Talk:Constant structure: Difference between revisions
m 1 revision imported: Moving archived Wikispaces discussion to subpage |
discuss the diatonic scale example |
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== Note names in the diatonic scale == | |||
The Examples section currently contains the following table: | |||
---- | |||
Interval matrix as note names: | |||
{| class="wikitable center-all" | |||
! | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! (8) | |||
|- | |||
! C | |||
| C | |||
| D | |||
| E | |||
| F | |||
| G | |||
| A | |||
| B | |||
| C | |||
|- | |||
! D | |||
| C | |||
| D | |||
| Eb | |||
| F | |||
| G | |||
| A | |||
| Bb | |||
| C | |||
|- | |||
! E | |||
| C | |||
| Db | |||
| Eb | |||
| F | |||
| G | |||
| Ab | |||
| Bb | |||
| C | |||
|- | |||
! F | |||
| C | |||
| D | |||
| E | |||
| <span style="background-color: #ffcc44;">F#</span> | |||
| G | |||
| A | |||
| B | |||
| C | |||
|- | |||
! G | |||
| C | |||
| D | |||
| E | |||
| F | |||
| G | |||
| A | |||
| Bb | |||
| C | |||
|- | |||
! A | |||
| C | |||
| D | |||
| Eb | |||
| F | |||
| G | |||
| Ab | |||
| Bb | |||
| C | |||
|- | |||
! B | |||
| C | |||
| Db | |||
| Eb | |||
| F | |||
| <span style="background-color: #ffcc44;">Gb</span> | |||
| Ab | |||
| Bb | |||
| C | |||
|} | |||
---- | |||
This usage seems incoherent to me: if the scale in the example is the diatonic scale containing C, D, E, F, G, A, and B, then _the scale in question doesn't contain any notes with sharps or flats_, and it's nonsensical to talk about those notes. Instead, the table should describe the notes from a single scale, and the paragraph that follows it should also refer to the notes within that same scale. | |||
I suggest something like the following instead: | |||
---- | |||
Interval matrix as steps of 12edo: | |||
{| class="wikitable center-all" | |||
! | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! (8) | |||
|- | |||
! 0\12 | |||
| 0\12 | |||
| 2\12 | |||
| 4\12 | |||
| 5\12 | |||
| 7\12 | |||
| 9\12 | |||
| 11\12 | |||
| 12\12 | |||
|- | |||
! 2\12 | |||
| 0\12 | |||
| 2\12 | |||
| 3\12 | |||
| 5\12 | |||
| 7\12 | |||
| 9\12 | |||
| 10\12 | |||
| 12\12 | |||
|- | |||
! 4\12 | |||
| 0\12 | |||
| 1\12 | |||
| 3\12 | |||
| 5\12 | |||
| 7\12 | |||
| 8\12 | |||
| 10\12 | |||
| 12\12 | |||
|- | |||
! 5\12 | |||
| 0\12 | |||
| 2\12 | |||
| 4\12 | |||
| <span style="background-color: #ffcc44;">6\12</span> | |||
| 7\12 | |||
| 9\12 | |||
| 11\12 | |||
| 12\12 | |||
|- | |||
! 7\12 | |||
| 0\12 | |||
| 2\12 | |||
| 4\12 | |||
| 5\12 | |||
| 7\12 | |||
| 9\12 | |||
| 10\12 | |||
| 12\12 | |||
|- | |||
! 9\12 | |||
| 0\12 | |||
| 2\12 | |||
| 3\12 | |||
| 5\12 | |||
| 7\12 | |||
| 8\12 | |||
| 10\12 | |||
| 12\12 | |||
|- | |||
! 11\12 | |||
| 0\12 | |||
| 1\12 | |||
| 3\12 | |||
| 5\12 | |||
| <span style="background-color: #ffcc44;">6\12</span> | |||
| 8\12 | |||
| 10\12 | |||
| 12\12 | |||
|} | |||
Interval matrix as note names: | |||
{| class="wikitable center-all" | |||
! | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! (8) | |||
|- | |||
! C | |||
| C | |||
| D | |||
| E | |||
| F | |||
| G | |||
| A | |||
| B | |||
| C | |||
|- | |||
! D | |||
| D | |||
| E | |||
| F | |||
| G | |||
| A | |||
| B | |||
| C | |||
| D | |||
|- | |||
! E | |||
| E | |||
| F | |||
| G | |||
| A | |||
| B | |||
| C | |||
| D | |||
| E | |||
|- | |||
! F | |||
| F | |||
| G | |||
| A | |||
| <span style="background-color: #ffcc44;">B</span> | |||
| C | |||
| D | |||
| E | |||
| F | |||
|- | |||
! G | |||
| G | |||
| A | |||
| B | |||
| C | |||
| D | |||
| E | |||
| F | |||
| G | |||
|- | |||
! A | |||
| A | |||
| B | |||
| C | |||
| D | |||
| E | |||
| F | |||
| G | |||
| A | |||
|- | |||
! B | |||
| B | |||
| C | |||
| D | |||
| E | |||
| <span style="background-color: #ffcc44;">F</span> | |||
| G | |||
| A | |||
| B | |||
|} | |||
In 12edo, the intervals from F to B and from B to F are the same size: 6\12, or 600 cents. From F to B, this interval spans four steps of our diatonic scale; but from B to F it spans five. Since the same (600¢) interval spans different numbers of scale steps at different points in the scale, this scale is not a constant structure. | |||
However, in tunings that assign different interval sizes for F–B and B–F — such as meantone and superpyth — the diatonic scale ''is'' a constant structure. For example, 31edo (meantone) tunes F–B and B–F to 15\31 (581¢) and 16\31 (619¢) respectively, so the four-scale-step interval is distinct from the five-scale-step one: | |||
{| class="wikitable center-all" | |||
! | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! (8) | |||
|- | |||
! 0\31 | |||
| 0\31 | |||
| 5\31 | |||
| 10\31 | |||
| 13\31 | |||
| 18\31 | |||
| 23\31 | |||
| 28\31 | |||
| 31\31 | |||
|- | |||
! 5\31 | |||
| 0\31 | |||
| 5\31 | |||
| 8\31 | |||
| 13\31 | |||
| 18\31 | |||
| 23\31 | |||
| 26\31 | |||
| 31\31 | |||
|- | |||
! 10\31 | |||
| 0\31 | |||
| 3\31 | |||
| 8\31 | |||
| 13\31 | |||
| 18\31 | |||
| 21\31 | |||
| 26\31 | |||
| 31\31 | |||
|- | |||
! 13\31 | |||
| 0\31 | |||
| 5\31 | |||
| 10\31 | |||
| <span style="background-color: #ffcc44;">15\31</span> | |||
| 18\31 | |||
| 23\31 | |||
| 28\31 | |||
| 31\31 | |||
|- | |||
! 18\31 | |||
| 0\31 | |||
| 5\31 | |||
| 10\31 | |||
| 13\31 | |||
| 18\31 | |||
| 23\31 | |||
| 26\31 | |||
| 31\31 | |||
|- | |||
! 23\31 | |||
| 0\31 | |||
| 5\31 | |||
| 8\31 | |||
| 13\31 | |||
| 18\31 | |||
| 21\31 | |||
| 26\31 | |||
| 31\31 | |||
|- | |||
! 28\31 | |||
| 0\31 | |||
| 3\31 | |||
| 8\31 | |||
| 13\31 | |||
| <span style="background-color: #ffcc44;">16\31</span> | |||
| 21\31 | |||
| 26\31 | |||
| 31\31 | |||
|} |