so arrows can be used to fill in the gap. If the arrows are taken to have their own layer of enharmonic spellings, some notes may be best spelled with double arrows.

=== Sagittal notation ===

This notation uses the same sagittal sequence as ~~EDOs~~ [[57edo#Sagittal notation|57]], [[64edo#Sagittal notation|64]], and [[71edo#Second-best fifth notation|71b]].

This notation uses the same sagittal sequence as edos [[57edo #Sagittal notation|57]], [[64edo #Sagittal notation|64]], and [[71edo #Second-best fifth notation|71b]].

==== Evo flavor ====

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</imagemap>

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this ~~EDO~~.

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.

== Approximation to JI ==

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; Lumatone

See [[Lumatone mapping for 50edo]]

See [[Lumatone mapping for 50edo]].

; Piano

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* [https://www.youtube.com/watch?v=M3wQu4UF1pg "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024, organ sound rendering)

* [https://www.youtube.com/watch?v=qjb9DDM32Ic "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742-1749) — rendered by Claudi Meneghin (2025, harpsichord sound rendering)

; {{W|David Belasco}}

* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All''] (1908) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

; {{W|Nicolaus Bruhns}}

* [https://www.youtube.com/watch?v=yrM50pvmD5c ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023)

; {{W|John Bull (composer)|John Bull}}

* [https://www.youtube.com/watch?v=6RewllRJ5rU ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – rendered by Claudi Meneghin (2026)

; {{w|Frédéric Chopin}}

* [https://www.youtube.com/shorts/7Bisk0I2H4o ''Prelude Op. 28, No. 7 in A major''] (1839), arranged for fortepiano, tuned into 50-edo – rendered by [[Claudi Meneghin]] (2025)

; {{W|Louis Couperin}}

* [https://www.youtube.com/shorts/NSzakO66Roc ''«La Piémontoise»''] (1658?) – rendered by Claudi Meneghin (2026)

; {{W|Gabriel Fauré}}

* [https://www.youtube.com/watch?v=7djfrUlw2ck ''Pavane'', op. 50] (1887) – arranged for harpsichord and rendered by Claudi Meneghin (2020)

; {{W|Toby Fox}}

* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well''] via ''{{W|Deltarune}} Chapters 3 + 4'' (2025) (microtonal cover in 50edo) by [[Bryan Deister]] (2025)

; {{W|Iyowa}}

* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal''] (2024) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

; {{W|Akira Kamiya}}

* [https://www.youtube.com/watch?v=5UnPAhRqmb4 ''funfunfun ta yo''] (2007) – rendered by MortisTheneRd (2024)

; {{W|Laufey_(singer)|Laufey}}

* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White''] (2025) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

; {{W|Wolfgang Amadeus Mozart}}

* [https://www.youtube.com/watch?v=YK_kFs4PL2g&list=WL&index=347 ''Gigue KV 574 («Leipziger Gigue»)''] (1789) – rendered by Claudi Meneghin (2026)

; {{W|Akiko Shikata}}

* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother''] via ''{{W|Umineko_When_They_Cry|Umineko no Naku Koro ni}}'' (2007) - microtonal cover in 50edo by [[Bryan Deister]] (2026)

=== 21st century===

; [[Bryan Deister]]

* [https://www.youtube.com/shorts/zCsc5n6dr_I ''microtonal improv in 50edo''] (2024)

* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well - Deltarune (microtonal cover in 50edo)''] (2025)

* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025-10-13)

* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White - Laufey (microtonal cover in 50edo)''] (2025)

* [https://www.youtube.com/shorts/DIiLORDPfUI ''50edo improv''] (2026-05-25)

* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025)

* [https://www.youtube.com/watch?v=LqzPpl01WXc ''Fantasy in 50edo''] (2026)

* [https://www.youtube.com/shorts/~~L6jF5_HEGkM~~ ''~~Heat Abnormal - Iyowa (microtonal cover in~~ 50edo)''] (~~2025~~)

* [https://www.youtube.com/~~shorts/WcExL9W2Gyc~~ ''~~The Prettiest Little Song Of All - Belasco (microtonal cover~~ in 50edo)''] (~~2025~~)

; [[Francium]]

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; [[Claudi Meneghin]]

* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2014, uploaded 2019)

* [https://www.youtube.com/shorts/IhKVro5YEcA ''Canon on «Twinkle Twinkle Little Star» in 50-edo, for Organ''] (≤2014, restored and re-hosted 2025)

* [https://www.youtube.com/watch?v=TRXy0FJOKIA ''Fugue on the Dragnet theme''] (2014)

* [https://www.youtube.com/watch?v=wcTVED9zFrU ''Blue Fugue for Organ''] (2018)

* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2019)

* [https://www.youtube.com/watch?v=28x3vqw9kDI ''Happy Birthday Canon'', 6-in-1 Canon in 50edo] (2019)

* [https://www.youtube.com/watch?v=szUpO3FAOes ''Fantasia Catalana''] (2020)

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* [https://www.youtube.com/watch?v=TBxDmpM9Xa8 ''Canon in C='' for Baroque Wind Ensemble] (2023)

* [https://www.youtube.com/watch?v=sIr394fGEEg ''Fantasia Catalana'', for Baroque Ensemble] (2023)

* ''Chord Progression: The Octave Divided into Five Parts in 50 edo'' (intended for demonstrating chord progressions, as the title indicates, but actually works as a short composition)

** [https://www.youtube.com/shorts/7_kROtWc4Sw <nowiki>organ rendition</nowiki>] (2023)

** [https://www.youtube.com/shorts/qsuM1sA2-A0 <nowiki>harpsichord rendition</nowiki>] (2024)

* [https://www.youtube.com/shorts/2x5atFuN6WA ''Baroque Blues - 4-Part Fugue for Baroque Consort''] (2026)

* ''Fugue on the French Lullaby «La Petite Poule Grise»'' (2026)

** [https://www.youtube.com/watch?v=RrsZ-bzf1mE Baroque ensemble rendition]

** [https://www.youtube.com/watch?v=wgsWzn_vfIM organ rendition]

; [[Cam Taylor]]

@@ Line 3: / Line 3: @@
 == Theory ==
-As an equal temperament, 50et [[tempering out|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts &ndash; 50edo, in one word. Later, {{w|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It also maps all [[19-odd-limit]] intervals consistently, except for [[11/9]] and [[18/11]].
+As an equal temperament, 50et [[tempering out|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts &ndash; 50edo, in one word. Later, {{w|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mapping of [[11/9]] and [[18/11]].
 edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.
@@ Line 386: / Line 386: @@
 == Notation ==
-=== Ups and downs notation ===
+=== Stein–Zimmermann–Gould notation ===
+edo can be notated with [[Stein–Zimmermann–Gould notation]]:
+{{Sharpness-sharp3-szg}}
+Here, a sharp raises by three steps, and a flat lowers by three steps, so arrows can be used to fill in the gap. If the arrows are taken to have their own layer of enharmonic spellings, some notes may be best spelled with double arrows.
+=== Kite's ups and downs notation ===
 Spoken as up, downsharp, sharp, upsharp, etc. Note that downsharp can be respelled as dup (double-up), and upflat as dud.
 {{Ups and downs sharpness}}
-Using [[Helmholtz–Ellis]] accidentals, 50edo can also be notated using [[Alternative symbols for ups and downs notation#Sharp-3|alternative ups and downs]]:
-{{Sharpness-sharp3}}
-Here, a sharp raises by three steps, and a flat lowers by three steps, so arrows can be used to fill in the gap. If the arrows are taken to have their own layer of enharmonic spellings, some notes may be best spelled with double arrows.
 === Sagittal notation ===
-This notation uses the same sagittal sequence as EDOs [[57edo#Sagittal notation|57]], [[64edo#Sagittal notation|64]], and [[71edo#Second-best fifth notation|71b]].
+This notation uses the same sagittal sequence as edos [[57edo #Sagittal notation|57]], [[64edo #Sagittal notation|64]], and [[71edo #Second-best fifth notation|71b]].
 ==== Evo flavor ====
@@ Line 417: / Line 419: @@
 </imagemap>
-In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this EDO.
+In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.
 == Approximation to JI ==
@@ Line 847: / Line 849: @@
 ; Lumatone
-See [[Lumatone mapping for 50edo]]
+See [[Lumatone mapping for 50edo]].
 ; Piano
@@ Line 861: / Line 862: @@
 * [https://www.youtube.com/watch?v=M3wQu4UF1pg "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) &ndash; rendered by Claudi Meneghin (2024, organ sound rendering)
 * [https://www.youtube.com/watch?v=qjb9DDM32Ic "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742-1749) &mdash; rendered by Claudi Meneghin (2025, harpsichord sound rendering)
+; {{W|David Belasco}}
+* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All''] (1908) - microtonal cover in 50edo by [[Bryan Deister]] (2025)
 ; {{W|Nicolaus Bruhns}}
 * [https://www.youtube.com/watch?v=yrM50pvmD5c ''Prelude in E Minor "The Great"''] &ndash; rendered by Claudi Meneghin (2023)
+; {{W|John Bull (composer)|John Bull}}
+* [https://www.youtube.com/watch?v=6RewllRJ5rU ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – rendered by Claudi Meneghin (2026)
 ; {{w|Frédéric Chopin}}
 * [https://www.youtube.com/shorts/7Bisk0I2H4o ''Prelude Op. 28, No. 7 in A major''] (1839), arranged for fortepiano, tuned into 50-edo – rendered by [[Claudi Meneghin]] (2025)
+; {{W|Louis Couperin}}
+* [https://www.youtube.com/shorts/NSzakO66Roc ''«La Piémontoise»''] (1658?) &ndash; rendered by Claudi Meneghin (2026)
 ; {{W|Gabriel Fauré}}
 * [https://www.youtube.com/watch?v=7djfrUlw2ck  ''Pavane'', op. 50] (1887) &ndash; arranged for harpsichord and rendered by Claudi Meneghin (2020)
+; {{W|Toby Fox}}
+* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well''] via ''{{W|Deltarune}} Chapters 3 + 4'' (2025) (microtonal cover in 50edo) by [[Bryan Deister]] (2025)
+; {{W|Iyowa}}
+* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal''] (2024) - microtonal cover in 50edo by [[Bryan Deister]] (2025)
 ; {{W|Akira Kamiya}}
 * [https://www.youtube.com/watch?v=5UnPAhRqmb4 ''funfunfun ta yo''] (2007) &ndash; rendered by MortisTheneRd (2024)
+; {{W|Laufey_(singer)|Laufey}}
+* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White''] (2025) - microtonal cover in 50edo by [[Bryan Deister]] (2025)
+; {{W|Wolfgang Amadeus Mozart}}
+* [https://www.youtube.com/watch?v=YK_kFs4PL2g&list=WL&index=347 ''Gigue KV 574 («Leipziger Gigue»)''] (1789) – rendered by Claudi Meneghin (2026)
+; {{W|Akiko Shikata}}
+* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother''] via ''{{W|Umineko_When_They_Cry|Umineko no Naku Koro ni}}'' (2007) - microtonal cover in 50edo by [[Bryan Deister]] (2026)
 === 21st century===
 ; [[Bryan Deister]]
 * [https://www.youtube.com/shorts/zCsc5n6dr_I ''microtonal improv in 50edo''] (2024)
-* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well - Deltarune (microtonal cover in 50edo)''] (2025)
+* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025-10-13)
-* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White - Laufey (microtonal cover in 50edo)''] (2025)
+* [https://www.youtube.com/shorts/DIiLORDPfUI ''50edo improv''] (2026-05-25)
-* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025)
+* [https://www.youtube.com/watch?v=LqzPpl01WXc ''Fantasy in 50edo''] (2026)
-* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal - Iyowa (microtonal cover in 50edo)''] (2025)
-* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All - Belasco (microtonal cover in 50edo)''] (2025)
 ; [[Francium]]
@@ Line 887: / Line 910: @@
 ; [[Claudi Meneghin]]
+* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2014, uploaded 2019)
 * [https://www.youtube.com/shorts/IhKVro5YEcA ''Canon on «Twinkle Twinkle Little Star» in 50-edo, for Organ''] (≤2014, restored and re-hosted 2025)
 * [https://www.youtube.com/watch?v=TRXy0FJOKIA ''Fugue on the Dragnet theme''] (2014)
 * [https://www.youtube.com/watch?v=wcTVED9zFrU ''Blue Fugue for Organ''] (2018)
-* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2019)
 * [https://www.youtube.com/watch?v=28x3vqw9kDI ''Happy Birthday Canon'', 6-in-1 Canon in 50edo] (2019)
 * [https://www.youtube.com/watch?v=szUpO3FAOes ''Fantasia Catalana''] (2020)
@@ Line 899: / Line 922: @@
 * [https://www.youtube.com/watch?v=TBxDmpM9Xa8 ''Canon in C='' for Baroque Wind Ensemble] (2023)
 * [https://www.youtube.com/watch?v=sIr394fGEEg ''Fantasia Catalana'', for Baroque Ensemble] (2023)
+* ''Chord Progression: The Octave Divided into Five Parts in 50 edo'' (intended for demonstrating chord progressions, as the title indicates, but actually works as a short composition)
+** [https://www.youtube.com/shorts/7_kROtWc4Sw <nowiki>organ rendition</nowiki>] (2023)
+** [https://www.youtube.com/shorts/qsuM1sA2-A0 <nowiki>harpsichord rendition</nowiki>] (2024)
+* [https://www.youtube.com/shorts/2x5atFuN6WA ''Baroque Blues - 4-Part Fugue for Baroque Consort''] (2026)
+* ''Fugue on the French Lullaby «La Petite Poule Grise»'' (2026)
+** [https://www.youtube.com/watch?v=RrsZ-bzf1mE Baroque ensemble rendition]
+** [https://www.youtube.com/watch?v=wgsWzn_vfIM organ rendition]
 ; [[Cam Taylor]]