Starling chords: Difference between revisions
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'''Starling chords''' are [[Dyadic chord #Essentially tempered dyadic chords|essentially tempered dyadic chords]] tempered by the starling comma, [[126/125]]. | '''Starling chords''' are [[Dyadic chord #Essentially tempered dyadic chords|essentially tempered dyadic chords]] tempered by the starling comma, [[126/125]]. | ||
The starling [[tetrad]] is an 126/125-tempered [[chord]] which in close position ([[octave reduction|reduced to an octave]]) consists of a chain of three approximate [[6/5]] minor thirds and an approximate [[7/6]] subminor third, in a tuning which [[ | The starling [[tetrad]] is an 126/125-tempered [[chord]] which in close position ([[octave reduction|reduced to an octave]]) consists of a chain of three approximate [[6/5]] minor thirds and an approximate [[7/6]] subminor third, in a tuning which [[tempering out|tempers out]] the starling comma, 126/125, and hence causes it to close on the [[octave]]. That is, it is a starling-tempered | ||
* 1–6/5–10/7–12/7, with steps 6/5, 6/5, 6/5, 7/6. | |||
It is also known as the septimal semicomma diminished seventh chord. In a [[meantone]] tuning the starling tetrad is three minor thirds and an augmented second, which is the traditional diminished seventh chord of common practice music in the meantone era. | |||
Also familiar from the music of common practice is the diminished [[triad]], a tempering of | |||
* 1–6/5–10/7 with steps 6/5, 6/5, 7/5, | |||
There is also a unique starling [[pentad]], | when understood [[7-limit|septimally]]. Other essentially tempered starling triads are | ||
* 1–5/4–7/5 with steps 5/4, 10/9, 10/7 and its inversion, | |||
* 1–5/4–9/5 with steps 5/4, 10/7, 10/9. | |||
For starling tetrads, we also have | |||
* 1–5/4–3/2–9/5 with steps 5/4, 6/5, 6/5, 10/9 and its inversion, | |||
* 1–6/5–3/2–5/3 with steps 6/5, 5/4, 10/9, 6/5; | |||
* 1–5/4–7/5–7/4 with steps 5/4, 10/9, 5/4, 8/7; | |||
* 1–5/4–7/5–9/5 with steps 5/4, 10/9, 9/7, 10/9; | |||
* 1–9/8–5/4–9/5 with steps 9/8, 10/9, 10/7, 10/9. | |||
There is also a unique starling [[pentad]], a modified complete ninth chord, | |||
* 1–9/8–5/4–3/2–9/5, with steps 9/8, 10/9, 6/5, 6/5, 10/9, | |||
In the transposition 1–6/5–4/3–3/2–5/3 with steps 6/5, 10/9, 9/8, 10/9, 6/5 we can more easily see that the steps are symmetrical around 9/8. | |||
Starling chords come to triads: 3, tetrads: 6, pentads: 1, for a total of 10. | Starling chords come to triads: 3, tetrads: 6, pentads: 1, for a total of 10. | ||
[[ | [[Equal temperament]]s with starling chords include {{EDOs| 19, 27, 31, 43, 46, 50, 58, 77, 185, and 265c }}, and using the [[patent val]] tuning, [[34edo|34]] and [[65edo|65]]. | ||
[[Category:7-odd-limit]] | [[Category:7-odd-limit chords]] | ||
[[Category:9-odd-limit]] | [[Category:9-odd-limit chords]] | ||
[[Category:Essentially tempered chords]] | [[Category:Essentially tempered chords]] | ||
[[Category: | [[Category:Triads]] | ||
[[Category: | [[Category:Tetrads]] | ||
[[Category: | [[Category:Pentads]] | ||
[[Category:Starling]] | [[Category:Starling]] |