Dominant seventh flat five chord: Difference between revisions
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* (Starling) 1/1 ‒ 5/4 ‒ 10/7 ‒ 9/5, with steps 5/4, 8/7, 5/4 | * (Starling) 1/1 ‒ 5/4 ‒ 10/7 ‒ 9/5, with steps 5/4, 8/7, 5/4 | ||
[[Septimal meantone]], which is well-represented by the historically prevalent [[quarter-comma meantone]] | [[Septimal meantone]], which is well-represented by the historically prevalent [[quarter-comma meantone]], tempers together all of the above chords, so any of the those interpretations may be relevant for dominant seventh flat five chords found in common-practice music. | ||
== In just intonation == | == In just intonation == | ||
In the [[7-limit]]: | In the [[7-limit]]: | ||
* [[28:35:40:50]] corresponds to a just interpretation of the essentially-tempered chords of marvel and starling temperament. | * [[20:25:28:35]] (1/1 - 5/4 - 7/5 - 7/4) | ||
* [[28:35:40:50]], found in [[Euler-Fokker genus|genus]] 5<sup>2</sup>{{dot}}7, corresponds to a just interpretation of the essentially-tempered chords of marvel and starling temperament. | |||
In the [[5-limit]]: | In the [[5-limit]]: | ||