1ed125c: Difference between revisions
Cmloegcmluin (talk | contribs) make 1ed name primary, add APS/AS name, del refs to cET/equal-step, per https://en.xen.wiki/w/Talk:CET |
Propose merge (very similar tunings) |
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{{todo|merge articles|inline=1|text=Merge [[4ed4/3]] and [[1ed125c]]?}} | |||
{{Infobox ET|48ed32}} | {{Infobox ET|48ed32}} | ||
'''1 equal division of 125¢''' ('''1ed125c'''), also known as '''APS125¢''', is a [[nonoctave]] tuning using equal steps of 125 cents each. This could be considered as dividing the approximate [[perfect fourth]] of 500 cents into 4 equal parts, making it very slightly | '''1 equal division of 125¢''' ('''1ed125c'''), also known as '''arithmetic pitch sequence of 125¢''' ('''APS125¢'''), is a [[nonoctave]] tuning using equal steps of 125 cents each. This could be considered as dividing the approximate [[perfect fourth]] of 500 cents into 4 equal parts, making it very slightly stretched [[4ed4/3]]. It is equivalent to 9.6[[edo]], and is a subset of [[48edo]] (every fifth step). Therefore, it can be regarded as 48ed32. | ||
{{harmonics in cet|125}} | {{harmonics in cet|125}} | ||
== Intervals == | == Intervals == | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! | | ! | Degree | ||
! | | ! | Cents | ||
! | | ! | Associated ratios | ||
! | Interval name | |||
|- | |- | ||
| | 0 | | | 0 | ||
| | 0 | | | 0 | ||
| | [[1/1]] | |||
| | unison | | | unison | ||
|- | |- | ||
| | 1 | | | 1 | ||
| | 125 | | | 125 | ||
| | [[14/13]], [[15/14]] | |||
| | 2/3-tone, trienthird | | | 2/3-tone, trienthird | ||
|- | |- | ||
| | 2 | | | 2 | ||
| | 250 | | | 250 | ||
| | [[15/13]], [[22/19]] | |||
| | semifourth | | | semifourth | ||
|- | |- | ||
| | 3 | | | 3 | ||
| | 375 | | | 375 | ||
| | [[5/4]] | |||
| | narrow perde segah, marvelous major third, near just major third | | | narrow perde segah, marvelous major third, near just major third | ||
|- | |- | ||
| | 4 | | | 4 | ||
| | 500 | | | 500 | ||
| | [[4/3]] | |||
| | perfect fourth | | | perfect fourth | ||
|- | |- | ||
| | 5 | | | 5 | ||
| | 625 | | | 625 | ||
| | [[10/7]], [[23/16]] | |||
| | pental diminished fifth, classic diminshed fifth | | | pental diminished fifth, classic diminshed fifth | ||
|- | |- | ||
| | 6 | | | 6 | ||
| | 750 | | | 750 | ||
| | [[17/11]], [[20/13]] | |||
| | septendecimal subminor sixth | | | septendecimal subminor sixth | ||
|- | |- | ||
| | 7 | | | 7 | ||
| | 875 | | | 875 | ||
| | [[5/3]] | |||
| | major sixth | | | major sixth | ||
|- | |- | ||
| | 8 | | | 8 | ||
| | 1000 | | | 1000 | ||
| | [[16/9]] | |||
| | Pythagorean minor seventh | | | Pythagorean minor seventh | ||
|- | |- | ||
| | 9 | | | 9 | ||
| | 1125 | | | 1125 | ||
| | classic ([[5-limit|5-limit]]) diminished octave | | | [[21/11]], [[23/12]] | ||
| | classic ([[5-limit|5-limit]]) diminished octave | |||
|- | |- | ||
| | 10 | | | 10 | ||
| | 1250 | | | 1250 | ||
| | [[33/16]] | |||
| | | | | | ||
|- | |- | ||
| | 11 | | | 11 | ||
| | 1375 | | | 1375 | ||
| | | |||
| | | | | | ||
|- | |- | ||
| | 12 | | | 12 | ||
| | 1500 | | | 1500 | ||
| | | |||
| | | | | | ||
|- | |- | ||
| | 13 | | | 13 | ||
| | 1625 | | | 1625 | ||
| | | |||
| | | | | | ||
|- | |- | ||
| | 14 | | | 14 | ||
| | 1750 | | | 1750 | ||
| | | |||
| | | | | | ||
|- | |- | ||
| | 15 | | | 15 | ||
| | 1875 | | | 1875 | ||
| | | |||
| | | | | | ||
|- | |- | ||
| | 16 | | | 16 | ||
| | 2000 | | | 2000 | ||
| | | |||
| | | | | | ||
|} | |} |