Unnoticeable comma: Difference between revisions

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'''Unnoticeable commas''' are very small intervals. These [[comma]]s are called "unnoticeable" because, being equal to or less than 3.5 cents, they are smaller than the average peak ~~[http://musictheory.zentral.zone/huntsystem2.html#2 JND] (~~[[just-noticeable difference]]) of human pitch perception, as illustrated by the research of [[Aaron Andrew Hunt]]. It is improbable that even a trained listener would be able to notice these intervals, and as such they are a prime target for psychoacoustically informed [[microtempering]]. (However, a considerably larger comma can be unnoticeable in an [[adaptive just intonation|adaptive]] tuning context. Instead of one large pitch shift of the entire comma, there can be many small pitch shifts of a fraction of a comma, one per chord change. Given this, a noticeable 3-limit comma that arguably deserves inclusion is the [[mercator comma]], corresponding to using [[53edo]] for the circle of fifths.)

'''Unnoticeable commas''' are very small intervals. These [[comma]]s are called "unnoticeable" because, being equal to or less than 3.5 cents, they are smaller than the average peak [[just-noticeable difference]] (JND) of human pitch perception, as illustrated by the research of [[Aaron Andrew Hunt]]<ref>[http://musictheory.zentral.zone/huntsystem2.html#2 H-Pi Instruments | ''Hunt System Scale §The JND'']</ref>. It is improbable that even a trained listener would be able to notice these intervals, and as such they are a prime target for psychoacoustically informed [[microtempering]]. (However, a considerably larger comma can be unnoticeable in an [[adaptive just intonation|adaptive]] tuning context. Instead of one large pitch shift of the entire comma, there can be many small pitch shifts of a fraction of a comma, one per chord change. Given this, a noticeable 3-limit comma that arguably deserves inclusion is the [[mercator comma]], corresponding to using [[53edo]] for the circle of fifths.)

For commas over 100 cents in size, see [[Large comma]]; for commas in between 30 and 100 cents in size, see [[Medium comma]]; and for commas over 3.5 cents in size, see [[Small comma]].

Revision as of 09:24, 8 June 2025 view source BudjarnLambeth (talk \| contribs) autopatrolled, emailconfirmed 18,279 edits m →23-limit commas: rename ← Older edit		Revision as of 11:56, 11 June 2025 view source FloraC (talk \| contribs) autopatrolled, Bureaucrats, Interface administrators, Sysops 18,406 edits m Cleanup Newer edit →
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	'''Unnoticeable commas''' are very small intervals. These [[comma]]s are called "unnoticeable" because, being equal to or less than 3.5 cents, they are smaller than the average peak ~~[http://musictheory.zentral.zone/huntsystem2.html#2 JND] (~~[[just-noticeable difference]]) of human pitch perception, as illustrated by the research of [[Aaron Andrew Hunt]]. It is improbable that even a trained listener would be able to notice these intervals, and as such they are a prime target for psychoacoustically informed [[microtempering]]. (However, a considerably larger comma can be unnoticeable in an [[adaptive just intonation\|adaptive]] tuning context. Instead of one large pitch shift of the entire comma, there can be many small pitch shifts of a fraction of a comma, one per chord change. Given this, a noticeable 3-limit comma that arguably deserves inclusion is the [[mercator comma]], corresponding to using [[53edo]] for the circle of fifths.)		'''Unnoticeable commas''' are very small intervals. These [[comma]]s are called "unnoticeable" because, being equal to or less than 3.5 cents, they are smaller than the average peak [[just-noticeable difference]] (JND) of human pitch perception, as illustrated by the research of [[Aaron Andrew Hunt]]<ref>[http://musictheory.zentral.zone/huntsystem2.html#2 H-Pi Instruments \| ''Hunt System Scale §The JND'']</ref>. It is improbable that even a trained listener would be able to notice these intervals, and as such they are a prime target for psychoacoustically informed [[microtempering]]. (However, a considerably larger comma can be unnoticeable in an [[adaptive just intonation\|adaptive]] tuning context. Instead of one large pitch shift of the entire comma, there can be many small pitch shifts of a fraction of a comma, one per chord change. Given this, a noticeable 3-limit comma that arguably deserves inclusion is the [[mercator comma]], corresponding to using [[53edo]] for the circle of fifths.)

	For commas over 100 cents in size, see [[Large comma]]; for commas in between 30 and 100 cents in size, see [[Medium comma]]; and for commas over 3.5 cents in size, see [[Small comma]].		For commas over 100 cents in size, see [[Large comma]]; for commas in between 30 and 100 cents in size, see [[Medium comma]]; and for commas over 3.5 cents in size, see [[Small comma]].