Val: Difference between revisions
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{{Beginner|Vals and tuning space}} | {{Beginner|Vals and tuning space}} | ||
A [[val]] – short for ''valuation'' – is like an algorithm or procedure for finding out how to represent intervals | A [[val]] – short for ''valuation'' – is like an algorithm or procedure for finding out how to represent intervals of [[just intonation|just intonation (JI)]] with the pitches of an [[equal tuning]] such as an [[edo]]. They are typically written using the notation {{val| ''a''<sub>1</sub> ''a''<sub>2</sub> ''a''<sub>3</sub> ''a''<sub>4</sub> ''a''<sub>5</sub> ''a''<sub>6</sub> … }}, where ''a''<sub>''i''</sub> are numbers that represent how the primes 2, 3, 5, 7, 11, 13, etc., in that order, are represented in edosteps, up to some [[harmonic limit|prime limit]]. | ||
The basic principle of using a val is to assign [[prime harmonic]]s to edosteps, and then deduce the number of edosteps of an arbitrary interval based on its [[prime factorization]]. This therefore assumes either that you want to use an equal tuning to approximate specific harmonies or that you have some other more indirect use in mind. | The val is one of the fundamental concepts in [[regular temperament theory]]. The basic principle of using a val is to assign [[prime harmonic]]s to edosteps, and then deduce the number of edosteps of an arbitrary interval based on its [[prime factorization]]. This therefore assumes either that you want to use an equal tuning to approximate specific harmonies or that you have some other more indirect use in mind. | ||
== Motivation == | == Motivation == | ||
One obvious way to find an approximation to a just interval is to use [[direct approximation]], that is, rounding the interval to the nearest edostep. While this may seem simple, it can create contradictions in arithmetic. For example, a [[just major triad]] consists of a [[5/4]] major third and a [[6/5]] minor third combining to a [[3/2]] perfect fifth, but the sum of direct approximations of 5/4 and 6/5 might not be the direct approximation of 3/2 | One obvious way to find an approximation to a just interval is to use [[direct approximation]], that is, rounding the interval to the nearest edostep. While this may seem simple, it can create contradictions in arithmetic. For example, a [[just major triad]] consists of a [[5/4]] major third and a [[6/5]] minor third combining to a [[3/2]] perfect fifth, but the sum of direct approximations of 5/4 and 6/5 might not be the direct approximation of 3/2. More generally, combining the approximations in an edo does not necessarily give you the same result as multiplying their ratios first and then using the direct approximation of that in the edo, so direct approximations of chords are not guaranteed to exist. | ||
Rather than giving up and saying that we cannot use this particular harmony in this particular edo, it turns out we ''can'' if we look at interval approximation in a different way. | |||
In direct approximation, we are treating the approximations as isolated, unrelated free variables, but as we see, ''two'' intervals on top of each other form a triad with ''three'' component intervals that cannot be altered individually. That is why it is important to recognize the fact that intervals like 3/2, 5/4 and 6/5 are related to each other: by stacking 5/4 and 6/5, 3/2 is found; by removing 6/5 from 3/2, 5/4 is found; and by removing 5/4 from 3/2, 6/5 is found. It follows that for the ''three'' intervals in the [[5-odd-limit]], there are ''two'' free variables. If we know any two of them, the third can always be derived (even though it might not be the closest approximation). | |||
To take this idea further, we notice that the infinitely many intervals of JI can be reduced to a few representatives from which the rest can be derived by some form of combination, so we only need to keep track of the steps of the representatives. Usually, we choose the steps of the [[prime interval|prime harmonics]], by which we mean each interval with frequency ratio ''p''/1 where ''p'' is a {{w|prime number}}. | |||
== Definition == | == Definition == | ||
A val is a list of numbers that shows the approximation of each prime harmonic used in an edo in terms of steps | A val is a list of numbers that shows the approximation of each prime harmonic used in an edo in terms of steps. This list of integers by convention corresponds to all primes up to some largest prime (the [[limit]]) so that we can tell what number represents the ''mapping'' of what prime by its place in the list. First place is prime 2's mapping (a.k.a. the edo), second place is prime 3's mapping, third place is prime 5's mapping, fourth is prime 7's, etc. | ||
The val | The val can be used to compute the edo's approximations to ratios involving those primes, like 2 × 5 / 3 / 3 = [[10/9]] for primes {2, 3, 5}. This list does not have to be the closest approximation for each prime, but it usually is. Thus a val is essentially just a list of numbers that we are interpreting as having a certain meaning. | ||
== Examples == | == Examples == | ||
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For a more mathematically intensive introduction to vals, see [[Vals and tuning space]]. For the characterization of higher-rank temperaments, see [[Mapping]]. | For a more mathematically intensive introduction to vals, see [[Vals and tuning space]]. For the characterization of higher-rank temperaments, see [[Mapping]]. | ||
== Relationship with equal temperaments == | == Relationship with (equal) temperaments == | ||
{{Todo|inline=1| improve readability }} | {{Todo|inline=1| improve readability }} | ||
Despite having no contradictions, stacking the tempered intervals of the val will inevitably cause error to accumulate, when compared to the JI counterpart that is supposed to be represented. This is because temperaments temper out an infinite set of commas, which can be derived from a select set of simple/musically relevant commas that are all nullified in the val. | |||
All temperaments compromise JI by reducing the number of primes used, so for instance, 5-limit requires 2,3,5 to represent any pitch. If a 5-limit comma is tempered out, the structure is collapsed, and error is introduced to compensate for something that was not a unison now being one. In mathematical terms, this is equivalent to making one of the basis vectors of JI linearly dependent. | |||
When tempering out enough commas, JI is collapsed onto a quantized line; an equal temperament or rank-1 tuning. This is where vals come into play. Each of the primes is determined by a certain number of quanta, corresponding to octave divisions (edosteps) in [[EDO|edos]], tritave divisions in [[EDT|edts]], et cetera. There are many applications of vals and monzos disjoint from RTT, discussed in [[#Applications]], though all of them still treat vals as providing ''mappings'' from JI to the numbers, with constraints. | |||
== Patent val and generalized patent val == | == Patent val and generalized patent val == | ||