Subfifth

Revision as of 17:06, 16 February 2016 by Wikispaces>xenwolf (**Imported revision 575002033 - Original comment: **)

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This revision was by author xenwolf and made on 2016-02-16 17:06:33 UTC.
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Original Wikitext content:

A **Subfifth** is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a[[16_11| 16/11]] and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. 

The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term "out of tune". Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant.

See [[16_11|16/11]] or [[22_15|22/15]] for examples.

Original HTML content:

<html><head><title>Subfifth</title></head><body>A <strong>Subfifth</strong> is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a<a class="wiki_link" href="/16_11"> 16/11</a> and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. <br />
<br />
The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term &quot;out of tune&quot;. Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant.<br />
<br />
See <a class="wiki_link" href="/16_11">16/11</a> or <a class="wiki_link" href="/22_15">22/15</a> for examples.</body></html>