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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]]. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-09-01 03:23:49 UTC</tt>.<br>
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| : The original revision id was <tt>557871413</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**<span style="font-size: 130%;">A word about scores</span>**
| |
| When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. | |
| [[toc|flat]] | |
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| | == Historically significant microtonal scores == |
| | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. |
|
| |
|
| ----
| | * [[Charles Ives]]'s ''Three Quarter Tone Pieces'' (1923-1924) |
| =Historically significant microtonal scores=
| | * [[Harry Partch]], all works |
| Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.
| | * [[Ben Johnston]], esp. string quartets |
| * Charles Ives's Three Quarter Tone Pieces (1913-1924) | | * [[Alois Hába]], esp. string quartets |
| * Harry Partch | | * [[Ivan Wyschnegradsky]], all microtonal works |
| * Ben Johnston, esp. string quartets | | * [[Easley Blackwood]], esp. ''Twelve Microtonal Etudes for Electronic Music Media'', op. 28 |
| * Alois Hába, esp. string quartets | | * publishings of [http://diapason.xentonic.org/ Diapason Press] |
| * Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28 | |
| * publishings of [[http://diapason.xentonic.org/|Diapason Press]] | |
| * this list is so obviously incomplete that you should help finish it. | | * this list is so obviously incomplete that you should help finish it. |
|
| |
|
| =Links to Microtonal Scores, by Composer= | | == Links to microtonal scores, by composer == |
| Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. | | Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. |
| ===Jacob Barton=== | | |
| * De-quinin' for two Bb clarinets (one tuned 33¢ flat)
| | {{TOC Horizontal |
| * Moods for 3 keyboards
| | | a1=[[#A|A]] |
| * Kluh for 11 performers on 21 tuned bottles
| | | a2=[[#B|B]] |
| * [[Eighty-one ninth chords]] for 2 pianos, [[17edo]]
| | | a3=[[#C|C]] |
| * [[Land Urchin]] for string band in 11-limit just intonation
| | | a4=[[#D|D]] |
| ===David Canright=== | | | a5=[[#E|E]] |
| * [[http://home.comcast.net/~dcanright/suite/index.htm|Fibonacci Suite]] (piano retuned to 7-limit JI, seven hands)
| | | a6=[[#F|F]] |
| ===[[@http://www.williamcopper.com|William Copper]]===
| | | a7=[[#G|G]] |
| * [[@http://www.hartenshield.com/0400_romance.pdf|Romance for Violin and Orchestra]]
| | | a8=[[#H|H]] |
| * [[@http://www.hartenshield.com/0499_holyday_overture.pdf|Holy Day Overture]]
| | | a9=[[#I|I]] |
| ===[[Ivor Darreg]]=== | | | a10=[[#J|J]] |
| * [[file:Ivor Darreg, Suite.pdf|On the Enharmonic Tetrachord (from Suite, Op. 62)]], in[[xenharmonic/22edo| 22tET]]. Originally printed in the Spring 1975 issue of Xenharmonikon in quarter-tone notation. Transcribed to Sagittal by Juhani Nuorvala.
| | | a11=[[#K|K]] |
| ===[[Paul Erlich]]=== | | | a12=[[#L|L]] |
| * Tibia in[[xenharmonic/22edo| 22tET]] (<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">[[http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3|Listen]]</span>). Sagittal score [[file:xenharmonic/TIBIA.pdf|in F||\]] or [[file:xenharmonic/tibia in g.pdf|in G]]
| | | a13=[[#M|M]] |
| ===[[http://kylegann.com/Gannmusic.html|Kyle Gann]]=== | | | a14=[[#N|N]] |
| * The Day Revisited for flute, clarinet, electric bass, 2 keyboards
| | | a15=[[#O|O]] |
| * Charing Cross for keyboard and tape
| | | a16=[[#P|P]] |
| * New Aunts for keyboard
| | | a17=[[#Q|Q]] |
| * Triskaidekaphonia for keyboard
| | | a18=[[#R|R]] |
| * Fugitive Objects for keyboard | | | a19=[[#S|S]] |
| * Custer and Sitting Bull, "electronic cantata"
| | | a20=[[#T|T]] |
| * [[http://www.kylegann.com/LoveScene.pdf|Love Scene]] for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of [[http://www.kylegann.com/tuning.html|this page]].
| | | a21=[[#U|U]] |
| ===**[[http://roberthasegawa.com/|Robert Hasegawa]]**=== | | | a22=[[#V|V]] |
| * Spiral for chamber ensemble
| | | a23=[[#W|W–Z]] |
| * Chaconne for James Tenney for chamber ensemble (JI/[[96edo]]
| | }} |
| * Due Corde for 2 pianos, [[19edo]]
| | |
| ===Andrew Heathwaite===
| | === A === |
| * [[Clouds (Andrew Heathwaite)|Clouds]], [[72edo]]
| | === B === |
| * [[Prayer of Thanks]], 7-limit just intonation | | ; [[Jacob Barton]] |
| ===<span style="color: #000000; text-decoration: none;">[[http://www.handmaderecords.com/|Paul Kotheimer ]]</span>===
| | * ''De-quinin''' for two Bb clarinets (one tuned 33¢ flat) |
| * Goes to Eleven (2009) for ensemble, 11-limit JI | | * ''Moods'' for 3 keyboards |
| * Three Short Poems (2008) for voices and drones, 5- and 7-limit JI
| | * ''Kluh'' for 11 performers on 21 tuned bottles |
| * Mercy (2008) for voice and drone (and udderbot), 13-limit JI
| | * ''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]] |
| ===Mats Öljare===
| | * ''[[Land urchin]]'' for string band in 11-limit just intonation |
| * [[file:sunday3.pdf|Sunday Pipes]], [[22edo]]
| | |
| ===**[[http://www.tuistgeorgetucker.com/scores1.html|Tui St. George Tucker]]**===
| | === C === |
| * three Quartertone Lullabies for wind trios
| | ; David Canright |
| * Vigil I and Vigil II for organ
| | * ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands |
| * Little pieces for quartertone piano
| | |
| * Sarabande for quartertone harpsichord
| | ; [[William Copper]] |
| ===**[[http://users.rcn.com/dante.interport//justguitar.html|Dante Rosati]]**=== | | |
| * "Arbor Low" for 21-tone Just Intonation guitar | | * ''[https://williamcopper.com/compositions/elixir-of-love L'elisir d'amore]'' Opera using Intonalism, a form of Just Intonation |
| ===Thomas Edwin Scheurich III===
| | |
| * Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos | | * ''[https://williamcopper.com/recordings Ave Regina]'' A cappella choral work using Intonalism; on same page links to recordings of orchestral works using Intonalism. |
| * Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | | |
| * Story Worth Telling (2008) chamber operetta in [[17edo]] | | === D === |
| * Xenharmonic Curiosities II (2009) for voices and viola | | ; [[Ivor Darreg]] |
| ===Ryan Stickney===
| | * [[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]]. |
| * [[http://oneforall.ytmnd.com|One for All]] | | ; [[Bryan Deister]] |
| ===[[http://home.datacomm.ch/straub/musik/index_e.html|Hans Straub]]===
| | * ''Bryan Deister microtonal improvisations transcribed (31edo to 50edo)''. Transcribed by [[Stephen Weigel]]. |
| * [[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf|Sharks]] (2008) for 17-tone pianos | | ** [https://www.youtube.com/watch?v=ljaSpsQP2qc watch the free video version (YouTube)] |
| ===[[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]===
| | ** [https://www.patreon.com/posts/bryan-deister-31-112681475 buy the printable PDF version (Patreon)] |
| * Etudes for solo microtonal instruments in equal tunings 8-23
| | |
| * Figure and Ground for string trio
| | === E === |
| [[Chris Vaisvil]]
| | ; [[Paul Erlich]] |
| * [[@http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf|Prelude for Centaur Tuned Piano]] | | * ''Tibia'' in [[22edo]]: [http://www.tallkite.com/words/Tibia.mp3 MP3] | (CORRECTED pdf scores) [[:File:Tibia in G CORRECTED-1.png|page 1]] | [[:File:Tibia in G CORRECTED-2.png|page 2]] |
| * [[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf|Slumber of Thought]] (for 65cent equal temperament tuned piano)
| | |
| =Scores in Sagittal Notation= | | === F === |
| See [[Sagittal notation#Scores%20in%20Sagittal%20notation]]</pre></div>
| | === G === |
| <h4>Original HTML content:</h4>
| | ; [[Kyle Gann]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><strong><span style="font-size: 130%;">A word about scores</span></strong><br />
| | Gann creates tuning guides for many of his pieces, list at the bottom of [http://www.kylegann.com/tuning.html this page]. |
| When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.<br />
| | * ''The Day Revisited'' for flute, clarinet, electric bass, 2 keyboards |
| <!-- ws:start:WikiTextTocRule:38:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:38 --><!-- ws:start:WikiTextTocRule:39: --><a href="#Historically significant microtonal scores">Historically significant microtonal scores</a><!-- ws:end:WikiTextTocRule:39 --><!-- ws:start:WikiTextTocRule:40: --> | <a href="#Links to Microtonal Scores, by Composer">Links to Microtonal Scores, by Composer</a><!-- ws:end:WikiTextTocRule:40 --><!-- ws:start:WikiTextTocRule:41: --><!-- ws:end:WikiTextTocRule:41 --><!-- ws:start:WikiTextTocRule:42: --><!-- ws:end:WikiTextTocRule:42 --><!-- ws:start:WikiTextTocRule:43: --><!-- ws:end:WikiTextTocRule:43 --><!-- ws:start:WikiTextTocRule:44: --><!-- ws:end:WikiTextTocRule:44 --><!-- ws:start:WikiTextTocRule:45: --><!-- ws:end:WikiTextTocRule:45 --><!-- ws:start:WikiTextTocRule:46: --><!-- ws:end:WikiTextTocRule:46 --><!-- ws:start:WikiTextTocRule:47: --><!-- ws:end:WikiTextTocRule:47 --><!-- ws:start:WikiTextTocRule:48: --><!-- ws:end:WikiTextTocRule:48 --><!-- ws:start:WikiTextTocRule:49: --><!-- ws:end:WikiTextTocRule:49 --><!-- ws:start:WikiTextTocRule:50: --><!-- ws:end:WikiTextTocRule:50 --><!-- ws:start:WikiTextTocRule:51: --><!-- ws:end:WikiTextTocRule:51 --><!-- ws:start:WikiTextTocRule:52: --><!-- ws:end:WikiTextTocRule:52 --><!-- ws:start:WikiTextTocRule:53: --><!-- ws:end:WikiTextTocRule:53 --><!-- ws:start:WikiTextTocRule:54: --><!-- ws:end:WikiTextTocRule:54 --><!-- ws:start:WikiTextTocRule:55: --><!-- ws:end:WikiTextTocRule:55 --><!-- ws:start:WikiTextTocRule:56: --><!-- ws:end:WikiTextTocRule:56 --><!-- ws:start:WikiTextTocRule:57: --> | <a href="#Scores in Sagittal Notation">Scores in Sagittal Notation</a><!-- ws:end:WikiTextTocRule:57 --><!-- ws:start:WikiTextTocRule:58: -->
| | * ''Charing Cross'' for keyboard and tape |
| <!-- ws:end:WikiTextTocRule:58 --><br />
| | * ''New Aunts'' for keyboard |
| <br />
| | * ''Triskaidekaphonia'' for keyboard |
| <hr />
| | * ''Fugitive Objects'' for keyboard |
| <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Historically significant microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->Historically significant microtonal scores</h1>
| | * ''Custer and Sitting Bull'', "electronic cantata" |
| Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br />
| | * ''[http://www.kylegann.com/LoveScene.pdf Love Scene]'' for string quartet |
| <ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br />
| | |
| <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Links to Microtonal Scores, by Composer"></a><!-- ws:end:WikiTextHeadingRule:2 -->Links to Microtonal Scores, by Composer</h1>
| | ; [[Kite Giedraitis]] (Tall Kite) |
| Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for &quot;notable&quot; compositions; the wiki supports file attachments up to 10 MB each.<br />
| | * [https://www.tallkite.com/music/EveningRondo.html ''Evening Rondo''] (2021) for solo Kite guitar, 41edo |
| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="Links to Microtonal Scores, by Composer--Jacob Barton"></a><!-- ws:end:WikiTextHeadingRule:4 -->Jacob Barton</h3>
| | * [https://www.tallkite.com/music/DownminorNocturne.html ''Downminor Nocturne''] (2021) for Kite guitar duet, 41edo |
| <ul><li>De-quinin' for two Bb clarinets (one tuned 33¢ flat)</li><li>Moods for 3 keyboards</li><li>Kluh for 11 performers on 21 tuned bottles</li><li><a class="wiki_link" href="/Eighty-one%20ninth%20chords">Eighty-one ninth chords</a> for 2 pianos, <a class="wiki_link" href="/17edo">17edo</a></li><li><a class="wiki_link" href="/Land%20Urchin">Land Urchin</a> for string band in 11-limit just intonation</li></ul><!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="Links to Microtonal Scores, by Composer--David Canright"></a><!-- ws:end:WikiTextHeadingRule:6 -->David Canright</h3>
| | * [https://www.tallkite.com/music/WithoutYou.html ''Without You''] (2016) for piano/bass/drums/vocal, 7-limit JI |
| <ul><li><a class="wiki_link_ext" href="http://home.comcast.net/~dcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li></ul><!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="Links to Microtonal Scores, by Composer--William Copper"></a><!-- ws:end:WikiTextHeadingRule:8 --><a class="wiki_link_ext" href="http://www.williamcopper.com" rel="nofollow" target="_blank">William Copper</a></h3>
| | * [https://www.tallkite.com/music/IHearNumbers.html ''I Hear Numbers''] (2016) for synth/keys/guitar/bass/drums/congas/vocals, 7-limit JI |
| <ul><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0400_romance.pdf" rel="nofollow" target="_blank">Romance for Violin and Orchestra</a></li><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0499_holyday_overture.pdf" rel="nofollow" target="_blank">Holy Day Overture</a></li></ul><!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="Links to Microtonal Scores, by Composer--Ivor Darreg"></a><!-- ws:end:WikiTextHeadingRule:10 --><a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a></h3>
| | |
| <ul><li><a href="/file/view/Ivor%20Darreg%2C%20Suite.pdf/557772167/Ivor%20Darreg%2C%20Suite.pdf" onclick="ws.common.trackFileLink('/file/view/Ivor%20Darreg%2C%20Suite.pdf/557772167/Ivor%20Darreg%2C%20Suite.pdf');">On the Enharmonic Tetrachord (from Suite, Op. 62)</a>, in<a class="wiki_link" href="http://xenharmonic.wikispaces.com/22edo"> 22tET</a>. Originally printed in the Spring 1975 issue of Xenharmonikon in quarter-tone notation. Transcribed to Sagittal by Juhani Nuorvala.</li></ul><!-- ws:start:WikiTextHeadingRule:12:&lt;h3&gt; --><h3 id="toc6"><a name="Links to Microtonal Scores, by Composer--Paul Erlich"></a><!-- ws:end:WikiTextHeadingRule:12 --><a class="wiki_link" href="/Paul%20Erlich">Paul Erlich</a></h3>
| | === H === |
| <ul><li>Tibia in<a class="wiki_link" href="http://xenharmonic.wikispaces.com/22edo"> 22tET</a> (<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow">Listen</a></span>). Sagittal score <a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');">in F||\</a> or <a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');">in G</a></li></ul><!-- ws:start:WikiTextHeadingRule:14:&lt;h3&gt; --><h3 id="toc7"><a name="Links to Microtonal Scores, by Composer--Kyle Gann"></a><!-- ws:end:WikiTextHeadingRule:14 --><a class="wiki_link_ext" href="http://kylegann.com/Gannmusic.html" rel="nofollow">Kyle Gann</a></h3>
| | ; [[Robert Hasegawa]] |
| <ul><li>The Day Revisited for flute, clarinet, electric bass, 2 keyboards</li><li>Charing Cross for keyboard and tape</li><li>New Aunts for keyboard</li><li>Triskaidekaphonia for keyboard</li><li>Fugitive Objects for keyboard</li><li>Custer and Sitting Bull, &quot;electronic cantata&quot;</li><li><a class="wiki_link_ext" href="http://www.kylegann.com/LoveScene.pdf" rel="nofollow">Love Scene</a> for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of <a class="wiki_link_ext" href="http://www.kylegann.com/tuning.html" rel="nofollow">this page</a>.</li></ul><!-- ws:start:WikiTextHeadingRule:16:&lt;h3&gt; --><h3 id="toc8"><a name="Links to Microtonal Scores, by Composer--Robert Hasegawa"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong><a class="wiki_link_ext" href="http://roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a></strong></h3>
| | * ''Spiral'' for chamber ensemble |
| <ul><li>Spiral for chamber ensemble</li><li>Chaconne for James Tenney for chamber ensemble (JI/<a class="wiki_link" href="/96edo">96edo</a></li><li>Due Corde for 2 pianos, <a class="wiki_link" href="/19edo">19edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:18:&lt;h3&gt; --><h3 id="toc9"><a name="Links to Microtonal Scores, by Composer--Andrew Heathwaite"></a><!-- ws:end:WikiTextHeadingRule:18 -->Andrew Heathwaite</h3>
| | * ''Chaconne for James Tenney'' for chamber ensemble (JI/[[96edo]]) |
| <ul><li><a class="wiki_link" href="/Clouds%20%28Andrew%20Heathwaite%29">Clouds</a>, <a class="wiki_link" href="/72edo">72edo</a></li><li><a class="wiki_link" href="/Prayer%20of%20Thanks">Prayer of Thanks</a>, 7-limit just intonation</li></ul><!-- ws:start:WikiTextHeadingRule:20:&lt;h3&gt; --><h3 id="toc10"><a name="Links to Microtonal Scores, by Composer--Paul Kotheimer"></a><!-- ws:end:WikiTextHeadingRule:20 --><span style="color: #000000; text-decoration: none;"><a class="wiki_link_ext" href="http://www.handmaderecords.com/" rel="nofollow">Paul Kotheimer </a></span></h3>
| | * ''Due Corde'' for 2 pianos, [[19edo]] |
| <ul><li>Goes to Eleven (2009) for ensemble, 11-limit JI</li><li>Three Short Poems (2008) for voices and drones, 5- and 7-limit JI</li><li>Mercy (2008) for voice and drone (and udderbot), 13-limit JI</li></ul><!-- ws:start:WikiTextHeadingRule:22:&lt;h3&gt; --><h3 id="toc11"><a name="Links to Microtonal Scores, by Composer--Mats Öljare"></a><!-- ws:end:WikiTextHeadingRule:22 -->Mats Öljare</h3>
| | |
| <ul><li><a href="/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('/file/view/sunday3.pdf/269076436/sunday3.pdf');">Sunday Pipes</a>, <a class="wiki_link" href="/22edo">22edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:24:&lt;h3&gt; --><h3 id="toc12"><a name="Links to Microtonal Scores, by Composer--Tui St. George Tucker"></a><!-- ws:end:WikiTextHeadingRule:24 --><strong><a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html" rel="nofollow">Tui St. George Tucker</a></strong></h3>
| | ; [[Andrew Heathwaite]] |
| <ul><li>three Quartertone Lullabies for wind trios</li><li>Vigil I and Vigil II for organ</li><li>Little pieces for quartertone piano</li><li>Sarabande for quartertone harpsichord</li></ul><!-- ws:start:WikiTextHeadingRule:26:&lt;h3&gt; --><h3 id="toc13"><a name="Links to Microtonal Scores, by Composer--Dante Rosati"></a><!-- ws:end:WikiTextHeadingRule:26 --><strong><a class="wiki_link_ext" href="http://users.rcn.com/dante.interport//justguitar.html" rel="nofollow">Dante Rosati</a></strong></h3>
| | * ''[[Clouds_(Andrew_Heathwaite)|Clouds]]'', [[72edo]] |
| <ul><li>&quot;Arbor Low&quot; for 21-tone Just Intonation guitar</li></ul><!-- ws:start:WikiTextHeadingRule:28:&lt;h3&gt; --><h3 id="toc14"><a name="Links to Microtonal Scores, by Composer--Thomas Edwin Scheurich III"></a><!-- ws:end:WikiTextHeadingRule:28 -->Thomas Edwin Scheurich III</h3>
| | * ''[[Prayer of Thanks]]'', 7-limit just intonation |
| <ul><li>Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos</li><li>Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)</li><li>Story Worth Telling (2008) chamber operetta in <a class="wiki_link" href="/17edo">17edo</a></li><li>Xenharmonic Curiosities II (2009) for voices and viola</li></ul><!-- ws:start:WikiTextHeadingRule:30:&lt;h3&gt; --><h3 id="toc15"><a name="Links to Microtonal Scores, by Composer--Ryan Stickney"></a><!-- ws:end:WikiTextHeadingRule:30 -->Ryan Stickney</h3>
| | |
| <ul><li><a class="wiki_link_ext" href="http://oneforall.ytmnd.com" rel="nofollow">One for All</a></li></ul><!-- ws:start:WikiTextHeadingRule:32:&lt;h3&gt; --><h3 id="toc16"><a name="Links to Microtonal Scores, by Composer--Hans Straub"></a><!-- ws:end:WikiTextHeadingRule:32 --><a class="wiki_link_ext" href="http://home.datacomm.ch/straub/musik/index_e.html" rel="nofollow">Hans Straub</a></h3>
| | === I === |
| <ul><li><a class="wiki_link_ext" href="http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf" rel="nofollow">Sharks</a> (2008) for 17-tone pianos</li></ul><!-- ws:start:WikiTextHeadingRule:34:&lt;h3&gt; --><h3 id="toc17"><a name="Links to Microtonal Scores, by Composer--Daniel Wolf"></a><!-- ws:end:WikiTextHeadingRule:34 --><a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow">Daniel Wolf</a></h3>
| | === J === |
| <ul><li>Etudes for solo microtonal instruments in equal tunings 8-23</li><li>Figure and Ground for string trio</li></ul><a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a><br />
| | === K === |
| <ul><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf" rel="nofollow" target="_blank">Prelude for Centaur Tuned Piano</a></li><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf" rel="nofollow">Slumber of Thought</a> (for 65cent equal temperament tuned piano)</li></ul><!-- ws:start:WikiTextHeadingRule:36:&lt;h1&gt; --><h1 id="toc18"><a name="Scores in Sagittal Notation"></a><!-- ws:end:WikiTextHeadingRule:36 -->Scores in Sagittal Notation</h1>
| | ; [http://www.handmaderecords.com/ Paul Kotheimer] |
| See <a class="wiki_link" href="/Sagittal%20notation#Scores%20in%20Sagittal%20notation">Sagittal notation</a></body></html></pre></div>
| | * ''Goes to Eleven'' (2009) for ensemble, 11-limit JI |
| | * ''Three Short Poems'' (2008) for voices and drones, 5- and 7-limit JI |
| | * ''Mercy'' (2008) for voice and drone (and udderbot), 13-limit JI |
| | |
| | === L === |
| | ; [[L4MPLIGHT]] |
| | * [[Stephen Weigel]]’s [https://www.youtube.com/watch?v=EPMIWHouXSg animated transcription of L4MPLIGHT’s introductory composition] (YouTube). |
| | |
| | === M === |
| | |
| | ; [[Herman Miller]] |
| | * ''[https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Luck of the Draw]'' - (tuning: [[37edo]] • year: 2023 • background: for the [[Monthly Tunings]] challenge) |
| | ** [https://soundcloud.com/morphosyntax-1/luck-of-the-draw (audio recording)] |
| | |
| | === N === |
| | === O === |
| | ; [[Mats Öljare]] |
| | * ''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]] |
| | |
| | === P === |
| | === Q === |
| | === R === |
| | ; [[Dante Rosati]] |
| | * ''Arbor Low'' for 21-tone Just Intonation guitar |
| | |
| | === S === |
| | ; [[Thomas Scheurich|Thomas Edwin Scheurich III]] |
| | * ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos |
| | * ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) |
| | * ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] |
| | * ''Xenharmonic Curiosities II'' (2009) for voices and viola |
| | |
| | ; [[Rosie Sheldon]] |
| | * [https://www.sheetmusicdirect.com/en-US/se/ID_No/1382604/Product.aspx ''Microtonal Composition in "Fluid Just Intonation"''] (2021) |
| | |
| | ; Ryan Stickney |
| | * ''[http://oneforall.ytmnd.com One for All]'' |
| | |
| | ; [[Hans Straub]] |
| | * ''[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf Sharks]''{{dead link}} (2008) for 17-tone pianos |
| | |
| | === T === |
| | ; [http://www.tuistgeorgetucker.com/scores1.html Tui St. George Tucker]{{dead link}} |
| | * ''Three Quartertone Lullabies'' for wind trios |
| | * ''Vigil I'' and ''Vigil II'' for organ |
| | * ''Little pieces'' for quartertone piano |
| | * ''Sarabande'' for quartertone harpsichord |
| | |
| | === U === |
| | === V === |
| | ; [[Chris Vaisvil]] |
| | * ''[http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf Prelude for Centaur Tuned Piano]'' |
| | * ''[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf Slumber of Thought]'' (for 65cent equal temperament tuned piano) |
| | |
| | === W === |
| | ; [[Stephen Weigel]] |
| | * [https://xenharmonicgod.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media Six Macrotonal Etudes for Electronic Music Media (compared to Easley Blackwood's - Half the Tunings, Double the Fun!)] |
| | |
| | ; [[Daniel Wolf]] |
| | * ''Etudes'' for solo microtonal instruments in equal tunings 8-23 |
| | * ''Figure and Ground'' for string trio |
| | |
| | [[Category:Scores| ]] <!-- main article --> |
| | [[category:todo:update]] |