Inthar's mode names

The following names are taken from a fictional semiquartal-based musical culture.

  • LLsLsLsLs Tsimmaïan (tsim-ə-EE-ən)
  • LsLLsLsLs Tavulian
  • LsLsLLsLs Lannian
  • LsLsLsLLs Bonzhian
  • LsLsLsLsL Tjatupian (chə-TOO-piən)
  • sLLsLsLsL Zierokian
  • sLsLLsLsL Vashmian
  • sLsLsLLsL Pahnachian
  • sLsLsLsLL Iporian

One can think of 5L 4s modes as being built from two pentachords (division of the perfect fourth into four intervals) plus a whole tone. The possible pentachords are LsLs, sLLs, and sLsL. (In this fictional culture, these pentachords are called Lannin, Zierokin, and Vašmin, respectively, and is part of a larger system of pentachords based around the semifourth.)

TODO: Does having native mode names make sense?

Melodic approaches

Pentachordal

Pentatonic

Counterpoint

Harmony