Whitewood: Difference between revisions
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| Title = Whitewood | | Title = Whitewood | ||
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The canonical [[extension]] to prime [[7/1|7]] adds [[36/35]] to the commas, thus equating [[5-limit]] major and minor intervals with [[7-limit]] subminor and supermajor ones. It finds [[7/4]] at the down seventh, [[7/6]] at the down third, and [[9/7]] at the up third. | The canonical [[extension]] to prime [[7/1|7]] adds [[36/35]] to the commas, thus equating [[5-limit]] major and minor intervals with [[7-limit]] subminor and supermajor ones. It finds [[7/4]] at the down seventh, [[7/6]] at the down third, and [[9/7]] at the up third. | ||
Whitewood was named by [[Mike Battaglia]] in 2010 to serve in contrast with the [[blackwood]] temperament, which tempers out 256/243, the [[Pythagorean limma]].<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_95296.html Yahoo! Tuning Group | ''7&14 temperament - 14 out of 35'']</ref> | Whitewood was named by [[Mike Battaglia]] in 2010 to serve in contrast with the [[blackwood]] temperament, which tempers out 256/243, the [[Pythagorean limma]].<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_95296.html Yahoo! Tuning Group | ''7&14 temperament - 14 out of 35'']</ref> The [[2.3.7 subgroup|2.3.7-subgroup]] [[restriction]] of whitewood is sometimes known as '''purpleheart'''. | ||
For technical data, see [[Whitewood family #Whitewood]]. | For technical data, see [[Whitewood family #Whitewood]] and [[No-fives subgroup temperaments #Purpleheart]]. | ||
== Intervals == | == Intervals == | ||
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Another interesting property is that it becomes possible to construct "super-linked" 5-limit chords. In Whitewood[14], or Blackwood[10], if one stacks alternating major and minor thirds on top of one another, one will eventually come back to the root without ever hitting a wall, and hence the pattern can continue forever. Since all of the diatonic modes can be thought of as a stacked chain of 7 alternating thirds, placed in inversion, this means that Whitewood[14] and Blackwood[10] also make for excellent "panmodal" scales, in which you can construct "modal" sounding sonorities in one key that will work in all keys. | Another interesting property is that it becomes possible to construct "super-linked" 5-limit chords. In Whitewood[14], or Blackwood[10], if one stacks alternating major and minor thirds on top of one another, one will eventually come back to the root without ever hitting a wall, and hence the pattern can continue forever. Since all of the diatonic modes can be thought of as a stacked chain of 7 alternating thirds, placed in inversion, this means that Whitewood[14] and Blackwood[10] also make for excellent "panmodal" scales, in which you can construct "modal" sounding sonorities in one key that will work in all keys. | ||
[[File:Whitewood14 21edo.mp3|14-note Whitewood scale (major, sLsLsLsLsLsLsL) in 21edo tuning]] | |||
14-note Whitewood scale (major, sLsLsLsLsLsLsL) in 21edo tuning | |||
== Tunings == | == Tunings == | ||
Any multiple of [[7edo]], up until [[35edo]], contains 7edo's [[perfect fifth]], and thus supports whitewood, with all but 35edo supporting the canonical 7-limit extension by [[patent val]]. The most extreme tuning is [[14edo]], where up seconds and down thirds are equated, and every interval is either a 7edo interval or halfway between two 7edo intervals. While the 14edo tuning poorly approximates 5-limit intervals, it does approximate the [[6:7:9]] subminor and [[14:18:21|1/(9:7:6)]] supermajor triads fairly well. A less extreme tuning is [[21edo]], tuning [[7/4]] close to just and tuning [[5/4]] to the same 400{{c}} major third as in [[12edo]], though [[6/5]] is still about 30 cents flat. The [[28edo]] tuning has a near-just 5/4, and tunes whitewood about | While blackwood fifths are sharp and thus necessitate the tuning as a whole to be sharp-leaning, whitewood fifths are flat and thus this tuning is generally flat-leaning – targeting individually the [[5-limit|2.3.5-]] or [[2.3.7 subgroup|2.3.7-subgroup]]. Septimal whitewood entails a rather different tuning profile, as the vanishing of 36/35 means 5 and 7 should be tuned somewhat sharp. | ||
Any multiple of [[7edo]], up until [[35edo]], contains 7edo's [[perfect fifth]], and thus supports whitewood, with all but 35edo supporting the canonical 7-limit extension by [[patent val]]. The most extreme tuning is [[14edo]], where up seconds and down thirds are equated, and every interval is either a 7edo interval or halfway between two 7edo intervals. While the 14edo tuning poorly approximates 5-limit intervals, it does approximate the [[6:7:9]] subminor and [[14:18:21|1/(9:7:6)]] supermajor triads fairly well. A less extreme tuning is [[21edo]], tuning [[7/4]] close to just and tuning [[5/4]] to the same 400{{c}} major third as in [[12edo]], though [[6/5]] is still about 30 cents flat. The [[28edo]] tuning has a near-just 5/4, and tunes whitewood about the best it can be tuned harmonically, though the small step of Whitewood[14] shrinks to just 42.9 cents, thus becoming less melodically viable. | |||
=== Norm-based tunings === | === Norm-based tunings === | ||
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! Comments | ! Comments | ||
|- | |- | ||
| '''2\7''' | | '''[[7edo|2\7]]''' | ||
| | | | ||
| '''342.857''' | | '''342.857''' | ||
| '''Lower bound of 5-odd-limit diamond monotone''' | | '''Lower bound of 5-odd-limit [[diamond monotone]]''' | ||
|- | |- | ||
| | | | ||
| 9/5 | | [[9/5]] | ||
| 353.832 | | 353.832 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 6/5 | | [[6/5]] | ||
| 370.073 | | 370.073 | ||
| | | | ||
|- | |- | ||
| 11\35 | | [[35edo|11\35]] | ||
| | | | ||
| 377.143 | | 377.143 | ||
| 35d val | | 35d [[val]] | ||
|- | |- | ||
| | | | ||
| 25/24 | | [[25/24]] | ||
| 378.193 | | 378.193 | ||
| 5-odd-limit minimax | | 5-odd-limit minimax | ||
|- | |- | ||
| '''9\28''' | | '''[[28edo|9\28]]''' | ||
| | | | ||
| '''385.714''' | | '''385.714''' | ||
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|- | |- | ||
| | | | ||
| 5/4 | | [[5/4]] | ||
| 386.314 | | 386.314 | ||
| | | 5-limit CTE | ||
|- | |- | ||
| | | | ||
| 21/20 | | [[21/20]] | ||
| 386.338 | | 386.338 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 21/16 | | [[21/16]] | ||
| 386.362 | | 386.362 | ||
| | | | ||
|- | |||
| [[49edo|16\49]] | |||
| | |||
| 391.837 | |||
| 49b val | |||
|- | |- | ||
| | | | ||
| 7/5 | | [[7/5]] | ||
| 394.458 | | 394.458 | ||
| 7- and 9-odd-limit minimax | | 7- and 9-odd-limit minimax | ||
|- | |- | ||
| 7\21 | | [[21edo|7\21]] | ||
| | | | ||
| 400.000 | | 400.000 | ||
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|- | |- | ||
| | | | ||
| 15/8 | | [[15/8]] | ||
| 402.554 | | 402.554 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 15/14 | | [[15/14]] | ||
| 402.579 | | 402.579 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 7/4 | | [[7/4]] | ||
| 402.603 | | 402.603 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 49/48 | | [[49/48]] | ||
| 410.723 | | 410.723 | ||
| | | | ||
|- | |||
| [[35edo|12\35]] | |||
| | |||
| 411.429 | |||
| 35c val | |||
|- | |- | ||
| | | | ||
| 7/6 | | [[7/6]] | ||
| 418.843 | | 418.843 | ||
| | | | ||
|- | |- | ||
| '''5\14''' | | '''[[14edo|5\14]]''' | ||
| | | | ||
| '''428.571''' | | '''428.571''' | ||
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|- | |- | ||
| | | | ||
| 9/7 | | [[9/7]] | ||
| 435.084 | | 435.084 | ||
| | | | ||
|- | |- | ||
| '''3\7''' | | '''[[7edo|3\7]]''' | ||
| | | | ||
| '''514.286''' | | '''514.286''' | ||
| 7cd val, ''' | | 7cd val, '''upper bound of 5-odd-limit diamond monotone''' | ||
|} | |} | ||
<nowiki/>* Besides the octave | <nowiki/>* Besides the octave | ||
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== References == | == References == | ||
[[Category:Whitewood| ]] <!-- main article --> | |||
[[Category:Rank-2 temperaments]] | [[Category:Rank-2 temperaments]] | ||
[[Category:Exotemperaments]] | |||
[[Category:Whitewood family]] | [[Category:Whitewood family]] | ||
[[Category:Mint temperaments]] | [[Category:Mint temperaments]] | ||
[[Category:Mirwomo temperaments]] | |||