1edf: Difference between revisions

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{{Infobox ET}}
{{Infobox ET}}
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== Theory ==
One note repeated in just perfect fifths is an example of a [[trivial temperaments|trivial temperament]]. 1edf can be viewed as the [[circle of fifths]] or [[Pythagorean tuning]] without octave reduction.
One note repeated in just perfect fifths is an example of a [[trivial temperaments|trivial temperament]]. 1edf can be viewed as the [[circle of fifths]] or [[Pythagorean tuning]] without octave reduction.


The adjacent open strings of a violin, viola or cello are traditionally tuned in perfect fifths. These instruments are hence tuned in 1edf.  
The adjacent open strings of a violin, viola or cello are traditionally tuned in perfect fifths. These instruments are hence tuned in 1edf.
 
In terms of harmonic approximations, the [[5/1|5th harmonic]] is roughly represented at 4 steps ([[Just intonation|just]] 81/16), being sharp by exactly [[81/80]] = 21.5{{C}}, the syntonic comma.
 
=== Harmonics ===
{{Harmonics in equal|1|3|2}}


== Music ==
== Music ==

Latest revision as of 19:47, 20 March 2026

← 0edf 1edf 2edf →
Prime factorization n/a
Step size 701.955 ¢ 
Octave 2\1edf (1403.91 ¢)
Twelfth 3\1edf (2105.87 ¢)
Consistency limit 3
Distinct consistency limit 3

1 equal division of the perfect fifth (abbreviated 1edf or 1ed3/2) is a nonoctave tuning system that uses equal steps of 3/2 (one perfect fifth), or about 702 ¢.

Theory

One note repeated in just perfect fifths is an example of a trivial temperament. 1edf can be viewed as the circle of fifths or Pythagorean tuning without octave reduction.

The adjacent open strings of a violin, viola or cello are traditionally tuned in perfect fifths. These instruments are hence tuned in 1edf.

In terms of harmonic approximations, the 5th harmonic is roughly represented at 4 steps (just 81/16), being sharp by exactly 81/80 = 21.5 ¢, the syntonic comma.

Harmonics

Approximation of harmonics in 1edf
Harmonic 2 3 4 5 6 7 8 9 10 11 12
Error Absolute (¢) +204 +204 -294 +22 -294 +141 -90 -294 +225 +60 -90
Relative (%) +29.0 +29.0 -41.9 +3.1 -41.9 +20.1 -12.9 -41.9 +32.1 +8.6 -12.9
Step 2 3 3 4 4 5 5 5 6 6 6

Music

In whole

In part

Václav Veit