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The modern equal-tempered tunings of the [[5L 2s|Diatonic]] scale can be similarly created using the [[12edo|12-EDO]] chord 2 - 4 - 5, with step sizes 2 - 2 - 1; this can also be extended to other tunings thereof, such as [[17edo|17-EDO]] (with the chord 3 - 6 - 7), [[19edo|19-EDO]] (with the chord 3 - 6 - 8), [[31edo|31-EDO]] (with the chord 5 - 10 - 13), and any other desired shade of the diatonic scale.
The modern equal-tempered tunings of the [[5L 2s|Diatonic]] scale can be similarly created using the [[12edo|12-EDO]] chord 2 - 4 - 5, with step sizes 2 - 2 - 1; this can also be extended to other tunings thereof, such as [[17edo|17-EDO]] (with the chord 3 - 6 - 7), [[19edo|19-EDO]] (with the chord 3 - 6 - 8), [[31edo|31-EDO]] (with the chord 5 - 10 - 13), and any other desired shade of the diatonic scale.
== Maqamat and Ajnas ==
The Arabic Maqamat are built using chords called Ajnas.  For instance, Maqam Rast is created using two copies of Jins Rast<!-- There are two forms of Jins Rast, often considered to be separate Ajnas; the difference between the two is the presence or absence of the Perfect Fifth. -->.  If we take an approximation of this Rast chord, such as the 9::12 tetrachord, we can use a Chord Interlace scale to create a reasonable approximation of Maqam Rast.  This can also be done for other Maqamat whose Jins are identical or nearly so, such as 'Ajam and Hijazkar.
Keep in mind that while the generated scales might sound similar to the traditional maqamat, this method of approximation is extremely crude, and a very poor representation of the actual traditions.


== Other Applications ==
== Other Applications ==
Chord Interlace scales can be used to approximate other musical traditions, such as the Arabic Ajnas and Maqamat.  If we interpret [https://maqamworld.com/en/jins/upper_rast.php Jins Rast] as a 9::12 tetrachord, for instance, then the Chord Interlace scale built from this tetrachord provides a convincing [https://maqamworld.com/en/maqam/rast.php Maqam Rast].
Chord interlace scales can provide a useful structure for any JI or tempered scale.  Any and all chords can be used to generate such a scale - this includes [[Harmonic series segment|overtone segments]], undertone segments, [[generator]] patterns, [[Delta-rational chord|DR chords]], or any other arbitrarily-chosen chords the composer may want to use.
 
Additionally, chord interlace scales can provide a useful structure for a JI or tempered scale.  Any and all chords can be used to generate such a scale - this includes [[Harmonic series segment|overtone segments]], undertone segments, [[generator]] patterns, [[Delta-rational chord|DR chords]], or any other arbitrarily-chosen chords the composer may want to use.