User:VectorGraphics/Delkian scale: Difference between revisions

Created page with "''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see 10L 2s. For normal diatonic tuning in 34edo, see [htt..."
 
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{{worldbuilding}}
''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).''
''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).''


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!Generic name (translated; in-universe)
!Generic name (translated; in-universe)
!Specific name (translated; in-universe)
!Specific name (translated; in-universe)
!Special name (in-universe)
!Steps subtended
!Steps subtended
!Size in 34-edosteps (34 edo)
!Size in 34-edosteps (34 edo)
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|unison
|unison
|perfect unison
|perfect unison
|
|0
|0
|0
|0
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| rowspan="2" |1st
| rowspan="2" |1st
|minor 1st
|minor 1st
|tertigrade
|s
|s
|2
|2
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|major minor 2nd
|major minor 2nd
|major 1st
|major 1st
|semigrade
|L
|L
|3
|3
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| rowspan="2" |2nd
| rowspan="2" |2nd
|minor 2nd
|minor 2nd
|greater digrade
|L+s
|L+s
|5
|5
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|major major 2nd
|major major 2nd
|major 2nd
|major 2nd
|lacuna
|2L
|2L
|6
|6
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| rowspan="2" |3rd
| rowspan="2" |3rd
|minor 3rd
|minor 3rd
|prequadrant
|2L+s
|2L+s
|8
|8
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|major minor 3rd
|major minor 3rd
|major 3rd
|major 3rd
|quadrant
|3L
|3L
|9
|9
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| rowspan="2" |4th
| rowspan="2" |4th
|minor 4th
|minor 4th
|terce
|3L+s
|3L+s
|11
|11
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|major major 3rd
|major major 3rd
|major 4th
|major 4th
|bilacuna
|4L
|4L
|12
|12
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| rowspan="2" |5th
| rowspan="2" |5th
|perfect 5th
|perfect 5th
|tersquance
|4L+s
|4L+s
|14
|14
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|augmented 4th
|augmented 4th
|augmented 5th
|augmented 5th
|
|5L
|5L
|15
|15
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| rowspan="3" |6th
| rowspan="3" |6th
|diminished 6th
|diminished 6th
|
|4L+2s
|4L+2s
|16
|16
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|perfect tritone
|perfect tritone
|perfect 6th
|perfect 6th
|median
|5L+s
|5L+s
|17
|17
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|augmented tritone
|augmented tritone
|augmented 6th
|augmented 6th
|
|6L
|6L
|18
|18
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| rowspan="2" |7th
| rowspan="2" |7th
|diminished 7th
|diminished 7th
|
|5L+2s
|5L+2s
|19
|19
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|perfect 5th
|perfect 5th
|perfect 7th
|perfect 7th
|sesquance
|6L+s
|6L+s
|20
|20
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| rowspan="2" |8th
| rowspan="2" |8th
|minor 8th
|minor 8th
|antibilacuna
|6L+2s
|6L+2s
|22
|22
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|major minor 6th
|major minor 6th
|major 8th
|major 8th
|bess
|7L+s
|7L+s
|23
|23
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| rowspan="2" |9th
| rowspan="2" |9th
|minor 9th
|minor 9th
|dodrant
|7L+2s
|7L+2s
|25
|25
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|major major 6th
|major major 6th
|major 9th
|major 9th
|postdodrant
|8L+s
|8L+s
|26
|26
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| rowspan="2" |10th
| rowspan="2" |10th
|minor 10th
|minor 10th
|antilacuna
|8L+2s
|8L+2s
|28
|28
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|major minor 7th
|major minor 7th
|major 10th
|major 10th
|greater antidigrade
|9L+s
|9L+s
|29
|29
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| rowspan="2" |11th
| rowspan="2" |11th
|minor 11th
|minor 11th
|antisemigrade
|9L+2s
|9L+2s
|31
|31
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|major major 7th
|major major 7th
|major 11th
|major 11th
|antitertigrade
|10L+s
|10L+s
|32
|32
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|12th
|12th
|perfect 12th
|perfect 12th
|duplance
|10L+2s
|10L+2s
|34
|34
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=== Note names ===
=== Note names ===
There are 12 base notes: N, F, S, Z, G, X, V/L, M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking.
There are 12 base notes: N, F, S, Z, G, X, V/L (in equal-tempered tuning, these are the same note), M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking. (Though this is due to the accidentals being a simplified version of a more complex accidental system used for notating JI)


== Theory ==
== Theory ==
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|sLLLLsLLLLLL
|sLLLLsLLLLLL
|}
|}
[[Category:Method]]
[[Category:Approaches to tuning systems]]
[[Category:Worldbuilding]]