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In some practices, this bound goes up to about 6 cents, which is the most precisely one is expected to intonate a pitch on certain instruments, and is a bit smaller than a [[Kleisma (interval region)|kleisma]] (hence the kleisma's significance in the context of intonation).  
In some practices, this bound goes up to about 6 cents, which is the most precisely one is expected to intonate a pitch on certain instruments, and is a bit smaller than a [[Kleisma (interval region)|kleisma]] (hence the kleisma's significance in the context of intonation).  


As a diatonic interval category, unisons represent [[Diatonic, chromatic, enharmonic, subchromatic|subchromatic]] motions – i.e. the difference between a note and itself (though perhaps in a different tuning or using a non-diatonic accidental, though that's more generally covered by [[comma and diesis]]). Every note in every scale has a unison, which is that note itself.
As a diatonic interval category, unisons represent [[subchromatic]] motions – i.e. the difference between a note and itself (though perhaps in a different tuning or using a non-diatonic accidental, though that's more generally covered by [[comma and diesis]]). Every note in every scale has a unison, which is that note itself.


In functional harmony, the unison over the root serves as the [[tonic]].  
In functional harmony, the unison over the root serves as the [[tonic]].


== See also ==
== See also ==
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