62edo: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
{{ | {{Nowrap| 62 {{=}} 2 × 31 }} and the [[patent val]] of 62edo is a [[contorsion|contorted]] [[31edo]] through the [[11-limit]], but it makes for a good tuning in the higher limits. In the 13-limit it [[tempering out|tempers out]] [[169/168]], [[1188/1183]], [[847/845]] and [[676/675]]; in the [[17-limit]] [[221/220]], [[273/272]], and [[289/288]]; in the [[19-limit]] [[153/152]], [[171/170]], [[209/208]], [[286/285]], and [[361/360]]. Unlike 31edo, which has a sharp profile for primes [[13/1|13]], [[17/1|17]], [[19/1|19]] and [[23/1|23]], 62edo has a flat profile for these, as it removes the distinction of otonal and utonal [[superparticular]] pairs of the primes (e.g. 13/12 vs 14/13 for prime 13) by tempering out the corresponding [[square-particular]]s. This flat tendency extends to higher primes too, as the first prime harmonic that is tuned sharper than its [[5/4]] is its [[59/32]]. Interestingly, the size differences between consecutive harmonics are monotonically decreasing for all first 24 harmonics, and 62edo is one of the few [[meantone]] edos that achieve this, great for those who seek higher-limit meantone harmony. | ||
It provides the [[optimal patent val]] for [[ | It provides the [[optimal patent val]] for [[gallium]], [[semivalentine]] and [[hemimeantone]] temperaments. | ||
Using the 35\62 generator, which leads to the {{val| 62 97 143 173 }} val, 62edo is also an excellent tuning for septimal [[mavila]] temperament; alternatively {{val| 62 97 143 172 }} [[support]]s [[hornbostel]]. | Using the 35\62 generator, which leads to the {{val| 62 97 143 173 }} val, 62edo is also an excellent tuning for [[mavling]], a septimal extension of [[mavila]] temperament; alternatively {{val| 62 97 143 172 }} [[support]]s [[hornbostel]]. | ||
=== Odd harmonics === | === Odd harmonics === | ||
| Line 13: | Line 13: | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
Since 62 factors into | Since 62 factors into 2 × 31, 62edo does not contain nontrivial subset edos other than [[2edo]] and 31edo. [[186edo]] and [[248edo]] are notable supersets. | ||
=== | === Miscellany === | ||
62 years is the amount of years in a leap week calendar cycle which corresponds to a year of 365 days 5 hours 48 minutes 23 seconds, meaning it is both a simple cycle for a calendar, and 62 being a multiple of 31 makes it a harmonically useful and playable cycle. The corresponding maximal evenness scales are 15 & 62 and 11 & 62. | 62 years is the amount of years in a leap week calendar cycle which corresponds to a year of 365 days 5 hours 48 minutes 23 seconds, meaning it is both a simple cycle for a calendar, and 62 being a multiple of 31 makes it a harmonically useful and playable cycle. The corresponding maximal evenness scales are 15 & 62 and 11 & 62. | ||
The 11 & 62 temperament | The 11 & 62 temperament is called mabon, named so because its associated year length corresponds to an autumnal equinoctial year. In the 2.9.7 subgroup tempers out 44957696/43046721, and the three generators of 17\62 correspond to [[16/9]]. It is possible to extend this to the 11-limit with comma basis {896/891, 1331/1296}, where 17\62 is mapped to [[11/9]] and two of them make [[16/11]]. In addition, three generators make the patent val 9/8, which is also created by combining the flat patent val fifth from 31edo with the sharp 37\62 fifth. | ||
The 15 & 62 temperament, corresponding to the leap day cycle, is | The 15 & 62 temperament, corresponding to the leap day cycle, is [[demivalentine]] in the 13-limit. | ||
== Intervals == | == Intervals == | ||
| Line 188: | Line 188: | ||
| 600.00 | | 600.00 | ||
| 17/12, 24/17 | | 17/12, 24/17 | ||
| {{UDnote|step= | | {{UDnote|step=31}} | ||
|- | |- | ||
| 32 | | 32 | ||
| Line 348: | Line 348: | ||
== Notation == | == Notation == | ||
=== | === Stein–Zimmermann–Gould notation === | ||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats combined with quartertone accidentals and arrows: | |||
{{Sharpness-sharp4-szg}} | |||
{{Sharpness- | === Kite's ups and downs notation === | ||
62edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | |||
{{Sharpness-sharp4a}} | |||
===Sagittal notation=== | === Sagittal notation === | ||
This notation uses the same sagittal sequence as | This notation uses the same sagittal sequence as edos [[69edo #Sagittal notation|69]] and [[76edo #Sagittal notation|76]], and is a superset of the notation for [[31edo #Sagittal notation|31edo]]. | ||
==== Evo flavor ==== | |||
<imagemap> | <imagemap> | ||
File:62-EDO_Evo_Sagittal.svg | File:62-EDO_Evo_Sagittal.svg | ||
| Line 367: | Line 370: | ||
</imagemap> | </imagemap> | ||
====Revo flavor==== | ==== Revo flavor ==== | ||
<imagemap> | <imagemap> | ||
File:62-EDO_Revo_Sagittal.svg | File:62-EDO_Revo_Sagittal.svg | ||
| Line 379: | Line 381: | ||
</imagemap> | </imagemap> | ||
====Evo-SZ flavor==== | ==== Evo-SZ flavor ==== | ||
<imagemap> | <imagemap> | ||
File:62-EDO_Evo-SZ_Sagittal.svg | File:62-EDO_Evo-SZ_Sagittal.svg | ||
| Line 391: | Line 392: | ||
</imagemap> | </imagemap> | ||
In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this | In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation #Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo. | ||
=== Armodue notation === | === Armodue notation === | ||
| Line 405: | Line 406: | ||
{| class="wikitable center-all right-3 left-5 mw-collapsible mw-collapsed" | {| class="wikitable center-all right-3 left-5 mw-collapsible mw-collapsed" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | # | ||
! Cents | ! Cents | ||
! Armodue notation | ! Armodue notation | ||
| Line 843: | Line 844: | ||
| 1 | | 1 | ||
| 3\62 | | 3\62 | ||
| 58. | | 58.1 | ||
| 27/26 | | 27/26 | ||
| [[Hemisecordite]] | | [[Hemisecordite]] | ||
| Line 849: | Line 850: | ||
| 1 | | 1 | ||
| 7\62 | | 7\62 | ||
| 135. | | 135.5 | ||
| 13/12 | | 13/12 | ||
| [[Doublethink]] | | [[Doublethink]] | ||
| Line 855: | Line 856: | ||
| 1 | | 1 | ||
| 13\62 | | 13\62 | ||
| 251. | | 251.6 | ||
| 15/13 | | 15/13 | ||
| [[Hemimeantone]] | | [[Hemimeantone]] | ||
| Line 861: | Line 862: | ||
| 1 | | 1 | ||
| 17\62 | | 17\62 | ||
| 329. | | 329.0 | ||
| 16/11 | | 16/11 | ||
| [[Mabon]] | | [[Mabon]] | ||
|- | |||
| 1 | |||
| 29\62 | |||
| 561.3 | |||
| 18/13 | |||
| [[Demivalentine]] | |||
|- | |- | ||
| 2 | | 2 | ||
| 3\62 | | 3\62 | ||
| 58. | | 58.1 | ||
| 27/26 | | 27/26 | ||
| [[Semihemisecordite]] | | [[Semihemisecordite]] | ||
| Line 873: | Line 880: | ||
| 2 | | 2 | ||
| 4\62 | | 4\62 | ||
| 77. | | 77.4 | ||
| 21/20 | | 21/20 | ||
| [[Semivalentine]] | | [[Semivalentine]] | ||
| Line 879: | Line 886: | ||
| 2 | | 2 | ||
| 6\62 | | 6\62 | ||
| 116. | | 116.1 | ||
| 15/14 | | 15/14 | ||
| [[Semimiracle]] | | [[Semimiracle]] | ||
| Line 885: | Line 892: | ||
| 2 | | 2 | ||
| 26\62 | | 26\62 | ||
| 503. | | 503.2 | ||
| 4/3 | | 4/3 | ||
| [[Semimeantone]] | | [[Semimeantone]] | ||
| Line 891: | Line 898: | ||
| 31 | | 31 | ||
| 29\62<br>(1\62) | | 29\62<br>(1\62) | ||
| 561. | | 561.3<br>(19.4) | ||
| 11/8<br>(196/195) | | 11/8<br>(196/195) | ||
| [[Kumhar]] (62e) | | [[Kumhar]] (62e) | ||
| Line 897: | Line 904: | ||
| 31 | | 31 | ||
| 19\62<br>(1\62) | | 19\62<br>(1\62) | ||
| 367. | | 367.7<br>(19.4) | ||
| 16/13<br>(77/76) | | 16/13<br>(77/76) | ||
| [[Gallium]] | | [[Gallium]] | ||
|} | |} | ||
<nowiki>* | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | ||
== | |||
=== | == Octave stretch or compression == | ||
62edo tunes most simple [[prime]]s flat. [[Octave stretching|Stretching the octave]] of 62edo by the right amount improves its approximations of [[JI]]. | |||
Some tunings of 62edo which do this include [[ed7|174ed7]] and [[zpi|314zpi]]. | |||
== Instruments == | |||
=== Lumatone === | |||
* [[Lumatone mapping for 62edo]] | |||
=== Skip fretting === | |||
'''[[Skip fretting]] system 62 6 11''' has strings tuned 11\62 apart, while frets are 6\62. | |||
On a 4-string bass, here are your open strings: | |||
0 11 22 33 | |||
A good supraminor 3rd is found on the 2nd string, 1st fret. A supermajor third is found on the open 3rd string. The major 6th can be found on the 4th string, 2nd fret. | |||
|[[ | |||
5-string bass | |||
51 0 11 22 33 | |||
This adds an interval of a major 7th (minus an 8ve) at the first string, 1st fret. | |||
6-string guitar | |||
0 11 22 33 44 55 | |||
”Major” 020131 | |||
7-string guitar | |||
0 11 22 33 44 55 4 | |||
'''Skip fretting system 62 9 11''' is another 62edo skip fretting system. The 5th is on the 5th string. The major 3rd is on the 2nd string, 1st fret. | |||
{{todo|add illustration|text=Base it off of the diagram from [[User:MisterShafXen/Skip fretting system 62 9 11]]}} | |||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/UerD0NqBbng ''microtonal improvisation in 62edo''] (2025) | |||
* [https://www.youtube.com/watch?v=ujaUA-uwDvE ''62edo improv''] (2025) | |||
* [https://www.youtube.com/watch?v=3_mwEylLEwU&list=WL&index=338 ''62edo prelude''] (2026) | |||