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19edo chords: Difference between revisions

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|-
|-
| Supermajor,<br />Major sharp 3
| Supermajor,<br />Major sharp 3
| Csmaj, C(♯3), Cmaj(♯3)
| Csmaj, Csaj, CS, C(♯3), Cmaj(♯3)
| C–E♯–G
| C–E♯–G
| 0–7–11
| 0–7–11
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|-
|-
| Subminor,<br />Minor flat 3
| Subminor,<br />Minor flat 3
| Csmin, Cmin(♭3)
| Csmin, Csin, Cs, Cmin(♭3)
| C–E𝄫–G
| C–E𝄫–G
| 0–4–11
| 0–4–11
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| [[File:Cdim (19-EDO).mp3|frameless]]
| [[File:Cdim (19-EDO).mp3|frameless]]
|-
|-
| Augmented
| Harmonic diminished,
| Caug, C+
Otonal diminished
| Cm(𝄫5), Cmin(𝄫5), Cd+
| C–E♭–G𝄫
| 0–5–9
| 0–316–568
| {{Todo|inline=1| add audio }}
|-
| Augmented, Magic
| Caug, C+, CJ
| C–E–G♯
| C–E–G♯
| 0–6–12
| 0–6–12
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|-
|-
| Major seventh
| Major seventh
| Cmaj7
| Cmaj7, CM7
| C–E–G–B
| C–E–G–B
| 0–6–11–17
| 0–6–11–17
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| [[File:C7 (19-EDO).mp3|frameless]]
| [[File:C7 (19-EDO).mp3|frameless]]
|-
|-
| Harmonic seventh
| Harmonic seventh,
| Ch7
Major subminor seventh
| Ch7, C(s7), C(𝄫7)
| C–E–G–B𝄫
| C–E–G–B𝄫
| 0–6–11–15
| 0–6–11–15
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| [[File:Ch7 (19-EDO).mp3|frameless]]
| [[File:Ch7 (19-EDO).mp3|frameless]]
|-
|-
| Sixth
| Major sixth
| C6
| C6
| C–E–G–A
| C–E–G–A
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|-
|-
| Minor major seventh
| Minor major seventh
| Cmmaj7
| Cmmaj7, CmM7
| 0-5-11-17
| 0-5-11-17
| 0-316-695-1074
| 0-316-695-1074
| [[File:Cmmaj7 (19-EDO).mp3|frameless]]
| [[File:Cmmaj7 (19-EDO).mp3|frameless]]
|-
|-
| Minor augmented six
| Minor augmented sixth
| Cm+6
| Cm+6, Cm(S6), Cm(♯6)
| 0-5-11-15
| 0-5-11-15
| 0-316-695-947
| 0-316-695-947
| [[File:Cm+6 (19-EDO).mp3|frameless]]
| [[File:Cm+6 (19-EDO).mp3|frameless]]
|-
|-
| Minor six
| Minor sixth
| Cm6
| Cm6
| 0-5-11-14
| 0-5-11-14
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|-
|-
| Supermajor seventh
| Supermajor seventh
| Csmaj7, Cmaj7(♯3, ♯7)
| Csmaj7, Csaj7, CS(S7), Cmaj7(♯3, ♯7)
| 0-7-11-18
| 0-7-11-18
| 0-442-695-1137
| 0-442-695-1137
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|-
|-
| Subminor seventh
| Subminor seventh
| Csmin7, Cmin7(♭3, ♭7)
| Csmin7, Csin7, Cs(s7), Cs(𝄫7), Cmin7(♭3, ♭7)
| 0-4-11-15
| 0-4-11-15
| 0-253-695-947
| 0-253-695-947
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! Audio
! Audio
|-
|-
| Diminished seven<br>(fully diminished)
| Diminished seventh<br>(fully diminished)
| Cdim7, C°7
| Cdim7, C°7
| 0-5-10-15
| 0-5-10-15
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! Audio
! Audio
|-
|-
| Augmented seven
| Augmented seven, Magic seven
| Caug7, C+7, C7♯5
| Caug(7), CJ(7), C+(7), C7(♯5)
| 0-6-12-16
| 0-6-12-16
| 0-379-758-1011
| 0-379-758-1011
| [[File:Caug7 (19-EDO).mp3|frameless]]
| [[File:Caug7 (19-EDO).mp3|frameless]]
|-
|-
| Major seven sharp five
| Supermajor seven sharp five, Magic supermajor seventh, Magic sharp seven, Augmented sharp seven, Augmented supermajor seventh, Major sharp five sharp seven
| Cmaj7♯5
| Csmaj7(♯5), Csaj7(♯5), CJ(S7), Caug(♯7), Cmaj(♯5, ♯7)
| 0-6-12-18
| 0-6-12-18
| 0-379-758-1137
| 0-379-758-1137
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|-
|-
| Major ninth
| Major ninth
| Cmaj9
| Cmaj9, CM9
| 0-6-11-17-22
| 0-6-11-17-22
| 0-379-695-1074-1389
| 0-379-695-1074-1389
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| [[File:C7b9 (19-EDO).mp3| frameless]]
| [[File:C7b9 (19-EDO).mp3| frameless]]
|-
|-
| Harmonic ninth
| Harmonic ninth,
| Ch9
Major subminor seven nine
| Ch9, C(s7, 9), C(𝄫7, 9)
| 0-6-11-15-22
| 0-6-11-15-22
| 0-379-695-947-1389
| 0-379-695-947-1389
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|-
|-
| Harmonic seven flat nine
| Harmonic seven flat nine
| Ch7(♭9)
Major subminor seven flat nine
| Ch7(♭9), C(s7, ♭9), C(𝄫7, ♭9)
| 0-6-11-15-21
| 0-6-11-15-21
| 0-379-695-947-1326
| 0-379-695-947-1326
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== Ups and downs notation ==
== Ups and downs notation ==
Various [[19edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
Various [[19edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.


Highly implausible chords are written as a more plausible [[Chord homonym|homonym]], e.g. 0-8-12 = C4(a5) becomes 8-12-19 = F(d3). "a" stands for augmented and "d" stands for diminished.
Highly implausible chords are written as a more plausible [[Chord homonym|homonym]], e.g. 0-8-12 = C4(a5) becomes 8-12-19 = F(d3). "a" stands for augmented and "d" stands for diminished.
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