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| The '''106 equal division''' divides the octave into 106 equal parts of 11.321 cents each. Since 106 = 2*53 it is closely related to [[53edo]], and is [[contorted]] through the [[7-limit]], tempering out the same commas ([[32805/32768]], [[15625/15552]], 1600000/1594323, 2109375/2097152 in the [[5-limit]], 3125/3097, [[225/224]], 4000/3969, 1728/1715, 2430/2401, [[4375/4374]] in the 7-limit) as the patent val for 53edo. In the 11-limit it also tempers out [[243/242]], 3025/3024 and [[9801/9800]], so that it [[support]]s [[spectacle]] temperament and [[borwell]] temperament.
| | {{Infobox ET}} |
| | {{ED intro}} |
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| The division is notable for the fact that it is related to the [[turkish cent]], or türk sent, which divides 106edo into 100 parts just as ordinary cents divides 12edo into 100 parts, thereby making it the [[relative cent]] division for 106edo. Conversely, it makes the Pythagorean [[relative cent]] (or pion, symbol π<sup>¢</sup>, π<sup>r¢</sup>), which most closely approximates equally dividing an exact [[3/2]], if you care about such a thing. | | == Theory == |
| | Since 106 = 2 × 53, 106edo is closely related to [[53edo]], and is [[contorted]] through the [[7-limit]], tempering out the same commas ([[32805/32768]], [[15625/15552]], [[1600000/1594323]], [[2109375/2097152]] in the [[5-limit]], 3125/3087, [[225/224]], 4000/3969, [[1728/1715]], [[2430/2401]], [[4375/4374]] in the 7-limit) as the [[patent val]] for 53edo. In the 11-limit it also tempers out [[243/242]], [[3025/3024]] and [[9801/9800]], so that it [[support]]s [[spectacle]] temperament and [[borwell]] temperament. Unfortunately, it is now only consistent to the [[5-odd-limit]] due to 7/5 being closer to 51 steps rather than its patent val mapping of 52 steps. A superset of 53edo with much a higher consistency limit is [[159edo]]. |
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| | The division is notable for the fact that it is related to the [[turkish cent]], or türk sent, which divides 106edo into 100 parts just as ordinary cents divides 12edo into 100 parts, thereby making it the [[relative cent]] division for 106edo. |
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| === Prime harmonics === | | === Prime harmonics === |
| {{Harmonics in equal|106|columns=16}} | | {{Harmonics in equal|106|columns=16}} |
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| == Scales ==
| | 53edo for comparison: |
| Since 106edo has a step of 11.321 cents, it also allows one to use its MOS scales as circulating temperaments{{clarify}}.
| | {{Harmonics in equal|53|collapsed=1|columns=16}} |
| {| class="wikitable"
| | |
| |+Circulating temperaments in 106edo
| | == Intervals == |
| !Tones
| | {{Interval table}} |
| !Pattern
| | |
| !L:s
| | == Instruments == |
| |- | | * [[Lumatone mapping for 106edo]] |
| |5 | |
| |[[1L 4s]]
| |
| |22:21
| |
| |-
| |
| |6
| |
| |[[4L 2s]]
| |
| |18:17
| |
| |-
| |
| |7
| |
| |[[1L 6s]]
| |
| |16:15 | |
| |-
| |
| |8
| |
| |[[2L 6s]]
| |
| | 14:13
| |
| |-
| |
| |9
| |
| |[[7L 2s]]
| |
| |12:11
| |
| |-
| |
| |10
| |
| |[[6L 4s]]
| |
| | 11:10
| |
| |-
| |
| |11
| |
| |[[7L 4s]]
| |
| |10:9
| |
| |-
| |
| |12
| |
| |[[10L 2s]]
| |
| | rowspan="2" |9:8
| |
| |-
| |
| |13
| |
| |[[2L 11s]]
| |
| |-
| |
| |14
| |
| |[[8L 6s]]
| |
| | rowspan="2" |8:7
| |
| |-
| |
| |15
| |
| |[[1L 14s]]
| |
| |-
| |
| |16
| |
| |[[10L 6s]]
| |
| | rowspan="2" |7:6
| |
| |-
| |
| |17
| |
| |4L 13s
| |
| |-
| |
| |18
| |
| |16L 2s
| |
| | rowspan="4" |6:5
| |
| |-
| |
| |19
| |
| |[[11L 8s]]
| |
| |-
| |
| |20
| |
| |6L 14s
| |
| |-
| |
| |21
| |
| |1L 20s
| |
| |-
| |
| |22
| |
| |18L 4s
| |
| | rowspan="5" |5:4
| |
| |-
| |
| |23
| |
| |14L 9s
| |
| |-
| |
| |24
| |
| |10L 14s
| |
| |-
| |
| |25
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| |[[6L 19s]]
| |
| |-
| |
| |26
| |
| |2L 24s
| |
| |-
| |
| |27
| |
| |25L 2s
| |
| | rowspan="9" |4:3
| |
| |-
| |
| |28
| |
| |22L 6s
| |
| |-
| |
| |29
| |
| |19L 10s
| |
| |-
| |
| |30
| |
| |16L 14s
| |
| |-
| |
| |31
| |
| |13L 18s
| |
| |-
| |
| |32
| |
| |10L 22s
| |
| |-
| |
| |33
| |
| |7L 26s
| |
| |-
| |
| |34
| |
| |4L 30s
| |
| |-
| |
| |35
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| |1L 34s
| |
| |-
| |
| |36
| |
| |34L 2s
| |
| | rowspan="17" |3:2
| |
| |-
| |
| |37
| |
| |32L 5s
| |
| |-
| |
| |38
| |
| |30L 8s
| |
| |-
| |
| |39
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| |28L 11s
| |
| |-
| |
| |40
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| |26L 14s
| |
| |-
| |
| |41
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| |24L 17s
| |
| |-
| |
| |42
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| |22L 20s
| |
| |-
| |
| |43
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| |20L 23s
| |
| |-
| |
| |44
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| |18L 26s
| |
| |-
| |
| |45
| |
| |16L 29s
| |
| |-
| |
| |46
| |
| |14L 32s
| |
| |-
| |
| |47
| |
| |12L 35s
| |
| |-
| |
| |48
| |
| |10L 38s
| |
| |-
| |
| |49
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| |8L 41s
| |
| |-
| |
| |50
| |
| |6L 44s
| |
| |-
| |
| |51
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| |4L 47s
| |
| |-
| |
| |52
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| |2L 50s
| |
| |-
| |
| |53
| |
| |[[53edo]]
| |
| |equal
| |
| |-
| |
| |54
| |
| |52L 2s
| |
| | rowspan="31" |2:1
| |
| |-
| |
| |55
| |
| |51L 4s
| |
| |-
| |
| |56
| |
| |50L 6s
| |
| |-
| |
| |57
| |
| |49L 8s
| |
| |-
| |
| |58
| |
| |48L 10s
| |
| |-
| |
| |59
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| |47L 12s
| |
| |-
| |
| |60
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| |46L 14s
| |
| |-
| |
| |61
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| |45L 16s
| |
| |-
| |
| |62
| |
| |44L 18s
| |
| |-
| |
| |63
| |
| |43L 20s
| |
| |-
| |
| |64
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| |42L 22s
| |
| |-
| |
| |65
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| |41L 24s
| |
| |-
| |
| |66
| |
| |40L 26s
| |
| |-
| |
| |67
| |
| |39L 28s
| |
| |-
| |
| |68
| |
| |38L 30s
| |
| |-
| |
| |69
| |
| |37L 32s
| |
| |-
| |
| |70
| |
| |36L 34s
| |
| |-
| |
| |71
| |
| |35L 36s
| |
| |-
| |
| |72
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| |34L 38s
| |
| |-
| |
| |73
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| |33L 40s
| |
| |-
| |
| |74
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| |32L 42s
| |
| |-
| |
| |75
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| |31L 44s
| |
| |-
| |
| |76
| |
| |30L 46s
| |
| |-
| |
| |77
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| |29L 48s
| |
| |-
| |
| |78
| |
| |28L 50s
| |
| |-
| |
| |79
| |
| |27L 52s
| |
| |-
| |
| |80
| |
| |26L 54s
| |
| |-
| |
| |81
| |
| |25L 56s
| |
| |-
| |
| |82
| |
| |24L 58s
| |
| |-
| |
| |83
| |
| |23L 60s
| |
| |-
| |
| |84
| |
| |22L 62s
| |
| |}
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| == See also == | | == See also == |
| Artists using 106 et: | | Artists using 106 et: |
| * [[Dolores Catherino]] -- [http://dolorescatherino.com her website], [https://www.youtube.com/user/dolomuse YouTube profile: dolomuse] | | * [[Dolores Catherino]] – [http://dolorescatherino.com her website], [https://www.youtube.com/user/dolomuse YouTube profile: dolomuse] |
| * [http://chrisvaisvil.com/still-life-in-106-notes-per-octave/ Still Life in 106 Notes Per Octave « Music & Techniques by Chris Vaisvil] | | * [http://chrisvaisvil.com/still-life-in-106-notes-per-octave/ Still Life in 106 Notes Per Octave « Music & Techniques by Chris Vaisvil] |
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| [[Category:Equal divisions of the octave]]
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| [[Category:53edo]] | | [[Category:53edo]] |
| | [[Category:Equal divisions of the octave|###]] <!-- 3-digit number --> |
| [[Category:Polychromatic]] | | [[Category:Polychromatic]] |