55edo: Difference between revisions
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{{interwiki | {{interwiki | ||
| de = | | de = 55-EDO | ||
| en = 55edo | | en = 55edo | ||
| es = 55 EDO | | es = 55 EDO | ||
Line 6: | Line 6: | ||
}} | }} | ||
{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
55edo can be used for a [[meantone]] tuning, and is close to [[1/6-comma meantone]] (and is almost exactly 10/57-comma meantone. | 55edo can be used for a [[meantone]] tuning, and is close to [[1/6-comma meantone]] (and is almost exactly 10/57-comma meantone). {{w|Georg Philipp Telemann|Telemann}} suggested it as a theoretical basis for analyzing the [[meantone intervals|intervals of meantone]]. {{w|Leopold Mozart|Leopold}} and {{w|Wolfgang Amadeus Mozart|Wolfgang Mozart}} recommended 55edo or something close to it, with a subset and further approximation used for keyboard instruments which (apart from an experimental instrument) did not have enough notes per octave to accommodate it in full.<ref>Chesnut, John (1977) ''Mozart's Teaching of Intonation'', '''Journal of the American Musicological Society''' Vol. 30, No. 2 (Summer, 1977), pp. 254-271 (Published By: University of California Press) [https://doi.org/10.2307/831219 doi.org/10.2307/831219], [http://www.jstor.org/stable/831219 https://www.jstor.org/stable/831219]</ref> It can also be used for [[Meantone_family#Mohajira|Mohajira]] and [[Meantone_family#Liese|Liese]] temperaments. It also supports an extremely sharp tuning of [[huygens|Huygens/undecimal meantone]] using the 55de [[val]], meaning that primes 7 and 11 are mapped very sharply to their second-best mapping. | ||
=== Odd harmonics === | === Odd harmonics === | ||
Line 15: | Line 15: | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
Since 55 factors into {{factorization|55}}, 55edo contains [[5edo]] and [[11edo]] as its subsets. | Since 55 factors into {{factorization|55}}, 55edo contains [[5edo]] and [[11edo]] as its subsets. | ||
== Intervals == | == Intervals == | ||
{| class="wikitable center-1 right-2 left-3" | {| class="wikitable center-1 right-2 left-3" | ||
|- | |- | ||
! [[Degree|#]] | ! [[Degree|#]] | ||
! [[Cent]]s | ! [[Cent]]s | ||
! Approximate | ! Approximate ratios | ||
! colspan="3" | [[Ups and downs notation | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
Line 34: | Line 34: | ||
| 1 | | 1 | ||
| 21.8 | | 21.8 | ||
| | | 65/64, 78/77, 99/98, ''128/125'' | ||
| ^1 | | ^1 | ||
| up 1sn | | up 1sn | ||
Line 41: | Line 41: | ||
| 2 | | 2 | ||
| 43.6 | | 43.6 | ||
| 36/35 | | 36/35, ''64/63'' | ||
| ^^1 | | ^^1 | ||
| dup 1sn | | dup 1sn | ||
Line 48: | Line 48: | ||
| 3 | | 3 | ||
| 65.5 | | 65.5 | ||
| 28/27 | | 28/27 | ||
| vvm2 | | vvm2 | ||
| dudminor 2nd | | dudminor 2nd | ||
Line 55: | Line 55: | ||
| 4 | | 4 | ||
| 87.3 | | 87.3 | ||
| 25/24 | | 21/20, ''18/17'', ''25/24'' | ||
| vm2 | | vm2 | ||
| downminor 2nd | | downminor 2nd | ||
Line 62: | Line 62: | ||
| 5 | | 5 | ||
| 109.1 | | 109.1 | ||
| 16/15 | | 16/15, 17/16 | ||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
Line 69: | Line 69: | ||
| 6 | | 6 | ||
| 130.9 | | 130.9 | ||
| 14/13 | | 13/12, 14/13 | ||
| ^m2 | | ^m2 | ||
| upminor 2nd | | upminor 2nd | ||
Line 76: | Line 76: | ||
| 7 | | 7 | ||
| 152.7 | | 152.7 | ||
| | | 12/11, ''11/10'' | ||
| ~2 | | ~2 | ||
| mid 2nd | | mid 2nd | ||
Line 83: | Line 83: | ||
| 8 | | 8 | ||
| 174.5 | | 174.5 | ||
| | | | ||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
Line 90: | Line 90: | ||
| 9 | | 9 | ||
| 196.4 | | 196.4 | ||
| 9/8, 10/9 | | 9/8, ''10/9'' | ||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
Line 104: | Line 104: | ||
| 11 | | 11 | ||
| 240.0 | | 240.0 | ||
| 8/7 | | 8/7 | ||
| ^^M2 | | ^^M2 | ||
| dupmajor 2nd | | dupmajor 2nd | ||
Line 125: | Line 125: | ||
| 14 | | 14 | ||
| 305.5 | | 305.5 | ||
| 6/5 | | 6/5 | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
Line 132: | Line 132: | ||
| 15 | | 15 | ||
| 327.3 | | 327.3 | ||
| | | | ||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
Line 146: | Line 146: | ||
| 17 | | 17 | ||
| 370.9 | | 370.9 | ||
| 16/13 | | 26/21, ''16/13'' | ||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
Line 174: | Line 174: | ||
| 21 | | 21 | ||
| 458.2 | | 458.2 | ||
| | | ''21/16'' | ||
| vv4 | | vv4 | ||
| dud 4th | | dud 4th | ||
Line 181: | Line 181: | ||
| 22 | | 22 | ||
| 480.0 | | 480.0 | ||
| | | | ||
| v4 | | v4 | ||
| down 4th | | down 4th | ||
Line 188: | Line 188: | ||
| 23 | | 23 | ||
| 501.8 | | 501.8 | ||
| 4/3, 27/20 | | 4/3, ''27/20'' | ||
| P4 | | P4 | ||
| perfect 4th | | perfect 4th | ||
Line 195: | Line 195: | ||
| 24 | | 24 | ||
| 523.6 | | 523.6 | ||
| | | | ||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
Line 202: | Line 202: | ||
| 25 | | 25 | ||
| 545.5 | | 545.5 | ||
| 11/8 | | 11/8, 15/11 | ||
| ~4 | | ~4 | ||
| mid 4th | | mid 4th | ||
Line 209: | Line 209: | ||
| 26 | | 26 | ||
| 567.3 | | 567.3 | ||
| 18/13 | | [[7/5]], [[18/13]] | ||
| vA4 | | vA4 | ||
| downaug 4th | | downaug 4th | ||
Line 216: | Line 216: | ||
| 27 | | 27 | ||
| 589.1 | | 589.1 | ||
| | | 24/17 | ||
| A4, vd5 | | A4, vd5 | ||
| aug 4th, downdim 5th | | aug 4th, downdim 5th | ||
Line 223: | Line 223: | ||
| 28 | | 28 | ||
| 610.9 | | 610.9 | ||
| | | 17/12 | ||
| ^A4, d5 | | ^A4, d5 | ||
| upaug 4th, dim 5th | | upaug 4th, dim 5th | ||
Line 230: | Line 230: | ||
| 29 | | 29 | ||
| 632.7 | | 632.7 | ||
| 13/9 | | [[10/7]], [[13/9]] | ||
| ^d5 | | ^d5 | ||
| updim 5th | | updim 5th | ||
Line 237: | Line 237: | ||
| 30 | | 30 | ||
| 654.5 | | 654.5 | ||
| 16/11 | | 16/11, 22/15 | ||
| ~5 | | ~5 | ||
| mid 5th | | mid 5th | ||
Line 244: | Line 244: | ||
| 31 | | 31 | ||
| 676.4 | | 676.4 | ||
| | | | ||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
Line 251: | Line 251: | ||
| 32 | | 32 | ||
| 698.2 | | 698.2 | ||
| 3/2, 40/27 | | 3/2, ''40/27'' | ||
| P5 | | P5 | ||
| perfect 5th | | perfect 5th | ||
Line 258: | Line 258: | ||
| 33 | | 33 | ||
| 720.0 | | 720.0 | ||
| | | | ||
| ^5 | | ^5 | ||
| up 5th | | up 5th | ||
Line 265: | Line 265: | ||
| 34 | | 34 | ||
| 741.8 | | 741.8 | ||
| | | ''32/21'' | ||
| ^^5 | | ^^5 | ||
| dup 5th | | dup 5th | ||
Line 293: | Line 293: | ||
| 38 | | 38 | ||
| 829.1 | | 829.1 | ||
| 13/8 | | 21/13, ''13/8'' | ||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
Line 307: | Line 307: | ||
| 40 | | 40 | ||
| 872.7 | | 872.7 | ||
| | | | ||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
Line 314: | Line 314: | ||
| 41 | | 41 | ||
| 894.5 | | 894.5 | ||
| 5/3 | | 5/3 | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
Line 335: | Line 335: | ||
| 44 | | 44 | ||
| 960.0 | | 960.0 | ||
| 7/4 | | 7/4 | ||
| vvm7 | | vvm7 | ||
| dudminor 7th | | dudminor 7th | ||
Line 349: | Line 349: | ||
| 46 | | 46 | ||
| 1003.6 | | 1003.6 | ||
| 16/9, 9/5 | | 16/9, ''9/5'' | ||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
Line 356: | Line 356: | ||
| 47 | | 47 | ||
| 1025.5 | | 1025.5 | ||
| | | | ||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
Line 363: | Line 363: | ||
| 48 | | 48 | ||
| 1047.3 | | 1047.3 | ||
| ''20/11'' | | 11/6, ''20/11'' | ||
| ~7 | | ~7 | ||
| mid 7th | | mid 7th | ||
Line 370: | Line 370: | ||
| 49 | | 49 | ||
| 1069.1 | | 1069.1 | ||
| | | 13/7, 24/13 | ||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
Line 377: | Line 377: | ||
| 50 | | 50 | ||
| 1090.9 | | 1090.9 | ||
| 15/8 | | 15/8, ''32/17'' | ||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
Line 384: | Line 384: | ||
| 51 | | 51 | ||
| 1112.7 | | 1112.7 | ||
| 40/21, 48/25 | | 40/21, ''17/9'', ''48/25'' | ||
| ^M7 | | ^M7 | ||
| upmajor 7th | | upmajor 7th | ||
Line 391: | Line 391: | ||
| 52 | | 52 | ||
| 1134.5 | | 1134.5 | ||
| 56/27 | | 56/27 | ||
| ^^M7 | | ^^M7 | ||
| dupmajor 7th | | dupmajor 7th | ||
Line 398: | Line 398: | ||
| 53 | | 53 | ||
| 1156.4 | | 1156.4 | ||
| 35/18 | | 35/18, ''63/32'' | ||
| vv8 | | vv8 | ||
| dud 8ve | | dud 8ve | ||
Line 405: | Line 405: | ||
| 54 | | 54 | ||
| 1178.2 | | 1178.2 | ||
| | | 128/65, 77/39, 196/99, ''125/64'' | ||
| v8 | | v8 | ||
| down 8ve | | down 8ve | ||
Line 417: | Line 417: | ||
| D | | D | ||
|} | |} | ||
<nowiki />* 55f val (tending flat), inconsistent intervals labeled in ''italic'' | |||
== Notation == | |||
=== Ups and downs notation === | |||
55edo can be notated with [[ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | |||
{{Sharpness-sharp4a}} | |||
[[Alternative symbols for ups and downs notation]] uses sharps and flats with arrows, borrowed from extended [[Helmholtz–Ellis notation]]: | |||
{{Sharpness-sharp4}} | |||
=== Sagittal notation === | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:55-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 615 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:55-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 599 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:55-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 607 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 160 106 [[896/891]] | |||
rect 160 80 280 106 [[33/32]] | |||
default [[File:55-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
=== 31-tone subset === | |||
The 31-out-of-55edo subset can be notated entirely with the standard notation of 7 each of naturals/sharps/flats, and 5 each of doublesharps/doubleflats, as a 31-tone chain-of-5ths from Gbb to Ax. | |||
[[File:Monzo55Notation.jpeg|400px|frameless|alt=Diagram of 31-tone subset of 55edo using plain Western notation, by Joe Monzo.|Diagram of 31-tone subset of 55edo using plain Western notation, by [[Joe Monzo]].]] | |||
== Approximation to JI == | |||
[[File:55ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 55edo]] | |||
== Selected just intervals by error == | === Selected just intervals by error === | ||
{{Q-odd-limit intervals|55}} | |||
{{ | {{Q-odd-limit intervals|55.05|apx=val|header=none|tag=none|title=15-odd-limit intervals by 55d val mapping}} | ||
== Regular temperament properties == | == Regular temperament properties == | ||
{| class="wikitable center-4 center-5 center-6" | {| class="wikitable center-4 center-5 center-6" | ||
|- | |- | ||
|2.3 | ! rowspan="2" | [[Subgroup]] | ||
|{{monzo|-87 55}} | ! rowspan="2" | [[Comma list]] | ||
|{{mapping|55 87}} | ! rowspan="2" | [[Mapping]] | ||
| +1. | ! rowspan="2" | Optimal<br>8ve stretch (¢) | ||
| 1. | ! colspan="2" | Tuning error | ||
| | |- | ||
! [[TE error|Absolute]] (¢) | |||
! [[TE simple badness|Relative]] (%) | |||
|- | |||
| 2.3 | |||
| {{monzo| -87 55 }} | |||
| {{mapping| 55 87 }} | |||
| +1.31 | |||
| 1.19 | |||
| 7.21 | |||
|- | |- | ||
|2.3.5 | | 2.3.5 | ||
|81/80, | | 81/80, {{monzo| 31 1 -14 }} | ||
|{{mapping|55 87 128}} | | {{mapping| 55 87 128 }} | ||
| | | −0.13 | ||
| 2. | | 2.10 | ||
| 9.63 | | 9.63 | ||
|} | |} | ||
=== Uniform maps === | |||
{{Uniform map|edo=55}} | |||
=== Commas === | === Commas === | ||
'''5-limit commas''': [[81/80]], {{monzo|31 1 -14}}, {{monzo|27 5 -15}} | {{Todo|cleanup|inline=true}} | ||
'''5-limit commas''': [[81/80]], [[Quintosec_family|{{monzo| 47 -15 -10 }}]], {{monzo| 31 1 -14 }}, {{monzo| 27 5 -15 }} | |||
'''7-limit commas''': 31104/30625, [[6144/6125]], 81648/78125, 16128/15625, 28672/28125, 33075/32768, 83349/80000, 1029/1000, [[686/675]], [[10976/10935]], [[Cloudy comma|16807/16384]], 84035/82944 | '''7-limit commas''': 31104/30625, [[6144/6125]], 81648/78125, 16128/15625, 28672/28125, 33075/32768, 83349/80000, 1029/1000, [[686/675]], [[10976/10935]], [[Cloudy comma|16807/16384]], 84035/82944 | ||
Line 459: | Line 514: | ||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
{| class="wikitable center-all left-5" | {| class="wikitable center-all left-5" | ||
|+Table of rank-2 temperaments by generator | |+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | ||
|- | |||
! Periods<br>per 8ve | ! Periods<br>per 8ve | ||
! Generator | ! Generator* | ||
! | ! Cents* | ||
! Associated<br>ratio* | |||
! Temperament | |||
|- | |- | ||
| 1 | | 1 | ||
| 6\55 | | 6\55 | ||
| [[Twothirdtonic]] | | 130.9 | ||
| 14/13 | |||
| [[Twothirdtonic]] (55f) | |||
|- | |||
|1 | |||
|8\55 | |||
|174.5 | |||
|[[10/9]]~[[11/10]] | |||
|[[Tetracot]] (55c) | |||
|- | |- | ||
| 1 | | 1 | ||
| 16\55 | | 16\55 | ||
| | | 349.1 | ||
| 11/9 | |||
| [[Mohaha]] | |||
|- | |- | ||
| 1 | | 1 | ||
| 23\55 | | 23\55 | ||
| [[Meantone]] | | 501.8 | ||
| 4/3 | |||
| [[Meantone]] (55d) | |||
|- | |- | ||
| 1 | | 1 | ||
| 26\55 | | 26\55 | ||
| [[Liese]] | | 567.3 | ||
| 7/5 | |||
| [[Liese]] (55) | |||
|- | |- | ||
| 1 | | 1 | ||
| 27\55 | | 27\55 | ||
| [[Untriton]] / [[aufo]] | | 589.1 | ||
| 45/32 | |||
| [[Untriton]] (55d) / [[aufo]] (55) | |||
|- | |- | ||
| 5 | | 5 | ||
| | | 17\55<br>(5\55) | ||
| [[ | | 370.9<br>(109.1) | ||
| 99/80<br>(16/15) | |||
| [[Quintosec]] | |||
|- | |- | ||
| 11 | | 11 | ||
| 3\55 | | 23\55<br>(3\55) | ||
| [[Hendecatonic]] | | 501.8<br>(65.5) | ||
| 4/3<br>(36/35) | |||
| [[Hendecatonic]] (55) | |||
|} | |} | ||
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[Normal lists|minimal form]] in parentheses if distinct | |||
== Scales == | |||
; Subsets of twothirdtonic[37] | |||
* Undecimal otonal-like pentatonic: 17 8 7 12 11 | |||
; Subsets of hendecatonic[33] | |||
* Septimal pentatonic-like: 10 13 9 13 10 | |||
* Septimal minor blues-like: 13 10 4 5 13 10 | |||
* Septimal heptatonic blues-like: 13 10 4 5 8 5 10 | |||
; Others | |||
* Sakura-like scale containing [[phi]]: 9 6 18 5 17 | |||
* Quasi-[[equiheptatonic]] scale: 8 8 7 9 7 9 7 | |||
== Instruments == | == Instruments == | ||
Line 500: | Line 592: | ||
; {{W|Johann Sebastian Bach}} | ; {{W|Johann Sebastian Bach}} | ||
* [https://www.youtube.com/watch?v=oymJKnYzzOw "Jesus bleibet meine Freude" from ''Herz und Mund und Tat und Leben'', BWV 147] (1723) – arranged for two organs, rendered by Claudi Meneghin (2021) | * [https://www.youtube.com/watch?v=oymJKnYzzOw "Jesus bleibet meine Freude" from ''Herz und Mund und Tat und Leben'', BWV 147] (1723) – arranged for two organs, rendered by Claudi Meneghin (2021) | ||
* [https://www.youtube.com/watch?v=xoCNOIsjfeU "Ricercar a 3" from ''The Musical Offering'', BWV 1079] (1747) – rendered by [[Claudi Meneghin]] (2024) | |||
* [https://www.youtube.com/watch?v=OkRVNo19guo "Ricercar a 6" from ''The Musical Offering'', BWV 1079] (1747) – rendered by Claudi Meneghin (2025) | |||
* [https://www.youtube.com/watch?v=Y5sIjh_Te40 "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | * [https://www.youtube.com/watch?v=Y5sIjh_Te40 "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | ||
* [https://www.youtube.com/watch?v=QOPxqNgkVWM "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | |||
; {{W|Nicolaus Bruhns}} | ; {{W|Nicolaus Bruhns}} | ||
* [https://www.youtube.com/watch?v=OfOt3nOp-f8 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | * [https://www.youtube.com/watch?v=OfOt3nOp-f8 ''Prelude in E Minor "The Great"''] – rendered by [[Claudi Meneghin]] (2023) | ||
* [https://www.youtube.com/watch?v=tuIPIhSxUPs ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | |||
; {{W|Georg Frideric Handel}} | |||
* [https://www.youtube.com/watch?v=rDvKPuzsno8 ''Fugue'' from "Suite in E minor", HWV 429] (1720) – arranged for Baroque ensemble and drums, rendered by Claudi Meneghin (2025) | |||
; {{W|Scott Joplin}} | |||
* [https://www.youtube.com/watch?v=GbhpuoIJgxk ''Maple Leaf Rag''] (1899) – arranged for harpsichord and rendered by [[Claudi Meneghin]] (2024) | |||
; {{W|Wolfgang Amadeus Mozart}} | ; {{W|Wolfgang Amadeus Mozart}} | ||
Line 510: | Line 612: | ||
* [http://www.seraph.it/dep/int/AdagioKV540.mp3 ''Adagio in B minor'', KV 540] (1788) – rendered by Carlo Serafini (2011) ([http://www.seraph.it/blog_files/706c4662272db7703def4d57edfcb955-119.html blog entry]) | * [http://www.seraph.it/dep/int/AdagioKV540.mp3 ''Adagio in B minor'', KV 540] (1788) – rendered by Carlo Serafini (2011) ([http://www.seraph.it/blog_files/706c4662272db7703def4d57edfcb955-119.html blog entry]) | ||
* [https://www.youtube.com/watch?v=pFjJCj2MBTM ''Allegro'' from the Piano Sonata No. 16, KV 545] (1788) – rendered by Francium (2023) | * [https://www.youtube.com/watch?v=pFjJCj2MBTM ''Allegro'' from the Piano Sonata No. 16, KV 545] (1788) – rendered by Francium (2023) | ||
* [https://www.youtube.com/watch?v=p88MWgdio14&list=PLC6ZSKWKnVz0mOTLQkCUi9ydWGLpBP8gZ&index=2 ''Mozart's Gigue KV 574, Arranged for Fortepiano (55-edo)''] – rendered by [[Claudi Meneghin]] (2025) | |||
; {{W|Keiichi Okabe}} | |||
* [https://www.youtube.com/watch?v=L24G4Y7tZgI ''Yuutsu no Yuutsu''] (2006) – rendered by MortisTheneRd (2024) | |||
=== 21st century === | === 21st century === | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/l62rb8ULCXs ''55edo improv''] (2025) | |||
* [https://www.youtube.com/watch?v=kVmToKkZU88 ''Waltz in 55edo''] (2025) | |||
; [[James Kukula]] | |||
* ''[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]'' (2025) | |||
; [[Budjarn Lambeth]] | |||
* ''[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]'' (2025) | |||
* ''[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]'' (2025) | |||
; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [https://www.youtube.com/watch?v=AgsJCTyxqiM ''Double Fugue on "We Wish You a Merry Christmas" for String Quartet''] (2020) | * [https://www.youtube.com/watch?v=AgsJCTyxqiM ''Double Fugue on "We Wish You a Merry Christmas" for String Quartet''] (2020) | ||
Line 517: | Line 634: | ||
* [https://www.youtube.com/watch?v=hCUIx1RzvEk ''Chacony "Lament & Deception"'' for Two Violins and Cello] (2021), [https://www.youtube.com/watch?v=abJP4euMlsg for Baroque Wind Ensemble] (2023) | * [https://www.youtube.com/watch?v=hCUIx1RzvEk ''Chacony "Lament & Deception"'' for Two Violins and Cello] (2021), [https://www.youtube.com/watch?v=abJP4euMlsg for Baroque Wind Ensemble] (2023) | ||
* [https://www.youtube.com/watch?v=9zfWeO0eJdA Fantasy "Almost a Fugue" on a Theme by Giuliani, for String Quartet] (2021) | * [https://www.youtube.com/watch?v=9zfWeO0eJdA Fantasy "Almost a Fugue" on a Theme by Giuliani, for String Quartet] (2021) | ||
* [https://www.youtube.com/watch?v=jOiub14Cskw ''Double Fugue on "Old McDonald" + "Shave & a Haircut"''] (2024) | |||
; [[Herman Miller]] | |||
* ''[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]'' (2021) | |||
* ''[https://soundcloud.com/morphosyntax-1/migration Migration]'' (2025) | |||
== External links == | == External links == | ||
* [http://tonalsoft.com/monzo/55edo/55edo.aspx | * ''[http://tonalsoft.com/monzo/55edo/55edo.aspx Mozart's tuning: 55-edo and its close relative, 1/6-comma meantone]'' (containing another listening example) on [[Tonalsoft Encyclopedia]] | ||
== References == | |||
<references /> | |||
[[Category:Meantone]] | [[Category:Meantone]] | ||
[[Category:Historical]] | [[Category:Historical]] | ||
[[Category:Listen]] | [[Category:Listen]] |