Scores: Difference between revisions
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When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[ | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]]. | ||
== Historically significant microtonal scores == | == Historically significant microtonal scores == | ||
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* [[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]]. | * [[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]]. | ||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* ''[https://www.youtube.com/watch?v=ljaSpsQP2qc | * ''Bryan Deister microtonal improvisations transcribed (31edo to 50edo)''. Transcribed by [[Stephen Weigel]]. | ||
** [https://www.youtube.com/watch?v=ljaSpsQP2qc watch the free video version (YouTube)] | |||
** [https://www.patreon.com/posts/bryan-deister-31-112681475 buy the printable PDF version (Patreon)] | |||
=== E === | === E === | ||
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=== L === | === L === | ||
; [[L4MPLIGHT]] | |||
* [[Stephen Weigel]]’s [https://www.youtube.com/watch?v=EPMIWHouXSg animated transcription of L4MPLIGHT’s introductory composition] (YouTube). | |||
=== M === | === M === | ||
; [[Herman Miller]] | |||
* ''[https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Luck of the Draw]'' - (tuning: [[37edo]] • year: 2023 • background: for the [[Monthly Tunings]] challenge) | |||
** [https://soundcloud.com/morphosyntax-1/luck-of-the-draw (audio recording)] | |||
=== N === | === N === | ||
=== O === | === O === | ||
; Mats Öljare | ; [[Mats Öljare]] | ||
* ''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]] | * ''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]] | ||
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=== S === | === S === | ||
; Thomas Edwin Scheurich III | ; [[Thomas Scheurich|Thomas Edwin Scheurich III]] | ||
* ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | * ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | ||
* ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | * ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | ||
* ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | * ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | ||
* ''Xenharmonic Curiosities II'' (2009) for voices and viola | * ''Xenharmonic Curiosities II'' (2009) for voices and viola | ||
; [[Rosie Sheldon]] | |||
* [https://www.sheetmusicdirect.com/en-US/se/ID_No/1382604/Product.aspx ''Microtonal Composition in "Fluid Just Intonation"''] (2021) | |||
; Ryan Stickney | ; Ryan Stickney | ||