11/10: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
{{Infobox Interval
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| Name = large undecimal neutral second, undecimal submajor second
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-28 13:57:26 UTC</tt>.<br>
| Color name = 1og2, logu 2nd
: The original revision id was <tt>602876510</tt>.<br>
| Sound = jid_11_10_pluck_adu_dr220.mp3
: The revision comment was: <tt></tt><br>
}}
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
'''11/10''', the '''large undecimal neutral second''' or '''undecimal submajor second''', is the simplest submajor second. It is 15 cents sharp of [[12/11]] and 17 cents flat of [[10/9]]. When tuned [[just]] or near-just, it not only has the very exotic melodic role of being almost exactly a third of [[4/3]], leading to [[4000/3993]] being [[Fudging|fudged]], but is also very close in size to a stack consisting of an [[apotome]] and [[33/32]], leading to the [[schisma]] being fudged. Keeping 11/10 distinct from 12/11 ensures that 11/10 bridges [[quartertone]]-based chords with more typical [[5-limit]] and [[Pythagorean tuning|Pythagorean]] chords as a step between notes. 
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**11/10**
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165.00423 cents
[[media type="file" key="jid_11_10_pluck_adu_dr220.mp3" width="240" height="20"]] [[file:xenharmonic/jid_11_10_pluck_adu_dr220.mp3|sound sample]]


11/10, the large neutral second, is an interval favored by Ptolemy. Three of them are less than 4/3 by the wizardharry comma, 4000/3993.
11/10 is the [[octave-reduced]] form of [[11/5]], one of the three most [[concordant]] 11-limit intervals within the entire [[4/1|first two octaves]] along with [[11/4]] and [[11/3]].


Coincidentally, the interval between the most common tuning frequency (A440) and the second most common AC electrical frequency (50hz) is exactly 44/5, or three octaves above an 11/10.
== Approximation ==
11/10 is approximated extremely precisely by [[80edo]] and its multiples, with a chain of 80 11/10's failing to close at the octave by a mere third of a [[cent]], close enough that you could theoretically tune an instrument to 80edo by ear using it if you had the patience. 11/10 is also approximated within 2 cents by [[22edo]], and is 4c sharp of an octave-reduced stack of 9 generators in [[BPS]].
{{Interval edo approximation|11/10}}
== Temperaments ==
Using 11/10 as a generator tempering out 4000/3993 (as previously mentioned) leads to scales that look like [[porcupine]] but whose harmonies can more accurately be explained. A half-octave period is exceptionally natural when 11/10 is a generator, because by virtue of making the (extremely accurate) approximation of the half-octave by [[99/70]], [[9/7]] is found as the period-complement of the generator. Taking this approach, this gives us temperaments in the [[stearnsmic clan]] such as [[pogo]], [[supers]], or [[echidna]], all of which detemper [[100/99]] ~ [[121/120]] and accurately find [[11-limit]] and (no-13's) [[17-limit]] harmonies. Of these, echidna's mapping of the no-13's 17-limit is the simplest, though all three have the same mapping of the 2.3.7.11/10.17 subgroup so that they only differ on the mapping of 5 and 11. The complexity of 5 and 11 in pogo are used to increase accuracy, being a weak schismic extension. That leaves supers as the odd one out; if you are using an edo tuning for it, 58edo supports echidna while 94edo supports pogo, so it seems to exist as a portable alternate way of finding primes 5 and 11 across systems, unless you use the 152edo tuning, which requires using the second-best mapping of 13 (the 152f [[val]]).


See: [[Gallery of Just Intervals]]</pre></div>
Using sqrt(11/10) (22/21[[~]]21/20) as a generator leads to the low-complexity [[Nautilus]] with one period to the octave, and if you use two periods to the octave with this generator you get the high-accuracy temperament [[Harry]]; using cbrt(11/10) as a generator leads to [[Escapade]] with one period to the octave.
<h4>Original HTML content:</h4>
 
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;11_10&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;11/10&lt;/strong&gt;&lt;br /&gt;
== See also ==
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* [[20/11]] – its [[octave complement]]
165.00423 cents&lt;br /&gt;
* [[15/11]] – its [[fifth complement]]
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* [[40/33]] – its [[fourth complement]]
&lt;br /&gt;
* [[Gallery of just intervals]]
11/10, the large neutral second, is an interval favored by Ptolemy. Three of them are less than 4/3 by the wizardharry comma, 4000/3993.&lt;br /&gt;
* [[List of superparticular intervals]]
&lt;br /&gt;
 
Coincidentally, the interval between the most common tuning frequency (A440) and the second most common AC electrical frequency (50hz) is exactly 44/5, or three octaves above an 11/10.&lt;br /&gt;
[[Category:Second]]
&lt;br /&gt;
[[Category:Neutral second]]
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
[[Category:Submajor second]]
[[Category:Over-5 intervals]]
[[Category:Equable heptatonic]]