Scores: Difference between revisions
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When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]]. | ||
== Historically significant microtonal scores == | == Historically significant microtonal scores == | ||
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{{TOC Horizontal | {{TOC Horizontal | ||
|a1=[[#A|A]] | | a1=[[#A|A]] | ||
|a2=[[#B|B]] | | a2=[[#B|B]] | ||
|a3=[[#C|C]] | | a3=[[#C|C]] | ||
|a4=[[#D|D]] | | a4=[[#D|D]] | ||
|a5=[[#E|E]] | | a5=[[#E|E]] | ||
|a6=[[#F|F]] | | a6=[[#F|F]] | ||
|a7=[[#G|G]] | | a7=[[#G|G]] | ||
|a8=[[#H|H]] | | a8=[[#H|H]] | ||
|a9=[[#I|I]] | | a9=[[#I|I]] | ||
|a10=[[#J|J]] | | a10=[[#J|J]] | ||
|a11=[[#K|K]] | | a11=[[#K|K]] | ||
|a12=[[#L|L]] | | a12=[[#L|L]] | ||
|a13=[[#M|M]] | | a13=[[#M|M]] | ||
|a14=[[#N|N]] | | a14=[[#N|N]] | ||
|a15=[[#O|O]] | | a15=[[#O|O]] | ||
|a16=[[#P|P]] | | a16=[[#P|P]] | ||
|a17=[[#Q|Q]] | | a17=[[#Q|Q]] | ||
|a18=[[#R|R]] | | a18=[[#R|R]] | ||
|a19=[[#S|S]] | | a19=[[#S|S]] | ||
|a20=[[#T|T]] | | a20=[[#T|T]] | ||
|a21=[[#U|U]] | | a21=[[#U|U]] | ||
|a22=[[#V|V]] | | a22=[[#V|V]] | ||
|a23=[[#W|W | | a23=[[#W|W–Z]] | ||
}} | }} | ||
=== A === | === A === | ||
=== B === | === B === | ||
; [[Jacob Barton]] | ; [[Jacob Barton]] | ||
*''De-quinin''' for two Bb clarinets (one tuned 33¢ flat) | * ''De-quinin''' for two Bb clarinets (one tuned 33¢ flat) | ||
*''Moods'' for 3 keyboards | * ''Moods'' for 3 keyboards | ||
*''Kluh'' for 11 performers on 21 tuned bottles | * ''Kluh'' for 11 performers on 21 tuned bottles | ||
*''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]] | * ''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]] | ||
*''[[Land urchin]]'' for string band in 11-limit just intonation | * ''[[Land urchin]]'' for string band in 11-limit just intonation | ||
=== C === | === C === | ||
; David Canright | ; David Canright | ||
*''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | * ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | ||
; [[William Copper]] | ; [[William Copper]] | ||
*''[ | |||
*''[ | * ''[https://williamcopper.com/compositions/elixir-of-love L'elisir d'amore]'' Opera using Intonalism, a form of Just Intonation | ||
* ''[https://williamcopper.com/recordings Ave Regina]'' A cappella choral work using Intonalism; on same page links to recordings of orchestral works using Intonalism. | |||
=== D === | === D === | ||
; [[Ivor Darreg]] | ; [[Ivor Darreg]] | ||
*[[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]]. | * [[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]]. | ||
; [[Bryan Deister]] | |||
* ''Bryan Deister microtonal improvisations transcribed (31edo to 50edo)''. Transcribed by [[Stephen Weigel]]. | |||
** [https://www.youtube.com/watch?v=ljaSpsQP2qc watch the free video version (YouTube)] | |||
** [https://www.patreon.com/posts/bryan-deister-31-112681475 buy the printable PDF version (Patreon)] | |||
=== E === | === E === | ||
; [[Paul Erlich]] | ; [[Paul Erlich]] | ||
*''Tibia'' in [[22edo]]: [http://www.tallkite.com/words/Tibia.mp3 MP3] | (CORRECTED pdf scores) [[:File:Tibia in G CORRECTED-1.png|page 1]] | [[:File:Tibia in G CORRECTED-2.png|page 2]] | * ''Tibia'' in [[22edo]]: [http://www.tallkite.com/words/Tibia.mp3 MP3] | (CORRECTED pdf scores) [[:File:Tibia in G CORRECTED-1.png|page 1]] | [[:File:Tibia in G CORRECTED-2.png|page 2]] | ||
=== F === | === F === | ||
| Line 70: | Line 77: | ||
; [[Kyle Gann]] | ; [[Kyle Gann]] | ||
Gann creates tuning guides for many of his pieces, list at the bottom of [http://www.kylegann.com/tuning.html this page]. | Gann creates tuning guides for many of his pieces, list at the bottom of [http://www.kylegann.com/tuning.html this page]. | ||
*''The Day Revisited'' for flute, clarinet, electric bass, 2 keyboards | * ''The Day Revisited'' for flute, clarinet, electric bass, 2 keyboards | ||
*''Charing Cross'' for keyboard and tape | * ''Charing Cross'' for keyboard and tape | ||
*''New Aunts'' for keyboard | * ''New Aunts'' for keyboard | ||
*''Triskaidekaphonia'' for keyboard | * ''Triskaidekaphonia'' for keyboard | ||
*''Fugitive Objects'' for keyboard | * ''Fugitive Objects'' for keyboard | ||
*''Custer and Sitting Bull'', "electronic cantata" | * ''Custer and Sitting Bull'', "electronic cantata" | ||
*''[http://www.kylegann.com/LoveScene.pdf Love Scene]'' for string quartet | * ''[http://www.kylegann.com/LoveScene.pdf Love Scene]'' for string quartet | ||
; [[Kite Giedraitis]] (Tall Kite) | ; [[Kite Giedraitis]] (Tall Kite) | ||
| Line 86: | Line 93: | ||
=== H === | === H === | ||
; [[Robert Hasegawa]] | ; [[Robert Hasegawa]] | ||
*''Spiral'' for chamber ensemble | * ''Spiral'' for chamber ensemble | ||
*''Chaconne for James Tenney'' for chamber ensemble (JI/[[96edo]]) | * ''Chaconne for James Tenney'' for chamber ensemble (JI/[[96edo]]) | ||
*''Due Corde'' for 2 pianos, [[19edo]] | * ''Due Corde'' for 2 pianos, [[19edo]] | ||
; [[Andrew Heathwaite]] | ; [[Andrew Heathwaite]] | ||
*''[[Clouds_(Andrew_Heathwaite)|Clouds]]'', [[72edo]] | * ''[[Clouds_(Andrew_Heathwaite)|Clouds]]'', [[72edo]] | ||
*''[[Prayer of Thanks]]'', 7-limit just intonation | * ''[[Prayer of Thanks]]'', 7-limit just intonation | ||
=== I === | === I === | ||
| Line 98: | Line 105: | ||
=== K === | === K === | ||
; [http://www.handmaderecords.com/ Paul Kotheimer] | ; [http://www.handmaderecords.com/ Paul Kotheimer] | ||
*''Goes to Eleven'' (2009) for ensemble, 11-limit JI | * ''Goes to Eleven'' (2009) for ensemble, 11-limit JI | ||
*''Three Short Poems'' (2008) for voices and drones, 5- and 7-limit JI | * ''Three Short Poems'' (2008) for voices and drones, 5- and 7-limit JI | ||
*''Mercy'' (2008) for voice and drone (and udderbot), 13-limit JI | * ''Mercy'' (2008) for voice and drone (and udderbot), 13-limit JI | ||
=== L === | === L === | ||
; [[L4MPLIGHT]] | |||
* [[Stephen Weigel]]’s [https://www.youtube.com/watch?v=EPMIWHouXSg animated transcription of L4MPLIGHT’s introductory composition] (YouTube). | |||
=== M === | === M === | ||
; [[Herman Miller]] | |||
* ''[https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Luck of the Draw]'' - (tuning: [[37edo]] • year: 2023 • background: for the [[Monthly Tunings]] challenge) | |||
** [https://soundcloud.com/morphosyntax-1/luck-of-the-draw (audio recording)] | |||
=== N === | === N === | ||
=== O === | === O === | ||
; Mats Öljare | ; [[Mats Öljare]] | ||
*''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]] | * ''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]] | ||
=== P === | === P === | ||
| Line 113: | Line 128: | ||
=== R === | === R === | ||
; [[Dante Rosati]] | ; [[Dante Rosati]] | ||
*''Arbor Low'' for 21-tone Just Intonation guitar | * ''Arbor Low'' for 21-tone Just Intonation guitar | ||
=== S === | === S === | ||
; Thomas Edwin Scheurich III | ; [[Thomas Scheurich|Thomas Edwin Scheurich III]] | ||
*''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | * ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | ||
*''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | * ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | ||
*''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | * ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | ||
*''Xenharmonic Curiosities II'' (2009) for voices and viola | * ''Xenharmonic Curiosities II'' (2009) for voices and viola | ||
; [[Rosie Sheldon]] | |||
* [https://www.sheetmusicdirect.com/en-US/se/ID_No/1382604/Product.aspx ''Microtonal Composition in "Fluid Just Intonation"''] (2021) | |||
; Ryan Stickney | ; Ryan Stickney | ||
*''[http://oneforall.ytmnd.com One for All]'' | * ''[http://oneforall.ytmnd.com One for All]'' | ||
; [[Hans Straub]] | ; [[Hans Straub]] | ||
*''[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf Sharks]''{{dead link}} (2008) for 17-tone pianos | * ''[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf Sharks]''{{dead link}} (2008) for 17-tone pianos | ||
=== T === | === T === | ||
; [http://www.tuistgeorgetucker.com/scores1.html Tui St. George Tucker]{{dead link}} | ; [http://www.tuistgeorgetucker.com/scores1.html Tui St. George Tucker]{{dead link}} | ||
*''Three Quartertone Lullabies'' for wind trios | * ''Three Quartertone Lullabies'' for wind trios | ||
*''Vigil I'' and ''Vigil II'' for organ | * ''Vigil I'' and ''Vigil II'' for organ | ||
*''Little pieces'' for quartertone piano | * ''Little pieces'' for quartertone piano | ||
*''Sarabande'' for quartertone harpsichord | * ''Sarabande'' for quartertone harpsichord | ||
=== U === | === U === | ||
=== V === | === V === | ||
; [[Chris Vaisvil]] | ; [[Chris Vaisvil]] | ||
*''[http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf Prelude for Centaur Tuned Piano]'' | * ''[http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf Prelude for Centaur Tuned Piano]'' | ||
*''[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf Slumber of Thought]'' (for 65cent equal temperament tuned piano) | * ''[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf Slumber of Thought]'' (for 65cent equal temperament tuned piano) | ||
=== W === | === W === | ||
; [[Stephen Weigel]] | ; [[Stephen Weigel]] | ||
*[https://xenharmonicgod.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media Six Macrotonal Etudes for Electronic Music Media (compared to Easley Blackwood's - Half the Tunings, Double the Fun!)] | * [https://xenharmonicgod.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media Six Macrotonal Etudes for Electronic Music Media (compared to Easley Blackwood's - Half the Tunings, Double the Fun!)] | ||
; [[Daniel Wolf]] | ; [[Daniel Wolf]] | ||
*''Etudes'' for solo microtonal instruments in equal tunings 8-23 | * ''Etudes'' for solo microtonal instruments in equal tunings 8-23 | ||
*''Figure and Ground'' for string trio | * ''Figure and Ground'' for string trio | ||
[[Category:Scores| ]] <!-- main article --> | [[Category:Scores| ]] <!-- main article --> | ||
[[category:todo:update]] | [[category:todo:update]] | ||