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{{Infobox Interval
{{Infobox Interval
| Name = septendecimal quartertones comma
| Name = quadrantonisma
| Color name =17oo1urg2, sosolurugu 2nd
| Color name =17oo1urg2, sosolurugu 2nd,<br>Sosolurugu comma
| Comma = yes
| Comma = yes
}}
}}
'''1156/1155''' is a [[17-limit]] no-13 [[superparticular]] [[comma]] measuring about 1.41 [[cent]]s. It may be properly described as the ''septendecimal quartertones comma'', since it is the difference between [[34/33]] and [[35/34]], the two 17-limit quartertones.  
'''1156/1155''', the '''quadrantonisma''', is a [[17-limit]] no-13 [[superparticular]] [[comma]] measuring about 1.41 [[cent]]s. It may be properly described as the ''septendecimal quartertones comma'', since it is the difference between [[34/33]] and [[35/34]], the two 17-limit quartertones.  


== Commatic relations ==
In terms of commas, it is the difference between the following pairs:  
In terms of commas, it is the difference between the following pairs:  
* [[289/288]] and [[385/384]]
* [[289/288]] and [[385/384]]
Line 18: Line 19:


== Temperaments ==
== Temperaments ==
Tempering out this comma results in [[35/33]] being split into two equal parts, each representing 34/33~35/34, and enables the related essentially tempered chords. If [[9801/9800]] is also added to the comma list, the quartertone above becomes literally a quarter of [[9/8]] and is located right between [[33/32]], the undecimal quartertone, and [[36/35]], the septimal quartertone.  
Tempering out this comma in the 17-limit results in the rank-6 '''quadrantonismic temperament''', or in the 2.3.5.7.11.17 subgroup, the rank-5 '''quadrantonic temperament'''. In either case [[35/33]] is split into two equal parts, each representing 34/33~35/34, and enables [[quadrantonismic chords]]. If [[9801/9800]] is also added to the comma list, the quartertone above becomes literally a quarter of [[9/8]] and is tuned exactly middle of [[33/32]], the undecimal quartertone, and [[36/35]], the septimal quartertone.
 
=== Quadrantonic ===
[[Subgroup]]: 2.3.5.7.11.17
 
[[Sval]] [[mapping]]: <br>
{| class="right-all"
|-
| [⟨ || 1 || 0 || 0 || 0 || 0 || -1 || ],
|-
| ⟨ || 0 || 1 || 0 || 0 || 1 || 1 || ],
|-
| ⟨ || 0 || 0 || 1 || 0 || 1 || 1 || ],
|-
| ⟨ || 0 || 0 || 0 || 1 || 1 || 1 || ],
|-
| ⟨ || 0 || 0 || 0 || 0 || -2 || -1 || ]]
|}
 
: sval mapping generators: ~2, ~3, ~5, ~7, ~34/11
 
[[Optimal tuning]] ([[CTE]]): ~2 = 1\1, ~3/2 = 701.9948, ~5/4 = 386.3991, ~7/4 = 968.9508, ~17/11 = 752.9186
 
{{Optimal ET sequence|legend=1| 17cg, 19eg, 22, 27eg, 39dg, 43, 46, 65d, 68, 72, 118, 171, 183, 239, 282, 301, 311, 400, 422, 472, 494, 894, 1012g, 1205, 1388 }}
 
=== Quadrantonismic ===
[[Subgroup]]: 2.3.5.7.11.13.17
 
[[Mapping]]: <br>
{| class="right-all"
|-
| [⟨ || 1 || 0 || 0 || 0 || 0 || 0 || -1 || ],
|-
| ⟨ || 0 || 1 || 0 || 0 || 1 || 0 || 1 || ],
|-
| ⟨ || 0 || 0 || 1 || 0 || 1 || 0 || 1 || ],
|-
| ⟨ || 0 || 0 || 0 || 1 || 1 || 0 || 1 || ],
|-
| ⟨ || 0 || 0 || 0 || 0 || -2 || 0 || -1 || ],
|-
| ⟨ || 0 || 0 || 0 || 0 || 0 || 1 || 0 || ]]
|}
 
: mapping generators: ~2, ~3, ~5, ~7, ~34/11, ~13
 
[[Optimal tuning]] ([[CTE]]): ~2 = 1\1, ~3/2 = 701.9948, ~5/4 = 386.3991, ~7/4 = 968.9508, ~17/11 = 752.9186, ~13/8
 
{{Optimal ET sequence|legend=1| 17cg, 19eg, 22, 26, 27eg, 29g, 39dfg, 43, 46, 65d, 68, 72, 111, 121, 140, 171, 183, 217, 282, 301, 311, 354, 400, 422, 494, 894, 1012g, 1133, 1205, 1506g, 1627e }}
 
== Etymology ==
The quadrantonisma was named by [[Flora Canou]] in 2023. It is a contraction of ''septendecimal quartertones comma'' into a single word consisting of Latin ''quadrans'' ("fourth") and ''tonus'' ("tone").  


== See also ==
== See also ==
* [[Unnoticeable comma]]
* [[Unnoticeable comma]]
* [[List of superparticular intervals]]
* [[List of superparticular intervals]]
[[Category:Quadrantonismic]]
[[Category:Commas named for the intervals they stack]]