User:VectorGraphics/Delkian scale: Difference between revisions
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''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).'' | ''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).'' | ||
| Line 36: | Line 38: | ||
| rowspan="2" |1st | | rowspan="2" |1st | ||
|minor 1st | |minor 1st | ||
| | |tertigrade | ||
|s | |s | ||
|2 | |2 | ||
| Line 43: | Line 45: | ||
|major minor 2nd | |major minor 2nd | ||
|major 1st | |major 1st | ||
| | |semigrade | ||
|L | |L | ||
|3 | |3 | ||
| Line 52: | Line 54: | ||
| rowspan="2" |2nd | | rowspan="2" |2nd | ||
|minor 2nd | |minor 2nd | ||
| | |greater digrade | ||
|L+s | |L+s | ||
|5 | |5 | ||
| Line 59: | Line 61: | ||
|major major 2nd | |major major 2nd | ||
|major 2nd | |major 2nd | ||
| | |lacuna | ||
|2L | |2L | ||
|6 | |6 | ||
| Line 68: | Line 70: | ||
| rowspan="2" |3rd | | rowspan="2" |3rd | ||
|minor 3rd | |minor 3rd | ||
| | |prequadrant | ||
|2L+s | |2L+s | ||
|8 | |8 | ||
| Line 75: | Line 77: | ||
|major minor 3rd | |major minor 3rd | ||
|major 3rd | |major 3rd | ||
| | |quadrant | ||
|3L | |3L | ||
|9 | |9 | ||
| Line 91: | Line 93: | ||
|major major 3rd | |major major 3rd | ||
|major 4th | |major 4th | ||
| | |bilacuna | ||
|4L | |4L | ||
|12 | |12 | ||
| Line 100: | Line 102: | ||
| rowspan="2" |5th | | rowspan="2" |5th | ||
|perfect 5th | |perfect 5th | ||
| | |tersquance | ||
|4L+s | |4L+s | ||
|14 | |14 | ||
| Line 123: | Line 125: | ||
|perfect tritone | |perfect tritone | ||
|perfect 6th | |perfect 6th | ||
| | |median | ||
|5L+s | |5L+s | ||
|17 | |17 | ||
| Line 146: | Line 148: | ||
|perfect 5th | |perfect 5th | ||
|perfect 7th | |perfect 7th | ||
| | |sesquance | ||
|6L+s | |6L+s | ||
|20 | |20 | ||
| Line 155: | Line 157: | ||
| rowspan="2" |8th | | rowspan="2" |8th | ||
|minor 8th | |minor 8th | ||
| | |antibilacuna | ||
|6L+2s | |6L+2s | ||
|22 | |22 | ||
| Line 171: | Line 173: | ||
| rowspan="2" |9th | | rowspan="2" |9th | ||
|minor 9th | |minor 9th | ||
| | |dodrant | ||
|7L+2s | |7L+2s | ||
|25 | |25 | ||
| Line 178: | Line 180: | ||
|major major 6th | |major major 6th | ||
|major 9th | |major 9th | ||
| | |postdodrant | ||
|8L+s | |8L+s | ||
|26 | |26 | ||
| Line 187: | Line 189: | ||
| rowspan="2" |10th | | rowspan="2" |10th | ||
|minor 10th | |minor 10th | ||
| | |antilacuna | ||
|8L+2s | |8L+2s | ||
|28 | |28 | ||
| Line 194: | Line 196: | ||
|major minor 7th | |major minor 7th | ||
|major 10th | |major 10th | ||
| | |greater antidigrade | ||
|9L+s | |9L+s | ||
|29 | |29 | ||
| Line 203: | Line 205: | ||
| rowspan="2" |11th | | rowspan="2" |11th | ||
|minor 11th | |minor 11th | ||
| | |antisemigrade | ||
|9L+2s | |9L+2s | ||
|31 | |31 | ||
| Line 210: | Line 212: | ||
|major major 7th | |major major 7th | ||
|major 11th | |major 11th | ||
| | |antitertigrade | ||
|10L+s | |10L+s | ||
|32 | |32 | ||
| Line 219: | Line 221: | ||
|12th | |12th | ||
|perfect 12th | |perfect 12th | ||
| | |duplance | ||
|10L+2s | |10L+2s | ||
|34 | |34 | ||
| Line 226: | Line 228: | ||
=== Note names === | === Note names === | ||
There are 12 base notes: N, F, S, Z, G, X, V/L (in equal-tempered tuning, these are the same note), M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking. | There are 12 base notes: N, F, S, Z, G, X, V/L (in equal-tempered tuning, these are the same note), M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking. (Though this is due to the accidentals being a simplified version of a more complex accidental system used for notating JI) | ||
== Theory == | == Theory == | ||
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|sLLLLsLLLLLL | |sLLLLsLLLLLL | ||
|} | |} | ||
[[Category:Method]] | |||
[[Category:Approaches to tuning systems]] | |||
[[Category:Worldbuilding]] | |||