17/16: Difference between revisions

Simplify the "terminology and notation" section since it's addressed in the 17-limit page
mNo edit summary
Line 16: Line 16:
For 17/16 specifically:  
For 17/16 specifically:  
* In [[Functional Just System]], it is a diatonic semitone, separated by [[4131/4096]] from the [[256/243|Pythagorean minor second (256/243)]]. It is also called the '''minor diatonic semitone''', which contrasts the [[5-limit]] major diatonic semitone of [[16/15]] by [[256/255]], about 6.8¢.  
* In [[Functional Just System]], it is a diatonic semitone, separated by [[4131/4096]] from the [[256/243|Pythagorean minor second (256/243)]]. It is also called the '''minor diatonic semitone''', which contrasts the [[5-limit]] major diatonic semitone of [[16/15]] by [[256/255]], about 6.8¢.  
* In [[Helmholtz-Ellis notation]], it is a chromatic semitone, separated by [[2187/2176]] from the [[2187/2048|Pythagorean chromatic semitone (2187/2048)]].  
* In [[Helmholtz-Ellis notation]], it is a chromatic semitone, separated by [[2187/2176]] from the [[2187/2048|Pythagorean augmented unison (2187/2048)]].  


The term ''large septendecimal semitone'' omits the diatonic/chromatic part and only describes its melodic property i.e. the size. It is said in contrast to the small septendecimal semitone of 18/17.  
The term ''large septendecimal semitone'' omits the diatonic/chromatic part and only describes its melodic property i.e. the size. It is said in contrast to the small septendecimal semitone of 18/17.