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{{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}} | {{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}} | ||
{{Infobox regtemp | |||
| Title = Father | |||
| Subgroups = 2.3.5, 2.3.5.7 | |||
| Comma basis = [[16/15]] (5-limit) <br>16/15, [[28/27]] (7-limit) | |||
| Edo join 1 = 2(d) | Edo join 2 = 3(d) | |||
| Mapping = 1; 1 -1 3 | |||
| Generators = 3/2 | Generators tuning = 738.443 | Optimization method = CWE | |||
| MOS scales = [[1L 1s]], [[2L 1s]], [[3L 2s]] | |||
| Pergen = (P8, P5) | |||
| Odd limit 1 = 5 | Mistuning 1 = 55.9 | Complexity 1 = 3 | |||
| Odd limit 2 = 7 | Mistuning 2 = 68.1 | Complexity 2 = 5 | |||
}} | |||
'''Father''' is a very coarse, simplistic, and inaccurate [[exotemperament]]. It [[tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]]. | |||
The main interest in this temperament is its [[mos scale]]s, as [[3L 2s|antipentic (3L 2s)]] and [[5L 3s|oneirotonic (5L 3s)]] are often chosen first, and only later is each step associated with a ratio consistent with this temperament. Another potential reason to choose this temperament is to equate suspended chords and more conventional tertian chords (though options like [[trienstonian]] (4/3~9/7), [[blackwood]] (4/3~81/64), and [[fendo]] (4/3~13/10) are more accurate). | |||
As an exotemperament, | As an exotemperament, it has a large range of acceptable tunings, from roughly [[5edo|3\5]] (720{{c}}) to [[3edo|2\3]] (800{{c}}). However, only tunings between 3\5 and [[8edo|5\8]] (750{{c}}) generate oneirotonic scales, which are the primary structure it represents as an exotemperament. | ||
See [[Father family | See [[Father family #Father]] for technical details. | ||
== Interval chain == | == Interval chain == | ||
| Line 12: | Line 25: | ||
{| class="wikitable center-1 right-2" | {| class="wikitable center-1 right-2" | ||
|- | |- | ||
! | ! # !! Cents* !! Approximate ratios | ||
|- | |- | ||
| 0 || 0.0 || '''1/1''' | | 0 || 0.0 || '''1/1''' | ||
|- | |- | ||
| 1 || | | 1 || 738.4 || '''3/2''', '''8/5''', 14/9 | ||
|- | |- | ||
| 2 || | | 2 || 276.9 || 6/5, 7/6, '''9/8''' | ||
|- | |- | ||
| 3 || | | 3 || 1015.3 || '''7/4''', 9/5 | ||
|- | |- | ||
| 4 || | | 4 || 553.8 || 7/5 | ||
|- | |||
| 5 || 92.2 || 21/20 | |||
|} | |} | ||
<nowiki />* In 7-limit | <nowiki />* In 7-limit CWE tuning | ||
== Tunings == | == Tunings == | ||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+ style="font-size: 105%; white-space: nowrap;" | 5-limit norm-based tunings | |||
|- | |||
! rowspan="2" | | |||
! colspan="3" | Euclidean | |||
|- | |||
! Constrained | |||
! Constrained & skewed | |||
! Destretched | |||
|- | |||
! Tenney | |||
| CTE: ~3/2 = 737.469{{c}} | |||
| CWE: ~3/2 = 742.290{{c}} | |||
| POTE: ~3/2 = 743.986{{c}} | |||
|} | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+ style="font-size: 105%; white-space: nowrap;" | 7-limit norm-based tunings | |||
|- | |||
! rowspan="2" | | |||
! colspan="3" | Euclidean | |||
|- | |||
! Constrained | |||
! Constrained & skewed | |||
! Destretched | |||
|- | |||
! Tenney | |||
| CTE: ~3/2 = 727.855{{c}} | |||
| CWE: ~3/2 = 738.443{{c}} | |||
| POTE: ~3/2 = 742.002{{c}} | |||
|} | |||
=== Tuning spectrum === | === Tuning spectrum === | ||
{| class="wikitable center-all left-4" | {| class="wikitable center-all left-4" | ||
|- | |- | ||
! Edo<br | ! Edo<br>generator !! Eigenmonzo<br>(Unchanged-interval)* !! Generator (¢) !! Comments | ||
|- | |- | ||
| 1\2 || || 600.0 || Lower bound of 5-odd-limit diamond monotone | | 1\2 || || 600.0 || Lower bound of 5-odd-limit diamond monotone | ||
| Line 50: | Line 97: | ||
| 5\8 || || 750.0 || Upper bound of 7-odd-limit diamond monotone | | 5\8 || || 750.0 || Upper bound of 7-odd-limit diamond monotone | ||
|- | |- | ||
| || 5/3 || 757.8 || 1/2-comma, 5-odd-limit minimax | | || 5/3 || 757.8 || 1/2-comma, 5-odd-limit minimax, 5-limit CEE & CSEE | ||
|- | |- | ||
| || 9/7 || 764.9 || 9-odd-limit minimax | | || 9/7 || 764.9 || 9-odd-limit minimax | ||
| Line 63: | Line 110: | ||
* ''[[Noodles adorno foucault]]'' | * ''[[Noodles adorno foucault]]'' | ||
[[Category:Father| ]] <!-- Main article --> | [[Category:Father| ]] <!-- Main article --> | ||
[[Category:Rank-2 temperaments]] | [[Category:Rank-2 temperaments]] | ||
[[Category:Exotemperaments]] | |||
[[Category:Father family]] | [[Category:Father family]] | ||
[[Category:Trienstonic clan]] | [[Category:Trienstonic clan]] | ||
[[Category:Mint temperaments]] | [[Category:Mint temperaments]] | ||
Latest revision as of 05:14, 14 February 2026
- This page is about the regular temperament. For the scale structure sometimes associated with it, see 5L 3s.
| Father |
16/15, 28/27 (7-limit)
7-odd-limit: 68.1 ¢
7-odd-limit: 5 notes
Father is a very coarse, simplistic, and inaccurate exotemperament. It tempers out 16/15, the classical diatonic semitone. This means the classical major third (5/4) is conflated with the perfect fourth (4/3), making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the 5-limit no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out 28/27 and 36/35.
The main interest in this temperament is its mos scales, as antipentic (3L 2s) and oneirotonic (5L 3s) are often chosen first, and only later is each step associated with a ratio consistent with this temperament. Another potential reason to choose this temperament is to equate suspended chords and more conventional tertian chords (though options like trienstonian (4/3~9/7), blackwood (4/3~81/64), and fendo (4/3~13/10) are more accurate).
As an exotemperament, it has a large range of acceptable tunings, from roughly 3\5 (720 ¢) to 2\3 (800 ¢). However, only tunings between 3\5 and 5\8 (750 ¢) generate oneirotonic scales, which are the primary structure it represents as an exotemperament.
See Father family #Father for technical details.
Interval chain
In the following table, odd harmonics 1–9 are labeled in bold.
| # | Cents* | Approximate ratios |
|---|---|---|
| 0 | 0.0 | 1/1 |
| 1 | 738.4 | 3/2, 8/5, 14/9 |
| 2 | 276.9 | 6/5, 7/6, 9/8 |
| 3 | 1015.3 | 7/4, 9/5 |
| 4 | 553.8 | 7/5 |
| 5 | 92.2 | 21/20 |
* In 7-limit CWE tuning
Tunings
| Euclidean | |||
|---|---|---|---|
| Constrained | Constrained & skewed | Destretched | |
| Tenney | CTE: ~3/2 = 737.469 ¢ | CWE: ~3/2 = 742.290 ¢ | POTE: ~3/2 = 743.986 ¢ |
| Euclidean | |||
|---|---|---|---|
| Constrained | Constrained & skewed | Destretched | |
| Tenney | CTE: ~3/2 = 727.855 ¢ | CWE: ~3/2 = 738.443 ¢ | POTE: ~3/2 = 742.002 ¢ |
Tuning spectrum
| Edo generator |
Eigenmonzo (Unchanged-interval)* |
Generator (¢) | Comments |
|---|---|---|---|
| 1\2 | 600.0 | Lower bound of 5-odd-limit diamond monotone | |
| 3/2 | 702.0 | Pythagorean tuning | |
| 3\5 | 720.0 | Lower bound of 7-odd-limit diamond monotone 9-odd-limit diamond monotone (singleton) | |
| 7/4 | 722.9 | ||
| 7/6 | 733.4 | ||
| 8\13 | 738.5 | ||
| 9/5 | 739.2 | 1/3-comma | |
| 7/5 | 745.6 | 7-odd-limit minimax | |
| 5\8 | 750.0 | Upper bound of 7-odd-limit diamond monotone | |
| 5/3 | 757.8 | 1/2-comma, 5-odd-limit minimax, 5-limit CEE & CSEE | |
| 9/7 | 764.9 | 9-odd-limit minimax | |
| 2\3 | 800.0 | Upper bound of 5-odd-limit diamond monotone | |
| 5/4 | 813.7 | Full-comma |
* Besides the octave