Langwidge: Difference between revisions
CompactStar (talk | contribs) No edit summary |
m Structure |
||
| Line 7: | Line 7: | ||
This temperament is, however, neither the first nor the most successful to raise the notational issue, and there are a number of ways to address it. First, whether 19/16 must be notated as a minor third is debatable. Western harmony mainly dealt with the [[5-limit]], and only the mapping of [[5/1|5]] is fully established. Most conceptualization systems of [[just intonation]] ([[FJS]], [[HEJI]], etc.) indeed treats 19/16 as a minor third, but [[Sagittal notation|Sagittal]] is a notable exception in that it is equipped with an accidental of ratio 19683/19456 besides the more common [[513/512]], so 19/16 can be an augmented second there. Otherwise, if one wants to notate 19/16 as a minor third, they can adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C-^Eb-G. There are also other temperaments known to raise the notational issue in much simpler chords, such as [[schismatic]] temperament which represents the 5-limit 10:12:15 triad as C-D#-G. | This temperament is, however, neither the first nor the most successful to raise the notational issue, and there are a number of ways to address it. First, whether 19/16 must be notated as a minor third is debatable. Western harmony mainly dealt with the [[5-limit]], and only the mapping of [[5/1|5]] is fully established. Most conceptualization systems of [[just intonation]] ([[FJS]], [[HEJI]], etc.) indeed treats 19/16 as a minor third, but [[Sagittal notation|Sagittal]] is a notable exception in that it is equipped with an accidental of ratio 19683/19456 besides the more common [[513/512]], so 19/16 can be an augmented second there. Otherwise, if one wants to notate 19/16 as a minor third, they can adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C-^Eb-G. There are also other temperaments known to raise the notational issue in much simpler chords, such as [[schismatic]] temperament which represents the 5-limit 10:12:15 triad as C-D#-G. | ||
== Temperament data == | == Temperament data == | ||
| Line 22: | Line 20: | ||
{{Optimal ET sequence|legend=1| 12, 235, 247, 259b, 271b, …, 355b, 367b }} | {{Optimal ET sequence|legend=1| 12, 235, 247, 259b, 271b, …, 355b, 367b }} | ||
== See also == | |||
* [[Protolangwidge]] | |||
== References == | == References == | ||
<references/> | |||
[[Category:Temperaments]] | [[Category:Temperaments]] | ||