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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{interwiki |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | | de = 256/243 |
| : This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-30 20:59:28 UTC</tt>.<br>
| | | en = 256/243 |
| : The original revision id was <tt>515317390</tt>.<br>
| | | es = |
| : The revision comment was: <tt></tt><br>
| | | ja = |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| | }} |
| <h4>Original Wikitext content:</h4>
| | {{Infobox Interval |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**256/243**
| | | Name = Pythagorean limma, Pythagorean diatonic semitone, blackwood comma |
| |8 -5> | | | Color name = sw2, sawa 2nd |
| 90.225 cents
| | | Sound = jid_256_243_pluck_adu_dr220.mp3 |
| [[media type="file" key="jid_256_243_pluck_adu_dr220.mp3"]] [[file:xenharmonic/jid_256_243_pluck_adu_dr220.mp3|sound sample]]
| | | Comma = yes |
| | }} |
| | {{Wikipedia| Semitone #Pythagorean tuning }} |
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| The Pythagorean limma, or Pythagorean semitone, is the interval of size 256/243 = 2^8/3^5 (about 90.2¢), which is the diatonic semitone in Pythagorean tuning. It can be generated by stacking five [[4_3|4/3]] just perfect fourths and octave-reducing the resulting interval.
| | '''256/243''', the '''Pythagorean limma''' or '''Pythagorean diatonic semitone''', is the [[diatonic semitone]] in [[Pythagorean tuning]]. In other words, it is the [[3-limit]] minor second. It factors as 2<sup>8</sup>/3<sup>5</sup>, and is about 90.2 [[cent]]s in size. It can be generated by stacking five [[4/3]] just perfect fourths and [[octave reduction|octave-reducing]] the resulting interval, or equivalently by decreasing 4/3 by two [[9/8]] major seconds. Unlike the situation in [[meantone]] tunings, it is smaller, not larger, than the corresponding [[chromatic semitone]], which is the Pythagorean augmented unison of [[2187/2048]]. |
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| See: [[Gallery of Just Intervals]], [[comma]]</pre></div>
| | == Approximation == |
| <h4>Original HTML content:</h4>
| | This interval is well approximated by any tuning generated with accurate octaves and fifths. For example, [[53edo|4\53]] is a very good approximation. |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>256_243</title></head><body><strong>256/243</strong><br />
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| |8 -5&gt;<br />
| | == Temperaments == |
| 90.225 cents<br />
| | When this ratio is taken as a comma to be tempered in the [[5-limit]], it produces the [[blackwood]] temperament, and it may be called the '''blackwood comma''', named after [[Easley Blackwood Jr]]. Edos tempering it out include [[5edo]], [[10edo]], [[15edo]], [[20edo]], [[25edo]] and [[30edo]]. See [[Limmic temperaments]] for a number of other temperaments where it is tempered out. |
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| <br />
| | == Notation == |
| The Pythagorean limma, or Pythagorean semitone, is the interval of size 256/243 = 2^8/3^5 (about 90.2¢), which is the diatonic semitone in Pythagorean tuning. It can be generated by stacking five <a class="wiki_link" href="/4_3">4/3</a> just perfect fourths and octave-reducing the resulting interval.<br />
| | In musical notations that employ the [[5L 2s|diatonic]] [[chain-of-fifths notation|chain-of-fifths]], such as the [[ups and downs notation]], the limma is represented by the distances between B and C, as well as between E and F. |
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| See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a>, <a class="wiki_link" href="/comma">comma</a></body></html></pre></div>
| | The scale is structured with the following step pattern: |
| | * A to B: [[9/8|whole tone]] |
| | * B to C: [[256/243|limma]] |
| | * C to D: [[9/8|whole tone]] |
| | * D to E: [[9/8|whole tone]] |
| | * E to F: [[256/243|limma]] |
| | * F to G: [[9/8|whole tone]] |
| | * G to A: [[9/8|whole tone]] |
| | This pattern highlights the placement of the limma intervals between the note pairs above, distinguishing them from the [[9/8|whole tone]] that occur between the other note pairs. |
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| | == See also == |
| | * [[243/128]] – its [[octave complement]] |
| | * [[729/512]] – its [[fifth complement]] |
| | * [[16/15]] – the classic (5-limit) diatonic semitone |
| | * [[Gallery of just intervals]] |
| | * [[Medium comma]] |
| | * [[Pythagorean tuning]] |
| | |
| | [[Category:Second]] |
| | [[Category:Semitone]] |
| | [[Category:Blackwood]] |
| | [[Category:Commas named after composers]] |